đŸŒŋ Poem: The Power of a Tree



đŸŒŋ Poem: The Power of a Tree

Oh my Nature,
I love you better.

In the morning,
The sun is shining,
The trees are laughing,
Who are hearing?
All are only running.

Though I am sitting,
The power of a tree
Makes us free.

From the jail,
By its smell,
Healing disease,
Without a bridge.

So, accordingly,
I always sit near a small tree,
And try to take oxygen with my eyes
Every morning.


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✒️ Analysis (English)

This poem celebrates Nature as a liberator and healer. The poet contrasts the restless movement of people (“all are only running”) with his own peaceful contemplation under a tree.

Nature as Freedom: The “jail” symbolizes human struggles, stress, and illness. The tree’s fragrance and presence release us from that prison.

Healing Power: The tree provides oxygen and fragrance, which metaphorically heal “various diseases.”

Seeing Oxygen: The unusual imagery of “taking oxygen with my eyes” suggests a spiritual absorption of nature’s essence—not just breathing it, but seeing and feeling life through trees.

Philosophical Depth: The poem expresses an eco-philosophy: true liberation comes not from speed or materialism, but from stillness and communion with nature.



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🌸 āĻŦাংāϞা āĻ…āύুāĻŦাāĻĻ (Bengali Meaning)

āĻ•āĻŦিāϤা: āĻ—াāĻ›েāϰ āĻļāĻ•্āϤি

āĻšে āĻĒ্āϰāĻ•ৃāϤি,
āϤোāĻŽাāϝ় āĻ­াāϞোāĻŦাāϏি āĻ…āϧিāĻ•।

āĻ­োāϰেāϰ āĻŦেāϞাāϝ়
āϏূāϰ্āϝ āĻšাāϏে,
āĻ—াāĻ›েāϰা āĻšাāϏে,
āĻ•ে āĻļোāύে āϤা?
āϏāĻŦাāχ āĻļুāϧু āĻ›ুāϟে āϚāϞে।

āφāĻŽি āĻļুāϧু āĻŦāϏে āĻĨাāĻ•ি,
āĻ—াāĻ›েāϰ āĻļāĻ•্āϤি
āφāĻŽাāĻĻেāϰ āĻŽুāĻ•্āϤ āĻ•āϰে।

āĻ•াāϰাāĻ—াāϰ āĻĨেāĻ•ে,
āϤাāϰ āĻ—āύ্āϧে,
āϰোāĻ— āϏাāϰে,
āϏেāϤু āĻ›াāĻĄ়াāχ।

āϤাāχ āφāĻŽি āĻĒ্āϰāϤিāĻĻিāύ
āĻāĻ•āϟি āĻ›োāϟ্āϟ āĻ—াāĻ›েāϰ āĻ•াāĻ›ে āĻŦāϏি,
āφāϰ āϚোāĻ– āĻĻিāϝ়ে āύিāχ āĻ…āĻ•্āϏিāϜেāύ
āĻĒ্āϰāϤিāϟি āĻ­োāϰে।


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📖 āĻŦাংāϞা āĻŦিāĻļ্āϞেāώāĻŖ (Philosophical Analysis in Bengali)

āĻāχ āĻ•āĻŦিāϤাāϝ় āĻĒ্āϰāĻ•ৃāϤিāĻ•ে āĻŽাāύুāώেāϰ āĻŽুāĻ•্āϤিāϰ āĻĒāĻĨ āĻšিāϏেāĻŦে āĻĻেāĻ–া āĻšāϝ়েāĻ›ে।

āĻ•াāϰাāĻ—াāϰ āĻĒ্āϰāϤীāĻ•ী āĻ…āϰ্āĻĨে āĻŽাāύুāώেāϰ āĻĻুঃāĻ–, āĻ•্āϞাāύ্āϤি, āϰোāĻ—āĻŦ্āϝাāϧি āĻ“ āĻ­োāĻ—āĻŦাāĻĻী āϜীāĻŦāύেāϰ āĻŦāύ্āĻĻিāϤ্āĻŦāĻ•ে āĻŦোāĻাāϝ়।

āĻ—াāĻ›েāϰ āĻļāĻ•্āϤি āĻŽাāύে āĻĒ্āϰāĻ•ৃāϤিāϰ āϜীāĻŦāύāĻĻাāϝ়িāύী āĻ…āĻ•্āϏিāϜেāύ, āĻļাāύ্āϤি āĻ“ āύিāϰাāĻŽāϝ় āĻļāĻ•্āϤি।

“āϚোāĻ– āĻĻিāϝ়ে āĻ…āĻ•্āϏিāϜেāύ āύেāĻ“āϝ়া”—āĻāĻ–াāύে āĻĻাāϰ্āĻļāύিāĻ• āĻĻৃāώ্āϟিāĻ•োāĻŖ āĻĨেāĻ•ে āĻŦোāĻাāύো āĻšāϝ়েāĻ›ে, āĻĻāϰ্āĻļāύ āĻŦা āĻĻেāĻ–া āĻŽাāύেāχ āφāϤ্āĻŽাāϰ āĻ–োāϰাāĻ• āĻ—্āϰāĻšāĻŖ। āĻļুāϧু āĻļ্āĻŦাāϏ āύāϝ়, āĻ—াāĻ›āĻ•ে āĻĻেāĻ–াāĻ“ āφāϤ্āĻŽাāϰ āĻāĻ• āϧāϰāĻŖেāϰ āĻĒুāώ্āϟি।

āĻ āĻ•āĻŦিāϤাāϰ āĻŽূāϞ āĻĻāϰ্āĻļāύ āĻšāϞো—āĻŽাāύুāώ āĻĒ্āϰāĻ•ৃāϤিāϰ āϏāĻ™্āĻ—ে āĻ—āĻ­ীāϰ āϏāĻŽ্āĻĒāϰ্āĻ• āϰাāĻ–āϞে, āϏে āĻĻুঃāĻ– āĻĨেāĻ•ে āĻŽুāĻ•্āϤি āĻĒাāϝ়, āϜীāĻŦāύেāϰ āĻ­েāϤāϰে āĻāĻ• āϧāϰāĻŖেāϰ āĻ…āύ্āϤāϰ্āĻŽুāĻ•্āϤি āĻ“ āĻļাāύ্āϤি āϞাāĻ­ āĻ•āϰে।



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