---✍️ “I respect both faith and doubt, but never the mask between them.”2.“Belief or disbelief matters less than honesty of the soul.”---đŋ ā§§।“āĻāϏ্āϤিāĻ āĻšোāĻ āĻŦা āύাāϏ্āϤিāĻ—āĻāĻŽি āĻŽাāύি, āĻāĻŖ্āĻĄাāĻŽিāϰ āĻŽুāĻোāĻļে āĻŦিāĻļ্āĻŦাāϏ āĻĻিāĻ āύা āĻāĻŽি।”⧍।“āĻŦিāĻļ্āĻŦাāϏ āĻŦা āĻ āĻŦিāĻļ্āĻŦাāϏ āύ⧗āĻāϏāϞ āĻāĻĨা āĻ āύ্āϤāϰেāϰ āϏāϤāϤা।”
✍️ English Poem
“Two Paths of Faith”
At my daughter’s gate I stood one day,
Guardians gathered in gentle way.
Their words were kind, their faces fair,
Yet in my mind two roads were there.
Theist and atheist—two streams flow,
Both I honor, both I know.
Faith in God, or reason’s light,
Each has truth in its own right.
But when one drifts from chosen side,
And wears two masks the heart can’t hide,
I cannot call that soul my friend,
For falsehood harms where truths should blend.
So I walk with caution clear,
Respecting all, yet holding near,
That honesty, whether faith or doubt,
Is the only light I care about.
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✨ English Analysis
Theme: The poem shows your perspective of dividing people into two broad classes—theists and atheists—and respecting both, but distrusting hypocrisy.
Friendship & Trust: Honesty of belief matters more than which belief one holds. Hypocrisy (switching masks) becomes harmful.
Philosophy: It stresses authenticity—truthfulness in one’s worldview is more important than the worldview itself.
Universal Message: Real friendship is built not on shared faith, but on integrity of thought and action.
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đŋ āĻŦাংāϞা āĻāĻŦিāϤা
“āĻŦিāĻļ্āĻŦাāϏেāϰ āĻĻুāĻ āĻĒāĻĨ”
āĻāύ্āϝাāϰ āĻĒāϰীāĻ্āώাāĻেāύ্āĻĻ্āϰে āĻĻাঁā§াāϞাāĻŽ āĻāĻāĻĻিāύ,
āĻ
āĻিāĻাāĻŦāĻāϰা āĻāϞেāύ—āĻāĻāϰāĻŖে āĻŽāϧুāϰ āϏাāĻĻাāĻŽিāύ।
āϤāĻŦু āĻŽāύে āĻāĻŽাāϰ āĻĻুāĻি āĻĒāĻĨ,
āĻāϏ্āϤিāĻ-āύাāϏ্āϤিāĻ—āĻāĻ āϤো āϰāĻĨ।
āĻĻুāĻ āϧাāϰাāĻেāĻ āĻāĻŽি āĻŽাāύি,
āĻŦিāĻļ্āĻŦাāϏ āĻšোāĻ āĻŦা āϝুāĻ্āϤিāϰ āĻŦাāĻŖী।
āĻেāĻ āĻāĻļ্āĻŦāϰে, āĻেāĻ āϝুāĻ্āϤিāϤে āĻাāύে,
āĻĻু’āĻĻিāĻেāĻ āϏāϤ্āϝেāϰ āĻāϞো āĻĨাāĻে āĻĒ্āϰাāĻŖে।
āĻিāύ্āϤু āϝে āĻŦāĻĻāϞাā§ āĻĒāĻĨেāϰ āύাāĻŽ,
āĻŽুāĻে āĻāĻ, āĻ
āύ্āϤāϰে āĻāϰেāĻ āĻাāĻŽ,
āϏে āĻŦāύ্āϧু āύ⧗āϏāϤāϰ্āĻāϤা āĻাāĻ,
āĻāĻŖ্āĻĄাāĻŽি āϏāϰ্āĻŦāĻĻা āĻ্āώāϤিāϰ āĻাā§া āĻĒাāĻ।
āϤাāĻ āĻļ্āϰāĻĻ্āϧা āĻāϰি āϏāĻāϞāĻে āϏāĻŽাāύ,
āϤāĻŦু āĻাāĻে āϰাāĻি āϏāϤ্āϝেāϰ āĻাāύ।
āĻāϏ্āĻĨা āĻŦা āϏāύ্āĻĻেāĻš, āϝা-āĻ āĻšোāĻ āĻ িāĻ,
āϏāϤāϤাāĻ āĻāϞো—āĻিāϰ āĻ
āĻুāĻ āĻļিāĻ।
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đ¸ āĻŦাংāϞা āĻŦিāĻļ্āϞেāώāĻŖ
āĻŦিāώā§: āĻāĻŦিāϤাā§ āĻŦāϞা āĻšā§েāĻে—āĻŽাāύুāώāĻে āĻĻুāĻো āĻĒāĻĨে āĻাāĻ āĻāϰা āϝাā§: āĻāϏ্āϤিāĻ āĻ āύাāϏ্āϤিāĻ। āĻĻুāĻāĻেāĻ āϏāĻŽাāύāĻাāĻŦে āϏāĻŽ্āĻŽাāύ āĻāϰা āϝাā§।
āĻŦāύ্āϧুāϤ্āĻŦ āĻ āϏāϤāϰ্āĻāϤা: āϝে āĻŦ্āϝāĻ্āϤি āύিāĻেāϰ āĻŦিāĻļ্āĻŦাāϏে āϏ⧠āύā§, āĻŽাāĻেāĻŽāϧ্āϝে āĻ
āύ্āϝ āĻĒāĻĨে āĻāϞে, āϏে āĻŦāύ্āϧু āĻšāϤে āĻĒাāϰে āύা—āĻাāϰāĻŖ āĻāĻŖ্āĻĄাāĻŽি āĻŦিāĻĒāĻ্āĻāύāĻ।
āĻĻāϰ্āĻļāύ: āĻāϏāϞ āĻŦāύ্āϧুāϤ্āĻŦ āĻŦা āĻāϏ্āĻĨা āĻāύ্āĻŽাā§ āĻŦিāĻļ্āĻŦাāϏে āύā§, āϏāϤāϤাāϰ āĻāĻĒāϰ।
āϏাāϰ্āĻŦāĻāύীāύ āĻļিāĻ্āώা: āĻŽāϤāĻেāĻĻ āĻĨাāĻāϞেāĻ āϏāϤāϤা āĻĨাāĻāϞে āϏāĻŽ্āĻŽাāύ āϏāĻŽ্āĻāĻŦ; āĻāĻŖ্āĻĄাāĻŽি āĻĨাāĻāϞে āύā§।
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