🌱 Great or Mad?




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🌱 Great or Mad?

All living things, in earth’s wide span,
Are nursed by others, or nurse their clan;
Each has a gift, a hidden art,
A talent that beats within the heart.

But when one stands, against the tide,
While countless voices do deride;
Yet still he holds his vision fast,
Unmoved, unbent, until the last—

Is he a fool, astray, unwise?
Or one whose truth the world denies?
The line is thin, the choice is sad:
To call him great, or call him mad.


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Analysis (English)

The poem explores the paradox of individuality. Every living being either nurses or is nursed, meaning life is interdependent. Yet each carries different talents.

When almost all oppose a person’s idea, but he continues with conviction, society faces a dilemma:

Is he truly great, ahead of his time, seeing what others cannot?

Or is he mad, blinded by stubbornness, clinging to illusion?


👉 Philosophy: The difference between madness and greatness is often measured not by the person’s truth, but by time. What is mocked today may become wisdom tomorrow.
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đŸŒŋ āĻŽāĻšাāύ āύা āĻĒাāĻ—āϞ?

āϜāĻ—āϤে āϝāϤ āĻĒ্āϰাāĻŖ āφāĻ›ে, āĻāĻ•ে āĻ…āύ্āϝে āϏাāϰে,
āĻ•েāωāχ āĻĨাāĻ•ে āύা āĻāĻ•া, āϏāĻŦাāϰ āĻĻাāύে āϧাāϰে।
āϤāĻŦু āĻĒ্āϰāϤিāϟি āĻĒ্āϰাāĻŖী āĻ­িāύ্āύ, āĻĒ্āϰāϤিāĻ­া āϤাāϰ āύিāϜ,
āĻ•াāϰāĻ“ āĻšাāϤে āϏুāϰেāϰ āĻŦীāĻŖা, āĻ•াāϰāĻ“ āĻšাāϤে āĻ—ীāϰ্āϜ।

āϝāĻ–āύ āϏāĻ•āϞ āĻĻুāύি⧟া āĻĻে⧟ āωāĻĒāĻšাāϏ āϤিāϰ,
āĻāĻ•āϜāύ āĻĻাঁ⧜া⧟ āĻāĻ•া, āĻ…āϟāϞ āĻ…āύ্āϤāϰāϏ্āĻĨ āϧীāϰ;
āύিāϜ āĻ•āϰ্āĻŽāĻ•ে āϏāĻ িāĻ• āϜেāύে, āϚāϞে āϏে āύিāϰ্āϭ⧟,
āϏাāĻŽāύে āĻā§œ āϤুāĻĢাāύ āĻāϞেāĻ“ āύ⧜ে āύা āϤাāϰ āĻšৃāĻĻ⧟।

āϤāĻ–āύ āĻĒ্āϰāĻļ্āύ āĻ“āĻ ে āĻŽāύে—āĻ āĻ•ি āĻŦুāĻĻ্āϧিāϰ āĻ›āϞ?
āύাāĻ•ি āϏে-āχ āϏāϤ্āϝেāϰ āφāϞো, āϝুāĻ— āĻ•āϰেāĻ›ে āϟāϞ?
āϏāĻŽাāϜ āϝাāĻ•ে “āĻĒাāĻ—āϞ” āĻŦāϞে, āχāϤিāĻšাāϏ āĻĻে⧟ āĻŽাāύ,
āφāϜ āϝে āĻšাāϏিāϰ āĻĒাāϤ্āϰ, āĻ•াāϞ āϏে āĻšāĻŦে āĻŽāĻšাāύ।
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āĻŦাংāϞা āĻ…āϰ্āĻĨ

āĻāχ āĻ•āĻŦিāϤা⧟ āĻŦāϞা āĻšā§ŸেāĻ›ে—āϏāĻŦ āϜীāĻŦāχ āĻāĻ•ে āĻ…āĻĒāϰāĻ•ে āϞাāϞāύ āĻ•āϰে āĻŦা āĻ•াāϰāĻ“ āĻĻ্āĻŦাāϰা āϞাāϞিāϤ āĻšā§Ÿ। āĻ•িāύ্āϤু āĻĒ্āϰāϤিāϟি āϜীāĻŦ āϤাāϰ āύিāϜāϏ্āĻŦ āĻĒ্āϰāϤিāĻ­া āĻ“ āϏ্āĻŦāĻ­াāĻŦেāϰ āĻĻিāĻ• āĻĨেāĻ•ে āφāϞাāĻĻা।

āϝāĻ–āύ āĻ•াāϰāĻ“ āĻ•াāϜ āĻŦা āĻŽāϤাāĻŽāϤেāϰ āĻŦিāϰুāĻĻ্āϧে āϏāĻŦাāχ āĻĻাঁ⧜া⧟, āĻ…āĻĨāϚ āϏে āĻĻৃā§āĻ­াāĻŦে āϤাāϰ āĻ•াāϜāĻ•ে āϏāĻ িāĻ• āĻŽāύে āĻ•āϰে, āϤāĻ–āύ āĻĒ্āϰāĻļ্āύ āĻ“āĻ ে—āϏে āĻ•ি āĻŽāĻšাāύ, āύা āĻ•ি āĻĒাāĻ—āϞ?


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āĻŦাংāϞা⧟ āĻĻāϰ্āĻļāύāĻŽূāϞāĻ• āĻŦিāĻļ্āϞেāώāĻŖ

āĻŽাāύāĻŦāϏāĻ­্āϝāϤাāϰ āχāϤিāĻšাāϏে āĻŦāĻšুāĻŦাāϰ āĻĻেāĻ–া āĻ—েāĻ›ে—āϝে āĻŽাāύুāώāĻ•ে āϏāĻŽāĻ•াāϞীāύ āϏāĻŽাāϜ “āĻĒাāĻ—āϞ” āĻ­েāĻŦেāĻ›ে, āĻĒāϰāĻŦāϰ্āϤী āϏāĻŽā§Ÿে āϤাāĻ•েāχ “āĻŽāĻšাāύ” āĻŦāϞা āĻšā§ŸেāĻ›ে। āϝেāĻŽāύ—āĻŦিāϜ্āĻžাāύী, āĻ•āĻŦি, āĻĻাāϰ্āĻļāύিāĻ•—āϤাāĻĻেāϰ āĻ…āύেāĻ•েāχ āĻĒ্āϰāĻĨāĻŽে āωāĻĒāĻšাāϏেāϰ āĻĒাāϤ্āϰ āĻ›িāϞেāύ।

👉 āĻŽূāϞ āĻĻāϰ্āĻļāύ:

“āϏāĻŽাāϜেāϰ āĻŦিāϰোāϧিāϤা āϏāĻŦāϏāĻŽā§Ÿ āĻ­ুāϞেāϰ āĻĒ্āϰāĻŽাāĻŖ āύ⧟।”

“āĻŽāĻšাāύāϤা āĻ“ āĻĒাāĻ—āϞাāĻŽিāϰ āϏীāĻŽাāϰেāĻ–া āĻ–ুāĻŦ āϏূāĻ•্āώ্āĻŽ, āφāϰ āϏেāϟি āĻ•েāĻŦāϞ āϏāĻŽā§Ÿāχ āύিāϰ্āϧাāϰāĻŖ āĻ•āϰে।”



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