📚 Blog on “Troilus and Criseyde” by Geoffrey Chaucer (In English, Bengali, and Hindi with Disclaimer)99999999999999999

📚 Blog on “Troilus and Criseyde” by Geoffrey Chaucer (In English, Bengali, and Hindi with Disclaimer)

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🏛️ English Version

“Love, Fate, and Betrayal: The Timeless Tale of Troilus and Criseyde by Geoffrey Chaucer



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Introduction

Geoffrey Chaucer, often called the Father of English Literature, is best known for The Canterbury Tales. Yet, before that monumental work, Chaucer wrote Troilus and Criseyde, a long narrative poem that reveals his mastery over human emotion, philosophical reflection, and poetic beauty. This poem stands as one of the greatest love stories in medieval literature.


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Summary of the Poem

Troilus and Criseyde is set during the Trojan War. Troilus, a Trojan prince and the son of King Priam, falls deeply in love with Criseyde, the widow of a Trojan noble. With the help of his witty friend Pandarus (who is also Criseyde’s uncle), Troilus wins her affection.

However, fate soon intervenes. During a political exchange between the Greeks and Trojans, Criseyde is sent to the Greek camp in return for a prisoner. Though she promises Troilus she will return, circumstances and the persuasive words of the Greek warrior Diomede lead her to betray her love. Troilus remains faithful to the end, dying tragically in battle, still loving Criseyde.


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Themes

1. Love and Betrayal:
Chaucer explores the joy and sorrow of love—how passion brings both ecstasy and pain.


2. Fate and Free Will:
Despite Troilus’s efforts, destiny cannot be avoided. Chaucer reflects on the power of fate over human life.


3. Change and Constancy:
Criseyde’s shifting loyalty contrasts with Troilus’s steadfastness—symbolizing the instability of human emotions.


4. Philosophical Reflection:
The poem ends with Chaucer’s moral vision: earthly love fades, but divine love is eternal.




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Literary Style and Importance

Written in rhyme royal (seven-line stanzas, ababbcc rhyme scheme).

Blends classical sources (from Boccaccio’s Il Filostrato) with Chaucer’s own psychological depth.

Considered the first great English tragic romance.

A precursor to The Canterbury Tales in its tone, structure, and human insight.



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Character Analysis

Troilus: Noble, passionate, and tragic—he represents pure love and loyalty.

Criseyde: Intelligent and gentle, yet torn between love and survival—she embodies human weakness.

Pandarus: The manipulative but caring friend—both comic and tragic in his role as go-between.



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Philosophical Meaning

Chaucer’s final book turns from sorrow to wisdom. He asks readers to look beyond earthly desires toward heavenly truth. It’s as if Chaucer tells us: Love deeply, but understand the limits of human happiness.


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Conclusion

Troilus and Criseyde is not just a love story—it’s a reflection on destiny, morality, and the fragility of human promises. Chaucer’s voice here is both tender and philosophical, showing his deep understanding of the heart’s contradictions.


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Disclaimer:

This blog is written for educational and literary purposes only. The analysis reflects personal interpretation and is not an academic authority. Readers and students are encouraged to consult authentic editions and scholarly works for academic use.


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🌸 āĻŦাংāϞা āϏংāϏ্āĻ•āϰāĻŖ (Bengali Version)

āĻļিāϰোāύাāĻŽ:

“āĻ­াāϞোāĻŦাāϏা, āĻ­াāĻ—্āϝ āĻ“ āĻŦিāĻļ্āĻŦাāϏāϘাāϤāĻ•āϤা: āϜিāĻ“āĻĢ্āϰি āϚāϏাāϰেāϰ Troilus and Criseyde”

āĻĒāϰিāϚিāϤি:

āχংāϰেāϜি āϏাāĻšিāϤ্āϝেāϰ āϜāύāĻ• āϜিāĻ“āĻĢ্āϰি āϚāϏাāϰেāϰ āĻ…āύ্āϝāϤāĻŽ āĻļ্āϰেāώ্āĻ  āϰāϚāύা Troilus and Criseyde। āĻāϟি āĻāĻ•āϟি āĻŽāϧ্āϝāϝুāĻ—ীāϝ় āĻĒ্āϰেāĻŽāĻ•াāĻšিāύি, āϝেāĻ–াāύে āĻ­াāϞোāĻŦাāϏা, āĻ­াāĻ—্āϝ, āĻāĻŦং āĻŽাāύāĻŦ āĻĻুāϰ্āĻŦāϞāϤা āĻāĻ•āϏāĻ™্āĻ—ে āĻŽিāĻļে āϝাāϝ়।


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āĻ•াāĻšিāύিāϰ āϏাāϰাংāĻļ

āϟ্āϰāϝ়েāϰ āϝুāĻĻ্āϧেāϰ āĻĒ্āϰেāĻ•্āώাāĻĒāϟে āϞেāĻ–া āĻāχ āĻ•āĻŦিāϤাāϝ় āϟ্āϰāϝ় āϰাāϜāĻĒুāϤ্āϰ āϟ্āϰāχāϞাāϏ āĻ•্āϰিāϏেāχāĻĄ āύাāĻŽেāϰ āĻāĻ• āĻŦিāϧāĻŦা āύাāϰীāϰ āĻĒ্āϰেāĻŽে āĻĒāĻĄ়ে। āϤাāϰ āĻŦāύ্āϧু āĻĒ্āϝাāύ্āĻĄাāϰাāϏেāϰ āϏাāĻšাāϝ্āϝে āϏে āĻ•্āϰিāϏেāχāĻĄেāϰ āĻ­াāϞোāĻŦাāϏা āϞাāĻ­ āĻ•āϰে।

āĻ•িāύ্āϤু āĻ­াāĻ—্āϝেāϰ āύিāώ্āĻ ুāϰ āĻšাāϤে āĻ•্āϰিāϏেāχāĻĄāĻ•ে āĻ—্āϰীāĻ•āĻĻেāϰ āĻšাāϤে āĻŦāύ্āĻĻী āĻŦিāύিāĻŽāϝ়ে āĻĒাāĻ াāύো āĻšāϝ়। āϏে āϟ্āϰāχāϞাāϏāĻ•ে āĻĒ্āϰāϤিāĻļ্āϰুāϤি āĻĻেāϝ় āĻĢিāϰে āφāϏāĻŦে, āĻ•িāύ্āϤু āĻ—্āϰীāĻ• āϏৈāύিāĻ• āĻĄাāϝ়োāĻŽিāĻĄেāϰ āĻĒ্āϰāϞোāĻ­āύে āϏে āĻĒ্āϰāϤিāĻļ্āϰুāϤি āĻ­āĻ™্āĻ— āĻ•āϰে। āϟ্āϰāχāϞাāϏ āĻļেāώ āĻĒāϰ্āϝāύ্āϤ āϝুāĻĻ্āϧāĻ•্āώেāϤ্āϰে āĻĒ্āϰাāĻŖ āĻšাāϰাāϝ়, āĻ­াāϞোāĻŦাāϏা āĻ…āϟুāϟ āϰেāĻ–ে।


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āĻĒ্āϰāϧাāύ āĻ­াāĻŦāύা

1. āĻ­াāϞোāĻŦাāϏা āĻ“ āĻŦিāĻļ্āĻŦাāϏāϘাāϤāĻ•āϤা
āĻĒ্āϰেāĻŽ āϝে āĻāĻ•āĻĻিāĻ•ে āφāύāύ্āĻĻ, āĻ…āύ্āϝāĻĻিāĻ•ে āĻŦেāĻĻāύা—āϚāϏাāϰ āϤা āϚāĻŽā§ŽāĻ•াāϰāĻ­াāĻŦে āĻĒ্āϰāĻ•াāĻļ āĻ•āϰেāĻ›েāύ।


2. āĻ­াāĻ—্āϝ āĻŦāύাāĻŽ āχāϚ্āĻ›াāĻļāĻ•্āϤি
āĻŽাāύুāώ āϝāϤāχ āϚেāώ্āϟা āĻ•āϰুāĻ•, āĻ­াāĻ—্āϝেāϰ āύিāϝ়āύ্āϤ্āϰāĻŖ āĻĨেāĻ•ে āĻŽুāĻ•্āϤ āύāϝ়।


3. āĻ…āϏ্āĻĨিāϰāϤা āĻ“ āϏ্āĻĨিāϰāϤা
āĻ•্āϰিāϏেāχāĻĄেāϰ āĻŽāύোāĻ­াāĻŦ āĻĒāϰিāĻŦāϰ্āϤāύ āĻŽাāύāĻŦ āϜীāĻŦāύেāϰ āĻ…āϏ্āĻĨিāϰāϤাāϰ āĻĒ্āϰāϤীāĻ•।


4. āφāϧ্āϝাāϤ্āĻŽিāĻ• āĻ­াāϞোāĻŦাāϏা
āĻ•āĻŦিāϤাāϰ āĻļেāώে āϚāϏাāϰ āĻŦāϞেāύ—āĻĒাāϰ্āĻĨিāĻŦ āĻĒ্āϰেāĻŽ āĻ•্āώāĻŖāϏ্āĻĨাāϝ়ী, āĻ•িāύ্āϤু āψāĻļ্āĻŦāϰীāϝ় āĻĒ্āϰেāĻŽ āϚিāϰāύ্āϤāύ।




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āϏাāĻšিāϤ্āϝিāĻ• āĻŦৈāĻļিāώ্āϟ্āϝ

“āϰাāχāĻŽ āϰāϝ়্āϝাāϞ” āĻ›āύ্āĻĻে āϞেāĻ–া (ababbcc)।

āχāϤাāϞীāϝ় āĻ•āĻŦি āĻŦোāĻ•াāϚ্āϚিāĻ“āϰ Il Filostrato āĻĨেāĻ•ে āĻ…āύুāĻĒ্āϰাāĻŖিāϤ।

āχংāϰেāϜি āϏাāĻšিāϤ্āϝেāϰ āĻĒ্āϰāĻĨāĻŽ āϟ্āϰ্āϝাāϜিāĻ• āĻĒ্āϰেāĻŽāĻ•াāĻŦ্āϝ।



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āϚāϰিāϤ্āϰ āĻŦিāĻļ্āϞেāώāĻŖ

āϟ্āϰāχāϞাāϏ: āĻĒ্āϰেāĻŽে āĻ…āϟāϞ āĻ“ āĻ•āϰুāĻŖ āϚāϰিāϤ্āϰ।

āĻ•্āϰিāϏেāχāĻĄ: āĻĻ্āĻŦিāϧাāĻ—্āϰāϏ্āϤ, āĻ•িāύ্āϤু āĻŦাāϏ্āϤāĻŦāĻŦাāĻĻী āύাāϰী।

āĻĒ্āϝাāύ্āĻĄাāϰাāϏ: āĻŽāϧ্āϝāϏ্āĻĨāϤাāĻ•াāϰী āĻŦāύ্āϧু, āĻāĻ•āĻĻিāĻ•ে āϰāϏিāĻ•, āĻ…āύ্āϝāĻĻিāĻ•ে āĻ•āϰুāĻŖ।



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āωāĻĒāϏংāĻšাāϰ

Troilus and Criseyde āφāĻŽাāĻĻেāϰ āĻļেāĻ–াāϝ়—āĻĒ্āϰেāĻŽ āĻŽāĻšā§Ž, āĻ•িāύ্āϤু āĻ…āύিāĻļ্āϚিāϤ; āĻŽাāύāĻŦ āĻšৃāĻĻāϝ় āĻ•োāĻŽāϞ, āĻ•িāύ্āϤু āĻĒāϰিāĻŦāϰ্āϤāύāĻļীāϞ। āϚāϏাāϰ āĻāĻ–াāύে āĻŽাāύāĻŦ āφāϤ্āĻŽাāϰ āĻ—āĻ­ীāϰ āϏāϤ্āϝ āĻĒ্āϰāĻ•াāĻļ āĻ•āϰেāĻ›েāύ।


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āĻ…āϏ্āĻŦীāĻ•ৃāϤি (Disclaimer):

āĻāχ āϞেāĻ–াāϟি āĻļিāĻ•্āώাāĻŽূāϞāĻ• āĻ“ āϏাāĻšিāϤ্āϝিāĻ• āωāĻĻ্āĻĻেāĻļ্āϝে āϰāϚিāϤ। āĻāϟি āϞেāĻ–āĻ•েāϰ āĻŦ্āϝāĻ•্āϤিāĻ—āϤ āĻŦিāĻļ্āϞেāώāĻŖ āĻŽাāϤ্āϰ; āĻļিāĻ•্āώাāϰ্āĻĨীāϰা āĻĒ্āϰāĻ•ৃāϤ āĻĒাāĻ ্āϝāĻ—্āϰāύ্āĻĨ āĻ“ āĻ—āĻŦেāώāĻŖাāĻĒāϤ্āϰ āĻĨেāĻ•ে āφāϰāĻ“ āϤāĻĨ্āϝ āϏংāĻ—্āϰāĻš āĻ•āϰāϤে āĻĒাāϰেāύ।


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đŸŒē ā¤šि⤍्ā¤Ļी ⤏ं⤏्⤕⤰⤪ (Hindi Version)

ā¤ļी⤰्⤎⤕:

“ā¤Ē्⤰ेā¤Ž, ⤭ा⤗्⤝ ⤔⤰ ā¤ĩिā¤ļ्ā¤ĩा⤏⤘ा⤤: ⤜ि⤝ोā¤Ģ्⤰ी ⤚ौ⤏⤰ ⤕ी Troilus and Criseyde”

ā¤Ē⤰ि⤚⤝:

⤅ं⤗्⤰े⤜़ी ⤏ाā¤šि⤤्⤝ ⤕े ā¤œā¤¨ā¤• ā¤Žा⤍े ⤜ा⤍े ā¤ĩा⤞े ⤜ि⤝ोā¤Ģ्⤰ी ⤚ौ⤏⤰ ⤍े ⤇⤏ ā¤Žā¤šा⤕ाā¤ĩ्⤝ ā¤Žें ā¤Ē्⤰ेā¤Ž, ⤍ि⤝⤤ि ⤔⤰ ā¤Žा⤍ā¤ĩी⤝ ⤭ाā¤ĩ⤍ा⤓ं ⤕ी ā¤—ā¤šā¤°ा⤈ ⤕ो ā¤Ŧ⤖ूā¤Ŧी ⤚ि⤤्⤰ि⤤ ⤕ि⤝ा ā¤šै।


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ā¤•ā¤šा⤍ी ⤕ा ⤏ा⤰ांā¤ļ

⤟्⤰ॉ⤝ ⤝ुā¤Ļ्⤧ ⤕े ā¤Ļौ⤰ा⤍ ⤰ाā¤œā¤•ुā¤Žा⤰ ⤟्⤰ॉ⤝⤞⤏, ⤕्⤰ि⤏ेā¤‡ā¤Ąे ⤍ाā¤Ž ⤕ी ā¤ĩि⤧ā¤ĩा ⤏े ā¤Ē्⤰ेā¤Ž ⤕⤰⤍े ⤞⤗⤤ा ā¤šै। ⤅ā¤Ē⤍े ā¤Žि⤤्⤰ ā¤Ēैंā¤Ąा⤰⤏ ⤕ी ā¤Žā¤Ļā¤Ļ ⤏े ā¤ĩā¤š ⤉⤏⤕ा ā¤Ļि⤞ ⤜ी⤤ ⤞े⤤ा ā¤šै।
⤞े⤕ि⤍ ⤜ā¤Ŧ ⤰ा⤜⤍ी⤤ि⤕ ā¤¸ā¤Žā¤ौ⤤े ⤕े ā¤¤ā¤šā¤¤ ⤕्⤰ि⤏ेā¤‡ā¤Ąे ⤕ो ⤝ू⤍ा⤍ि⤝ों ⤕े ā¤Ēा⤏ ⤭े⤜ा ⤜ा⤤ा ā¤šै, ⤤ो ā¤ĩā¤š ā¤Ąि⤝ोā¤Žेā¤Ą ⤍ाā¤Ž ⤕े ⤝ोā¤Ļ्⤧ा ⤏े ā¤Ē्⤰⤭ाā¤ĩि⤤ ā¤šो⤕⤰ ⤟्⤰ॉ⤝⤞⤏ ⤕ो ⤭ू⤞ ⤜ा⤤ी ā¤šै।
⤟्⤰ॉ⤝⤞⤏ ⤝ुā¤Ļ्⤧ ā¤Žें ā¤Žा⤰ा ⤜ा⤤ा ā¤šै, ā¤Ē⤰ं⤤ु ⤅ं⤤ ⤤⤕ ⤉⤏⤕ी ⤆⤤्ā¤Žा ā¤Ē्⤰ेā¤Ž ā¤Žें ā¤…ā¤Ÿā¤˛ ā¤°ā¤šā¤¤ी ā¤šै।


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ā¤Žु⤖्⤝ ā¤ĩि⤎⤝

1. ā¤Ē्⤰ेā¤Ž ⤔⤰ ā¤ĩिā¤ļ्ā¤ĩा⤏⤘ा⤤ – ā¤Ē्⤰ेā¤Ž ā¤Žें ⤏ु⤖ ⤭ी ā¤šै ⤔⤰ ā¤Ēीā¤Ą़ा ⤭ी।


2. ⤍ि⤝⤤ि ⤔⤰ ⤏्ā¤ĩ⤤ं⤤्⤰ ā¤‡ā¤š्⤛ा – ⤇ं⤏ा⤍ ⤅ā¤Ē⤍ी ⤕ि⤏्ā¤Žā¤¤ ⤏े ā¤¨ā¤šीं ā¤Ŧ⤚ ⤏⤕⤤ा।


3. ā¤Žा⤍ā¤ĩी⤝ ā¤Ē⤰िā¤ĩ⤰्⤤⤍ā¤ļी⤞⤤ा – ⤕्⤰ि⤏ेā¤‡ā¤Ąे ⤕ा ā¤Ŧā¤Ļ⤞⤤ा ā¤Žā¤¨ ⤇ं⤏ा⤍ ⤕ी ā¤•ā¤Žā¤œो⤰ी ā¤Ļ⤰्ā¤ļा⤤ा ā¤šै।


4. ⤆⤧्⤝ा⤤्ā¤Žि⤕ ā¤Ē्⤰ेā¤Ž – ⤚ौ⤏⤰ ⤅ं⤤ ā¤Žें ā¤•ā¤šā¤¤े ā¤šैं, ⤏⤚्⤚ा ā¤Ē्⤰ेā¤Ž ⤈ā¤ļ्ā¤ĩ⤰ ⤕े ā¤Ē्⤰⤤ि ā¤šो⤤ा ā¤šै।




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⤏ाā¤šि⤤्⤝ि⤕ ā¤ĩिā¤ļे⤎⤤ाā¤ँ

“Rhyme Royal” ⤛ंā¤Ļ ā¤Žें ⤞ि⤖ा ⤗⤝ा (ababbcc)।

ā¤Ŧो⤕ा⤚्⤚ि⤝ो ⤕ी Il Filostrato ⤏े ā¤Ē्⤰े⤰ि⤤।

⤅ं⤗्⤰े⤜़ी ⤏ाā¤šि⤤्⤝ ⤕ा ā¤Ēā¤šā¤˛ा ā¤Žā¤šा⤍ ā¤Ē्⤰ेā¤Ž-⤤्⤰ा⤏ā¤Ļ ⤕ाā¤ĩ्⤝।



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ā¤Ēा⤤्⤰ ā¤ĩिā¤ļ्⤞े⤎⤪

⤟्⤰ॉ⤝⤞⤏: ⤏⤚्⤚ा, ā¤¸ā¤Žā¤°्ā¤Ēि⤤, ⤔⤰ ⤕⤰ु⤪ ā¤Ē्⤰ेā¤Žी।

⤕्⤰ि⤏ेā¤‡ā¤Ąे: ā¤Ŧुā¤Ļ्⤧िā¤Žा⤍ ā¤Ē⤰ ā¤ĩ्⤝ाā¤ĩā¤šा⤰ि⤕, ⤜ो ā¤Ē⤰ि⤏्ā¤Ĩि⤤ि⤝ों ā¤Žें ā¤Ŧā¤šā¤• ⤜ा⤤ी ā¤šै।

ā¤Ēैंā¤Ąा⤰⤏: ā¤Žि⤤्⤰ ⤔⤰ ā¤Žā¤§्⤝⤏्ā¤Ĩ, ā¤šा⤏्⤝ ⤔⤰ ⤤्⤰ा⤏ā¤Ļी ā¤Ļो⤍ों ⤕ा ā¤Žिā¤ļ्⤰⤪।



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⤍ि⤎्⤕⤰्⤎

Troilus and Criseyde ⤕ेā¤ĩ⤞ ā¤Ē्⤰ेā¤Ž ā¤•ā¤šा⤍ी ā¤¨ā¤šीं, ā¤Ŧ⤞्⤕ि ⤜ीā¤ĩ⤍ ⤕े ā¤Ļ⤰्ā¤ļ⤍ ⤕ी ā¤ĩ्⤝ा⤖्⤝ा ā¤šै। ⤚ौ⤏⤰ ā¤šā¤Žें ⤏ि⤖ा⤤े ā¤šैं ⤕ि ⤏⤚्⤚ा ā¤Ē्⤰ेā¤Ž ⤍ā¤ļ्ā¤ĩ⤰ ā¤¨ā¤šीं, ā¤Ŧ⤞्⤕ि ⤆⤤्ā¤Žि⤕ ā¤šै।


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⤅⤏्ā¤ĩी⤕⤰⤪ (Disclaimer):

ā¤¯ā¤š ⤞े⤖ ⤕ेā¤ĩ⤞ ā¤ļै⤕्⤎⤪ि⤕ ā¤ā¤ĩं ⤏ाā¤šि⤤्⤝ि⤕ ⤉ā¤Ļ्ā¤Ļेā¤ļ्⤝ ⤕े ⤞िā¤ ⤞ि⤖ा ⤗⤝ा ā¤šै। ā¤‡ā¤¸ā¤Žें ā¤Ļी ā¤—ā¤ˆ ā¤ĩ्⤝ा⤖्⤝ा ⤞े⤖⤕ ⤕ी ā¤ĩ्⤝⤕्⤤ि⤗⤤ ⤰ा⤝ ā¤šै; ā¤ĩिā¤Ļ्⤝ा⤰्ā¤Ĩि⤝ों ⤕ो ā¤Ē्⤰ाā¤Žा⤪ि⤕ ⤗्⤰ंā¤Ĩों ⤕ा ⤅⤧्⤝⤝⤍ ⤕⤰⤍ा ⤚ाā¤šिā¤।

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