đŸ¯ Money and Honey




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đŸ¯ Money and Honey


Money flows, a stream of need,

In every home, it sows the seed;

Without its touch, no family grows,

It turns the wheel, it comes and goes.


Some by labor, steady and plain,

Earn their bread without much pain;

Some by service, safe and sure,

Their purse is steady, their life secure.


But the trader’s heart is full of care,

Dreams of risk are always there;

“How to start, from where to gain?

What to sell, and what remain?”


Like bees that seek the nectar sweet,

Some flowers are light, some thick, replete;

Choose the bloom where nectar flows,

Though profit’s small, the journey grows.


Business builds like hive of gold,

Step by step the honey’s rolled;

None are equal, none compete,

Progress comes by patient feat.



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Analysis (English)


This poem reflects the necessity of money as a medium of life. Laborers and servicemen live with relative security, but the businessman faces constant challenges—capital, choice of trade, risk, and uncertainty.


The metaphor of money and honey deepens the meaning: bees do not always seek the thickest nectar, but the one that flows easily. Likewise, in business, one should not always chase the highest profit, but rather choose a trade where buying and selling are steady and sustainable.


👉 Philosophy: True wealth is not quick gain, but steady growth. Progress is individual—no one is truly equal, but each must compete with their own limits to rise higher.



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āĻŦাংāϞা āĻ…āϰ্āĻĨ


āĻāχ āĻ•āĻŦিāϤা⧟ āĻŦোāĻাāύো āĻšā§ŸেāĻ›ে āϝে āϟাāĻ•া āϜীāĻŦāύেāϰ āϜāύ্āϝ āĻ…āĻĒāϰিāĻšাāϰ্āϝ। āĻĒāϰিāĻŦাāϰ āϚাāϞাāϤে āϟাāĻ•াāϰ āĻŦিāĻ•āϞ্āĻĒ āύেāχ। āϚাāĻ•āϰিāϜীāĻŦী āĻŦা āĻļ্āϰāĻŽিāĻ•েāϰ āϟাāĻ•া-āĻĒ⧟āϏাāϰ āĻĻুāĻļ্āϚিāύ্āϤা āĻ•āĻŽ, āĻ•িāύ্āϤু āĻŦ্āϝāĻŦāϏা⧟ীāϰ āϜীāĻŦāύে āϏāĻŦāϏāĻŽā§Ÿ āĻুঁāĻ•ি āĻ“ āϚিāύ্āϤা āϜ⧜ি⧟ে āĻĨাāĻ•ে—āĻ•োāĻĨা āĻĨেāĻ•ে āϟাāĻ•া āϏংāĻ—্āϰāĻš āĻ•āϰāĻŦে, āĻ•ী āĻŦ্āϝāĻŦāϏা āĻ•āϰāĻŦে, āĻ•িāĻ­াāĻŦে āĻ…āĻ—্āϰāϏāϰ āĻšāĻŦে।


āĻāĻ–াāύে āϟাāĻ•া āĻ“ āĻŽāϧুāϰ āĻŽāϧ্āϝে āĻāĻ• āϏুāύ্āĻĻāϰ āωāĻĒāĻŽা āφāύা āĻšā§ŸেāĻ›ে। āϝেāĻŽāύ āĻŽৌāĻŽাāĻ›ি āϏāĻšāϜে āĻĒ্āϰāĻŦাāĻšিāϤ āϰāϏ (āϞিāϚু āĻĢুāϞেāϰ) āĻŦেāĻļি āĻĒāĻ›āύ্āĻĻ āĻ•āϰে, āφāĻŽ āĻĢুāϞেāϰ āϘāύ āϰāϏ āύ⧟—āϤেāĻŽāύি āĻŦ্āϝāĻŦāϏা⧟āĻ“ āϏāĻšāϜ āĻ•্āϰ⧟-āĻŦিāĻ•্āϰ⧟েāϰ āĻĒāĻĨ āĻŦেāĻ›ে āύিāϤে āĻšāĻŦে, āϝāĻĻিāĻ“ āϞাāĻ­ āĻ•āĻŽ āĻšā§Ÿ।



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āĻŦাংāϞা⧟ āĻĻāϰ্āĻļāύāĻŽূāϞāĻ• āĻŦিāĻļ্āϞেāώāĻŖ


āĻŦ্āϝāĻŦāϏা āϜীāĻŦāύে āĻুঁāĻ•ি āĻĨাāĻ•āϞেāĻ“ āϏেāϟিāχ āϏāϰ্āĻŦোāϤ্āϤāĻŽ āĻĒāĻĨ। āϟাāĻ•া āϝেāύ āĻŽāϧু—āĻāϟি āϧীāϰে āϧীāϰে āϜāĻŽে, āĻāĻ•āĻĻিāύ āĻŦিāĻļাāϞ āĻšā§Ÿে āĻ“āĻ ে।


👉 āĻŽূāϞ āĻĻāϰ্āĻļāύ:


“āϝেāĻ–াāύে āϏāĻšāϜ āĻĒ্āϰāĻŦাāĻš āφāĻ›ে, āϏেāĻ–াāύে āϧীāϰে āϧীāϰে āϏ্āĻĨা⧟ী āϏাāĻĢāϞ্āϝ āφāϏে।”


“āĻ…āύ্āϝেāϰ āϏāĻ™্āĻ—ে āĻĒ্āϰāϤিāϝোāĻ—িāϤা āύ⧟, āύিāϜেāϰ āĻ…āĻ—্āϰāĻ—āϤিāϰ āϏāĻ™্āĻ—ে āĻĒ্āϰāϤিāϝোāĻ—িāϤা āĻ•āϰাāχ āϜীāĻŦāύেāϰ āϏāϤ্āϝ।”




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