đ° The Canterbury Tales – Geoffrey Chaucer’s Timeless Masterpiece88888888
đ° The Canterbury Tales – Geoffrey Chaucer’s Timeless Masterpiece88888888
(In English, Bengali, and Hindi with Disclaimer)
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đŋ English Version
Introduction
The Canterbury Tales is one of the greatest works of English literature, written by Geoffrey Chaucer in the 14th century. It is a collection of stories told by a group of pilgrims who are traveling together to visit the shrine of Saint Thomas Becket at Canterbury Cathedral. Each pilgrim tells a tale to entertain the others during their journey.
This work is not just a collection of stories—it is a mirror of medieval English society. Through humor, wisdom, and observation, Chaucer painted a full picture of the life, faith, and values of his time.
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Structure and Setting
The story begins at the Tabard Inn in Southwark, London. A group of thirty pilgrims decide to go on a pilgrimage to Canterbury. The host of the inn, Harry Bailey, suggests that each pilgrim tell two tales on the way to Canterbury and two on the return journey. Whoever tells the best story will get a free meal on their return.
Although Chaucer planned 120 tales, he completed only 24 before his death.
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Main Pilgrims and Tales
Each pilgrim represents a different class or occupation in medieval England:
The Knight’s Tale: A noble story of love and honor.
The Miller’s Tale: A funny, bawdy story about deception.
The Wife of Bath’s Tale: A woman’s view of love, marriage, and power.
The Pardoner’s Tale: A moral story about greed and hypocrisy.
The Nun’s Priest’s Tale: A witty animal fable.
Through these stories, Chaucer mixes romance, tragedy, humor, and moral lessons—showing the beauty and diversity of human experience.
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Themes
1. Social Class and Human Nature: Chaucer shows that virtues and vices exist in every class.
2. Religion and Morality: The tales question the true meaning of faith and goodness.
3. Love and Marriage: Many stories explore romantic and marital relationships.
4. Greed and Corruption: Several tales warn against selfishness and moral decay.
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Language and Style
Chaucer wrote The Canterbury Tales in Middle English, the language spoken in England after the Norman Conquest. His writing made English a respected literary language for the first time.
His use of rhyming couplets, realistic characters, and humor gave life to the stories and influenced all later English writers.
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Moral and Legacy
Chaucer’s pilgrims reflect humanity in all its forms—noble, foolish, kind, and wicked. That is why The Canterbury Tales is not only a medieval book but also a timeless study of human life.
Today, Chaucer is called the Father of English Poetry, and The Canterbury Tales remains a cornerstone of English literature studied across the world.
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⚖️ Disclaimer
This blog is for educational and literary purposes only. The analysis reflects general interpretations for students and readers. The author is not a literary expert, but a learner and admirer of classic literature.
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đ¸ āĻŦাংāϞা āϏংāϏ্āĻāϰāĻŖ (Bengali Version)
āĻূāĻŽিāĻা
The Canterbury Tales āĻšāϞো āĻŽāϧ্āϝāϝুāĻেāϰ āĻংāϰেāĻ āĻāĻŦি āĻেāĻĢ্āϰি āĻāϏাāϰ āϰāĻিāϤ āĻāĻ āĻ
āύāύ্āϝ āϏাāĻšিāϤ্āϝāĻāϰ্āĻŽ। āĻāĻি ā§§ā§ĒāĻļ āĻļāϤāĻেāϰ āĻংāϰেāĻ āϏāĻŽাāĻেāϰ āĻāĻāĻি āĻীāĻŦāύ্āϤ āĻĒ্āϰāϤিāĻ্āĻāĻŦি। āĻ্āϝাāύ্āĻাāϰāĻŦেāϰি āĻিāϰ্āĻাāϝ় āϏেāύ্āĻ āĻāĻŽাāϏ āĻŦেāĻেāĻ-āĻāϰ āĻŽāύ্āĻĻিāϰ āĻĻāϰ্āĻļāύে āϝাāĻāϝ়া āĻāĻāĻĻāϞ āϤীāϰ্āĻĨāϝাāϤ্āϰী āĻāϞ্āĻĒ āĻŦāϞাāϰ āĻŽাāϧ্āϝāĻŽে āϤাāĻĻেāϰ āϝাāϤ্āϰা āĻাāĻাāύ।
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āĻাāĻšিāύিāϰ āĻাāĻ াāĻŽো āĻ āĻĒāϰিāĻŦেāĻļ
āϞāύ্āĻĄāύেāϰ Tabard Inn āĻĨেāĻে āĻļুāϰু āĻšāϝ় āϝাāϤ্āϰা। ā§Šā§Ļ āĻāύ āϤীāϰ্āĻĨāϝাāϤ্āϰী āϏিāĻĻ্āϧাāύ্āϤ āύেāύ, āĻĒ্āϰāϤ্āϝেāĻে āĻĻুāĻি āĻāϞ্āĻĒ āĻŦāϞāĻŦেāύ āĻ্āϝাāύ্āĻাāϰāĻŦেāϰি āϝাāĻāϝ়াāϰ āĻĒāĻĨে āĻāĻŦং āĻĻুāĻি āĻĢেāϰাāϰ āĻĒāĻĨে। āϏেāϰা āĻāϞ্āĻĒāĻাāϰāĻে āĻŦিāύাāĻŽূāϞ্āϝে āĻাāĻŦাāϰ āĻĻেāĻāϝ়া āĻšāĻŦে।
āĻāϏাāϰ āĻĒāϰিāĻāϞ্āĻĒāύা āĻāϰেāĻিāϞেāύ ⧧⧍ā§ĻāĻি āĻāϞ্āĻĒ āϞিāĻāĻŦেāύ, āĻিāύ্āϤু āĻŽৃāϤ্āϝুāϰ āĻāĻে āϤিāύি āĻŽাāϤ্āϰ ⧍ā§ĒāĻি āϏāĻŽ্āĻĒূāϰ্āĻŖ āĻāϰāϤে āĻĒেāϰেāĻিāϞেāύ।
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āĻŽূāϞ āĻāϰিāϤ্āϰ āĻ āĻāϞ্āĻĒāϏāĻŽূāĻš
The Knight’s Tale: āĻাāϞোāĻŦাāϏা āĻ āϏāĻŽ্āĻŽাāύেāϰ āĻাāĻšিāύি।
The Miller’s Tale: āĻšাāϏ্āϝāϰāϏাāϤ্āĻŽāĻ āĻĒ্āϰāϤাāϰāĻŖাāϰ āĻāϞ্āĻĒ।
The Wife of Bath’s Tale: āύাāϰীāϰ āĻĻৃāώ্āĻিāĻোāĻŖ āĻĨেāĻে āĻĒ্āϰেāĻŽ āĻ āĻ্āώāĻŽāϤা।
The Pardoner’s Tale: āϞোāĻ āĻ āĻāĻŖ্āĻĄাāĻŽিāϰ āĻŦিāϰুāĻĻ্āϧে āϏāϤāϰ্āĻāϤা।
The Nun’s Priest’s Tale: āĻĒ্āϰাāĻŖীāĻĻেāϰ āĻŽাāϧ্āϝāĻŽে āϰāϏিāĻ āύীāϤি āĻļিāĻ্āώা।
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āĻŽূāϞ āĻাāĻŦāύা
ā§§. āϏāĻŽাāĻ āĻ āĻŽাāύāĻŦ āĻĒ্āϰāĻৃāϤি
⧍. āϧāϰ্āĻŽ āĻ āύৈāϤিāĻāϤা
ā§Š. āĻĒ্āϰেāĻŽ āĻ āĻŦিāĻŦাāĻš
ā§Ē. āϞোāĻ āĻ āĻĒাāĻĒ
āĻāϏাāϰেāϰ āĻĒ্āϰāϤিāĻি āĻāϞ্āĻĒ āĻীāĻŦāύেāϰ āĻŦৈāĻিāϤ্āϰ্āϝ āĻ āĻŽাāύুāώেāϰ āĻেāϤāϰেāϰ āϏৌāύ্āĻĻāϰ্āϝ-āĻ
āϏৌāύ্āĻĻāϰ্āϝāĻে āĻĒ্āϰāĻাāĻļ āĻāϰে।
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āĻাāώা āĻ āĻļৈāϞী
āĻāϏাāϰ āϞিāĻেāĻিāϞেāύ āĻŽিāĻĄāϞ āĻংāϰেāĻি āĻাāώাāϝ়, āϝা āĻংāϰেāĻ āϏাāĻšিāϤ্āϝে āύāϤুāύ āϝুāĻেāϰ āϏূāĻāύা āĻāϰেāĻিāϞ। āϤাঁāϰ āĻাāώা āĻিāϞ āϏāĻšāĻ, āĻšাāϏ্āϝāϰāϏাāϤ্āĻŽāĻ āĻ āĻŽাāύāĻŦিāĻ।
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āĻāĻĒāϏংāĻšাāϰ
The Canterbury Tales āĻāĻŽাāĻĻেāϰ āĻļেāĻাāϝ়—āĻŽাāύুāώেāϰ āĻāϰিāϤ্āϰ āύাāύা āϰāĻে āĻāϰāĻĒুāϰ। āĻāĻ āĻ্āϰāύ্āĻĨ āĻāĻāĻ āĻāĻŽাāĻĻেāϰ āϏāĻŽাāĻ āĻ āĻীāĻŦāύেāϰ āĻĒ্āϰāϤিāĻĢāϞāύ।
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⚖️ āĻĻাāϝ়āϏ্āĻŦীāĻাāϰ
āĻāĻ āĻŦ্āϞāĻāĻি āϏāĻŽ্āĻĒূāϰ্āĻŖ āĻļিāĻ্āώাāĻŽূāϞāĻ āĻāĻĻ্āĻĻেāĻļ্āϝে āϰāĻিāϤ। āĻāĻি āϞেāĻāĻেāϰ āĻŦ্āϝāĻ্āϤিāĻāϤ āϏাāĻšিāϤ্āϝিāĻ āĻŦ্āϝাāĻ্āϝা, āĻোāύāĻ āĻŦিāĻļেāώāĻ্āĻ āĻŽāϤ āύāϝ়।
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đŧ ā¤šिंā¤Ļी ⤏ं⤏्ā¤ā¤°ā¤Ŗ (Hindi Version)
ā¤Ē⤰िā¤ā¤¯
The Canterbury Tales ā¤
ंā¤्⤰ेā¤़ ā¤ā¤ĩि ā¤्⤝ोā¤Ģ्⤰ी ā¤ॉ⤏⤰ ā¤ी ⤏ā¤Ŧ⤏े ā¤Ē्⤰⤏िā¤Ļ्⤧ ⤰ā¤ā¤¨ा ā¤šै। ā¤¯ā¤š ā¤ौā¤Ļā¤šā¤ĩीं ⤏ā¤Ļी ā¤ी ā¤ंā¤्⤞ैंā¤Ą ā¤ी ā¤¸ā¤Žाā¤-ā¤ांā¤ी ā¤šै, ā¤िā¤¸ā¤Žें ⤤ी⤰्ā¤Ĩ⤝ा⤤्⤰ी ⤏ें⤠ā¤Ĩॉā¤Žā¤¸ ā¤Ŧेā¤ā¤ ā¤ी ā¤¸ā¤Žा⤧ि ā¤े ā¤Ļ⤰्ā¤ļ⤍ ā¤े ⤞ि⤠ā¤ैंā¤ā¤°ā¤Ŧ⤰ी ā¤ी ⤝ा⤤्⤰ा ā¤ā¤°ā¤¤े ā¤šु⤠ā¤
ā¤Ē⤍े-ā¤
ā¤Ē⤍े ā¤ि⤏्⤏े ⤏ु⤍ा⤤े ā¤šैं।
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ā¤ā¤šा⤍ी ā¤ी ⤏ं⤰ā¤ā¤¨ा
ā¤ā¤šा⤍ी ā¤ी ā¤ļु⤰ुā¤ā¤¤ Tabard Inn ⤏े ā¤šो⤤ी ā¤šै। ā¤ĩā¤šाँ ⤤ी⤏ ⤝ा⤤्⤰ी ⤤⤝ ā¤ā¤°ā¤¤े ā¤šैं ā¤ि ā¤šā¤° ā¤ो⤠ā¤Ļो-ā¤Ļो ā¤ā¤šा⤍ि⤝ाँ ⤏ु⤍ाā¤ā¤ा। ā¤ो ⤏ā¤Ŧ⤏े ā¤
ā¤्ā¤ी ā¤ā¤šा⤍ी ⤏ु⤍ाā¤ā¤ा, ā¤ā¤¸े ā¤ĩाā¤Ē⤏ी ā¤Ē⤰ ā¤Žुā¤Ģ्⤤ ā¤ोā¤ ā¤Žि⤞ेā¤ा।
ā¤ॉ⤏⤰ ⤍े 120 ā¤ā¤šा⤍ि⤝ाँ ⤞िā¤ā¤¨े ā¤ी ⤝ोā¤ā¤¨ा ā¤Ŧ⤍ा⤠ā¤Ĩी, ā¤Ē⤰ ā¤Ēू⤰ी ā¤ā¤° ā¤Ēा⤠ā¤ेā¤ĩ⤞ 24।
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ā¤Žुā¤्⤝ ā¤Ēा⤤्⤰ ā¤ā¤° ā¤ā¤Ĩाā¤ँ
The Knight’s Tale: ā¤Ē्⤰ेā¤Ž ā¤ā¤° ā¤¸ā¤Ž्ā¤Žा⤍ ā¤ी ā¤ā¤Ĩा।
The Miller’s Tale: ā¤šं⤏ी ā¤ā¤° ā¤ā¤˛ ā¤ा ā¤ि⤏्⤏ा।
The Wife of Bath’s Tale: ⤍ा⤰ी ā¤ी ā¤ļā¤्⤤ि ā¤ā¤° ā¤
⤧िā¤ा⤰ ā¤ी ā¤ā¤šा⤍ी।
The Pardoner’s Tale: ⤞ा⤞⤠ā¤ā¤° ā¤Ēाā¤ंā¤Ą ā¤Ē⤰ ā¤Ē्ā¤°ā¤šा⤰।
The Nun’s Priest’s Tale: ā¤ā¤ ā¤ā¤¤ु⤰ ā¤Ēā¤ļु ā¤ā¤Ĩा ā¤िā¤¸ā¤Žें ⤍ै⤤ि⤠ā¤ļिā¤्⤎ा ā¤िā¤Ēी ā¤šै।
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ā¤Žुā¤्⤝ ā¤ĩि⤎⤝
1. ā¤¸ā¤Žा⤠ā¤ā¤° ā¤Žा⤍ā¤ĩ ⤏्ā¤ĩā¤ाā¤ĩ
2. ⤧⤰्ā¤Ž ā¤ā¤° ⤍ै⤤िā¤ā¤¤ा
3. ā¤Ē्⤰ेā¤Ž ā¤ā¤° ā¤ĩिā¤ĩाā¤š
4. ⤞ा⤞⤠ā¤ā¤° ā¤्⤰⤎्ā¤ाā¤ा⤰
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ā¤ा⤎ा ā¤ā¤° ā¤ļै⤞ी
ā¤ॉ⤏⤰ ⤍े ā¤ā¤¸े ā¤Žिā¤Ąā¤˛ ā¤ंā¤्⤞िā¤ļ ā¤Žें ⤞िā¤ा, ā¤ि⤏⤏े ā¤
ंā¤्⤰ेā¤़ी ā¤ा⤎ा ā¤ो ⤏ाā¤šि⤤्⤝िā¤ ā¤¸ā¤Ž्ā¤Žा⤍ ā¤Žि⤞ा। ā¤ā¤¨ā¤ी ⤰ā¤ā¤¨ाā¤ँ ā¤šं⤏ी, ā¤ĩ्⤝ंā¤्⤝ ā¤ā¤° ⤝ā¤Ĩा⤰्ā¤Ĩ ⤏े ā¤ā¤°ी ā¤šुā¤ ā¤šैं।
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⤍ि⤎्ā¤ā¤°्⤎
The Canterbury Tales ⤏ि⤰्ā¤Ģ़ ā¤ā¤ ā¤ि⤤ाā¤Ŧ ā¤¨ā¤šीं, ā¤Ŧ⤞्ā¤ि ā¤ीā¤ĩ⤍ ā¤ा ā¤Ļ⤰्ā¤Ē⤪ ā¤šै—ā¤ो ā¤Ļिā¤ा⤤ा ā¤šै ā¤ि ā¤Žā¤¨ु⤎्⤝ ā¤ि⤤⤍ा ā¤ĩिā¤ĩि⤧, ā¤ā¤ि⤞ ā¤ā¤° ⤏ुंā¤Ļ⤰ ā¤šो⤤ा ā¤šै।
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⚖️ ā¤
⤏्ā¤ĩीā¤ā¤°ā¤Ŗ (Disclaimer)
ā¤¯ā¤š ā¤Ŧ्⤞ॉ⤠ā¤ेā¤ĩ⤞ ā¤ļिā¤्⤎ा ā¤ā¤° ā¤
⤧्⤝⤝⤍ ā¤े ā¤ā¤Ļ्ā¤Ļेā¤ļ्⤝ ⤏े ⤞िā¤ा ā¤ā¤¯ा ā¤šै। ⤞ेā¤ā¤ ā¤ो⤠ā¤ĩिā¤ļे⤎ā¤्ā¤ ā¤¨ā¤šीं, ā¤Ŧ⤞्ā¤ि ⤏ाā¤šि⤤्⤝ ā¤Ē्⤰ेā¤Žी ā¤ā¤° ā¤ĩिā¤Ļ्⤝ा⤰्ā¤Ĩी ā¤šैं।
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