🌙 Title: The Unseen Presence



🌙 Title: The Unseen Presence

✒️ Poetic Form (English)

Some believe, some deny,
Of angels and ghosts that wander the sky.
The learned may laugh, the skeptic may say,
“Such unseen bodies cannot sway.”

But I believe, with heart so sure,
The unseen exists, subtle and pure.
They watch us close, though hidden from sight,
Rare souls may glimpse them, in silence of night.

They harm not the mind that is filled with thought,
With study, with writing, with wisdom well-wrought.
Such minds are guarded, safe in their flame,
Yet still the unseen may whisper our name.

At twelve years old, a tale I recall,
With friends by the river, we gathered all.
Fishing, feasting, a picnic begun,
When bricks rained down, and we had to run.

Fleeing in fear, our laughter erased,
At distance we saw, our hearts were amazed:
A woman in white, beneath a tree,
Silent, eternal—yet staring at me.


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🔍 Analysis (English)

This poem explores the mystery of unseen beings—ghosts, spirits, angels—that some accept and others deny. The speaker strongly believes in their existence and influence. The story of childhood, where a strange event occurred (bricks thrown mysteriously, vision of a woman in white), becomes a symbol of how the unseen intersects with ordinary life.

Philosophically, the poem suggests that unseen beings are not necessarily harmful but rather selective in their interaction. A mind engaged in study and higher thought is protected, while idle or careless moments leave one open to contact. It highlights a duality: rational denial versus intuitive belief.


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đŸĒ” āĻ•āĻŦিāϤাāϰ āĻŦাংāϞা āĻ…āύুāĻŦাāĻĻ (Poetic Bengali Version)

āĻ…āĻĻৃāĻļ্āϝ āωāĻĒāϏ্āĻĨিāϤি

āĻ•েāω āĻŽাāύে, āĻ•েāω āφāĻŦাāϰ āĻšেāϏে āωāĻĄ়াāϝ়,
āĻ­ূāϤ-āĻĒ্āϰেāϤ-āĻĢেāϰেāĻļāϤা āφāĻ•াāĻļে āϘুāϰে āĻŦেāĻĄ়াāϝ়।
āĻļিāĻ•্āώিāϤ āĻŦāϞে, “āĻāϏāĻŦ āĻŽিāĻĨ্āϝা āϏ্āĻŦāĻĒ্āύ,
āĻ…āĻĻৃāĻļ্āϝ āĻĻেāĻšেāϰ āύেāχ āĻ•োāύো āϜāĻ—ā§Ž।

āϤāĻŦু āφāĻŽি āĻŦিāĻļ্āĻŦাāϏ āĻ•āϰি āĻĒ্āϰাāĻŖāĻ­āϰে,
āĻ…āĻĻৃāĻļ্āϝ āĻĨাāĻ•ে, āύীāϰāĻŦ āĻ…āύ্āϧāĻ•াāϰে।
āφāĻŽাāĻĻেāϰ āĻĻেāĻ–ে, āφāĻŽāϰা āĻĻেāĻ–ি āύা,
āĻ•āĻ–āύো āĻŦা āĻ•েāω—āĻĻেāĻ–ে āĻāĻ•া-āĻāĻ•া।

āϝে āĻŽāύেāϰ āĻ­িāϤāϰে āĻĒāĻĄ়া-āϞেāĻ–াāϰ āφāϞো,
āϤাāĻ•ে āĻ›ুঁāϤে āĻĒাāϰে āύা āĻ›াāϝ়াāϰ āϜāϞো।
āϜ্āĻžাāύেāϰ āĻĒ্āϰāĻĻীāĻĒ āϰāĻ•্āώা āĻ•āϰে āĻĒ্āϰাāĻŖ,
āϤāĻŦু āĻ…āĻĻৃāĻļ্āϝ āĻĢিāϏāĻĢিāϏাāϝ় āϟাāύে āϟাāύ।

āĻŦাāϰো āĻŦāĻ›āϰে āĻāĻ•āĻĻিāύেāϰ āĻ•াāĻšিāύী,
āĻŦāύ্āϧুāĻĻেāϰ āύিāϝ়ে āύāĻĻীāϰ āϧাāϰে āϝাāχ āφāĻŽāϰা āϝেāχ।
āĻŽাāĻ› āϧāϰি, āĻšাāϏি, āĻ­োāϜেāϰ āφāϝ়োāϜāύ,
āĻšāĻ াā§Ž āχāϟ āωāĻĄ়ে āφāϏে, āĻ­āϝ়ংāĻ•āϰ āĻ•্āώāĻŖ।

āĻ›ুāϟে āĻĒাāϞাāχ, āĻšাāϰাāϞাāĻŽ āĻšাāϏি,
āĻĻূāϰে āĻĻেāĻ–ি—āĻļিāϰāĻĻাঁāĻĄ়া āĻ•াঁāĻĒাāϝ় āϏে āĻĻৃāώ্āϟি।
āϏাāĻĻা āĻļাāĻĄ়ি āĻĒāϰা āĻāĻ• āύাāϰী āĻĻাঁāĻĄ়িāϝ়ে,
āĻ—াāĻ›েāϰ āύিāϚে, āϚুāĻĒāϚাāĻĒ āϚেāϝ়ে āφāĻ›ে—āφāĻŽাāϰ āĻĻিāĻ•েāχ।


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📖 āĻŦাংāϞা āĻŦিāĻļ্āϞেāώāĻŖ āĻ“ āĻĻāϰ্āĻļāύ

āĻāχ āĻ•āĻŦিāϤাāϟি āĻŽাāύুāώেāϰ āĻŦিāĻļ্āĻŦাāϏ āĻāĻŦং āĻ…āĻŦিāĻļ্āĻŦাāϏেāϰ āĻĻ্āĻŦāύ্āĻĻ্āĻŦāĻ•ে āϤুāϞে āϧāϰে। āĻ•েāω āĻ…āĻĻৃāĻļ্āϝ āϜāĻ—āϤāĻ•ে āĻ•āϞ্āĻĒāύা āĻŦāϞে āĻŽাāύে, āφāĻŦাāϰ āĻ•েāω āĻŦাāϏ্āϤāĻŦ āĻŦāϞে āĻšৃāĻĻāϝ়ে āϧাāϰāĻŖ āĻ•āϰে। āĻŦāĻ•্āϤাāϰ āĻŽāϤে, āĻ…āĻĻৃāĻļ্āϝ āĻĒ্āϰাāĻŖীāϰা āφāĻŽাāĻĻেāϰ āĻĻেāĻ–ে, āĻ•িāύ্āϤু āφāĻŽāϰা āϤাāĻĻেāϰ āĻĻেāĻ–āϤে āĻĒাāχ āύা।

āĻĻāϰ্āĻļāύ:

āϜ্āĻžাāύেāϰ āφāϞো (āĻĒāĻĄ়া, āϞেāĻ–া, āϚিāύ্āϤাāĻļāĻ•্āϤি) āĻŽাāύুāώāĻ•ে āϰāĻ•্āώা āĻ•āϰে।

āϝাāϰা āĻ…āϞāϏ āĻŦা āĻ…āϏāϚেāϤāύ, āϤাāϰাāχ āĻ…āĻĻৃāĻļ্āϝ āϜāĻ—āϤেāϰ āĻĒ্āϰāĻ­াāĻŦেāϰ āĻ•াāĻ›ে āĻŦেāĻļি āωāύ্āĻŽুāĻ•্āϤ।

āĻ…āĻ­িāϜ্āĻžāϤাāϰ āĻŽাāϧ্āϝāĻŽে āĻŦোāĻা āϝাāϝ়, āĻŦাāϏ্āϤāĻŦ āϜāĻ—ā§Ž āĻ“ āĻ…āĻĻৃāĻļ্āϝ āϜāĻ—ā§Ž āĻāĻ•āχ āϏাāĻĨে āĻŦিāĻĻ্āϝāĻŽাāύ।

āĻ āĻāĻ• āϧāϰāύেāϰ āĻĻ্āĻŦৈāϤ āĻĻāϰ্āĻļāύ—āĻĻৃāĻļ্āϝāĻŽাāύ āĻ“ āĻ…āĻĻৃāĻļ্āϝ, āĻŦিāϜ্āĻžাāύ āĻ“ āĻŦিāĻļ্āĻŦাāϏ, āϝুāĻ•্āϤি āĻ“ āĻ…āύ্āϤঃāĻĒ্āϰেāϰāĻŖা।



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