đŸŒŋ Poem: “The Wings of Silence”



đŸŒŋ Poem: “The Wings of Silence”

We know the bird,
a living thing,
that soars and sings
in the endless sky.

Yet some, like the penguin,
though given wings,
do not fly,
but walk upon the earth.

Some move by steps,
their flight a fleeting dream—
the hen, the duck,
close to the soil they remain.

And others—
parrot, peacock, lark—
dwell more in air than ground,
their voices carrying
the colors of the sky.

Birds belong
to two realms:
the tamed,
who live within our homes,
their flight contained—
a hen’s short rise,
a pigeon’s wandering height.

And the wild,
with no master but the wind,
who build their nests
in ruins or trees,
who sing at dawn,
and return at dusk
with music in their wings.

They move with seasons,
carry storms within their breath,
yet fear not winter,
nor the rains.

I believe in their power:
when disease draws near,
they seem to hold it,
to bear it,
to free the world.

As if their song itself
is healing,
as if their courage
is medicine.

Wild birds—
ever free,
ever singing—
they remind us:
to live is to fly,
and to bear the weight of life
is also a kind of flight.


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đŸĒļ āĻŦাংāϞা āĻ…āύুāĻŦাāĻĻ (Bengali Meaning)

āύিāĻļāĻŦ্āĻĻেāϰ āĻĄাāύা

āφāĻŽāϰা āϜাāύি,
āĻĒাāĻ–ি āĻāĻ• āϜীāĻŦāύ্āϤ āĻĒ্āϰাāĻŖ,
āφāĻ•াāĻļে āĻ“ā§œে, āĻ—াāύ āĻ—া⧟।

āϤāĻŦু āĻ•েāω āĻ•েāω—
āϝেāĻŽāύ āĻĒেāĻ™্āĻ—ুāχāύ,
āĻĄাāύা āĻĨাāĻ•āϞেāĻ“ āĻ‰ā§œে āύা,
āĻŽাāϟিāϤেāχ āĻšাঁāϟে।

āĻ•েāω āĻŦা āĻ…āϞ্āĻĒ āĻĄাāύা āĻাāĻĒāϟে
āĻšাঁāϟāϤেāχ āĻŦেāĻļি āĻ…āĻ­্āϝāϏ্āϤ—
āĻŽুāϰāĻ—ি, āĻšাঁāϏ—
āĻŽাāϟিāϰ āĻ•াāĻ›েāχ āĻĨাāĻ•ে।

āφāĻŦাāϰ āĻ•াāϰো āĻ—াāύ āφāĻ•াāĻļে—
āϤোāϤা, āĻŽā§Ÿূāϰ, āĻļাāϞিāĻ•—
āϝেāύ āϰāĻ™িāύ āϏুāϰে āĻ­াāϏে āφāĻ•াāĻļ।

āĻĒাāĻ–ি āĻĻু’āĻ­াāĻ—ে—
āĻ—ৃāĻšāĻĒাāϞিāϤ āφāϰ āĻŦুāύো।
āĻ—ৃāĻšāĻĒাāϞিāϤ āĻĒাāĻ–ি āĻĨাāĻ•ে āϘāϰে,
āĻŽাāύুāώেāϰ āĻšাāϤে āĻŦাঁāϧা—
āĻŽুāϰāĻ—ি āϏাāĻŽাāύ্āϝ āĻ‰ā§œে,
āϘুāϘু āĻŦা āĻ•āĻŦুāϤāϰ āĻ‰ā§œāϞেāĻ“
āĻĢেāϰ āϘāϰে āĻĢিāϰে āφāϏে।

āĻŦুāύো āĻĒাāĻ–িāϰা āĻŽুāĻ•্āϤ,
āϤাāĻĻেāϰ āĻŽাāϞিāĻ• āĻ•েāĻŦāϞ āĻŦাāϤাāϏ।
āĻ•āĻ–āύো āĻ­াāĻ™া āĻ•াāϰāĻ–াāύা,
āĻ•āĻ–āύো āĻŦৃāĻ•্āώেāϰ āĻĄাāϞে,
āĻ­োāϰে āĻ—াāύ āĻ—ে⧟ে āϝা⧟,
āϏāύ্āϧ্āϝা⧟ āĻĢেāϰে āϏুāϰ āύি⧟ে।

āϤাāϰা āĻ‹āϤুāϰ āϏাāĻĨে āĻŦāĻĻāϞা⧟,
āĻā§œ āĻŦুāĻ•ে āύি⧟েāĻ“ āĻ­ীāϤ āύ⧟।
āφāĻŽি āĻŦিāĻļ্āĻŦাāϏ āĻ•āϰি āϤাāĻĻেāϰ āĻļāĻ•্āϤিāϤে—
āϰোāĻ— āĻāϞে āϤাāϰা āĻ—্āϰāĻšāĻŖ āĻ•āϰে,
āĻŽুāĻ•্āϤ āĻ•āϰে āϧāϰāĻŖীāĻ•ে।

āϤাāĻĻেāϰ āϏাāĻšāϏāχ āĻ“āώুāϧ,
āϤাāĻĻেāϰ āĻ—াāύāχ āφāϰোāĻ—্āϝ।

āĻŦুāύো āĻĒাāĻ–ি—
āϚিāϰāĻŽুāĻ•্āϤ, āϚিāϰāϏুāϰেāϞা,
āφāĻŽাāĻĻেāϰ āĻļেāĻ–া⧟:
āĻŦাঁāϚা āĻŽাāύেāχ āĻ“ā§œা,
āϜীāĻŦāύেāϰ āĻ­াāϰ āĻŦāĻšāύ āĻ•āϰাāĻ“
āĻāĻ• āϰāĻ•āĻŽ āωāĻĄ্āĻĄā§Ÿāύ।


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🌌 āĻŦাংāϞা āĻŦিāĻļ্āϞেāώāĻŖ āĻ“ āĻĻāϰ্āĻļāύ

āĻāχ āĻ•āĻŦিāϤা⧟ āĻĒাāĻ–ি āĻļুāϧু āĻāĻ•āϟি āĻĒ্āϰাāĻŖী āύ⧟, āĻŽাāύāĻŦāϜীāĻŦāύেāϰ āĻĒ্āϰāϤীāĻ•।

āĻ‰ā§œāϤে āύা-āĻĒাāϰা āĻĒাāĻ–ি āφāĻŽাāĻĻেāϰ āϏীāĻŽাāĻŦāĻĻ্āϧāϤাāϰ āĻ•āĻĨা āĻŦāϞে—āϝে āφāĻŽāϰা āϏāĻŦাāχ āϏ্āĻŦাāϧীāύāϤাāϰ āϜāύ্āϝ āϜāύ্āĻŽাāϞেāĻ“, āĻ•াāϰāĻ“ āĻ•াāϰāĻ“ āϜীāĻŦāύ āĻŽাāϟিāϰ āϏীāĻŽাāύা⧟ āφāϟāĻ•ে āϝা⧟।

āĻ…āϞ্āĻĒ āĻ‰ā§œāύ্āϤ āĻšাঁāϏ-āĻŽুāϰāĻ—ি āφāĻŽাāĻĻেāϰ āĻ•্āώুāĻĻ্āϰ āĻĒ্āϰ⧟াāϏেāϰ āĻĒ্āϰāϤীāĻ•—āϝাāϰা āĻāĻ•āϟু āϚেāώ্āϟা āĻ•āϰে, āĻ•িāύ্āϤু āĻĻূāϰে āϝেāϤে āĻĒাāϰে āύা।

āϰāĻ™িāύ āĻ“ āϏ্āĻŦাāϧীāύ āĻ‰ā§œāύ্āϤ āϤোāϤা, āĻŽā§Ÿূāϰ, āĻļাāϞিāĻ• āφāĻŽাāĻĻেāϰ āφāϤ্āĻŽাāϰ āϏৌāύ্āĻĻāϰ্āϝ āĻ“ āĻ•āϞ্āĻĒāύাāϰ āĻ‰ā§œাāύāĻ•ে āĻĒ্āϰāĻ•াāĻļ āĻ•āϰে।

āĻ—ৃāĻšāĻĒাāϞিāϤ āĻĒাāĻ–ি āĻŽাāύুāώেāϰ āύি⧟āύ্āϤ্āϰāĻŖে āĻĨাāĻ•া āϜীāĻŦāύেāϰ āĻĒ্āϰāϤীāĻ•—āϝেāĻ–াāύে āϏ্āĻŦাāϧীāύāϤা āϏীāĻŽিāϤ।

āφāϰ āĻŦুāύো āĻĒাāĻ–ি āĻĒ্āϰāĻ•ৃāϤিāϰ āϏāĻ™্āĻ—ী—āϤাāĻĻেāϰ āϜীāĻŦāύ āĻ‹āϤু, āĻ—াāύ āĻ“ āĻā§œেāϰ āϏাāĻĨে āĻāĻ•াāĻ•াāϰ।


āĻĻাāϰ্āĻļāύিāĻ•āĻ­াāĻŦে āĻāĻ–াāύে āĻŦāϞা āĻšā§ŸেāĻ›ে, āĻĒাāĻ–িāϰা āĻļুāϧু āĻ—াāύāχ āĻ—া⧟ āύা, āϤাāϰা āϰোāĻ— āĻļোāώāĻŖ āĻ•āϰে, āϭ⧟ āϜ⧟ āĻ•āϰে, āφāĻŽাāĻĻেāϰ āĻŽুāĻ•্āϤিāϰ āĻŦাāϰ্āϤা āĻĻে⧟।
āĻĒাāĻ–িāϰ āĻļāĻ•্āϤি āĻšāϞো āϭ⧟āĻšীāύāϤা—āϤাāϰা āĻĒāϰিāĻŦেāĻļেāϰ āϏāĻ™্āĻ—ে āϞ⧜াāχ āĻ•āϰে āϟিāĻ•ে āĻĨাāĻ•ে। āĻŽাāύুāώেāϰ āĻ•াāĻ›েāĻ“ āĻāχ āĻļিāĻ•্āώা—
👉 “āϜীāĻŦāύ āϝāϤāχ āĻ•āĻ িāύ āĻšোāĻ•, āϭ⧟āĻ•ে āϜ⧟ āĻ•āϰāϤে āĻšāĻŦে, āϤāĻŦেāχ āϜীāĻŦāύেāϰ āĻĄাāύা āĻŽেāϞে āĻ‰ā§œāϤে āĻĒাāϰāĻŦ।”


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