🏰 The Canterbury Tales – Geoffrey Chaucer’s Timeless Masterpiece88888888



🏰 The Canterbury Tales – Geoffrey Chaucer’s Timeless Masterpiece88888888

(In English, Bengali, and Hindi with Disclaimer)

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đŸŒŋ English Version

Introduction

The Canterbury Tales is one of the greatest works of English literature, written by Geoffrey Chaucer in the 14th century. It is a collection of stories told by a group of pilgrims who are traveling together to visit the shrine of Saint Thomas Becket at Canterbury Cathedral. Each pilgrim tells a tale to entertain the others during their journey.

This work is not just a collection of stories—it is a mirror of medieval English society. Through humor, wisdom, and observation, Chaucer painted a full picture of the life, faith, and values of his time.


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Structure and Setting

The story begins at the Tabard Inn in Southwark, London. A group of thirty pilgrims decide to go on a pilgrimage to Canterbury. The host of the inn, Harry Bailey, suggests that each pilgrim tell two tales on the way to Canterbury and two on the return journey. Whoever tells the best story will get a free meal on their return.

Although Chaucer planned 120 tales, he completed only 24 before his death.

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Main Pilgrims and Tales

Each pilgrim represents a different class or occupation in medieval England:

The Knight’s Tale: A noble story of love and honor.

The Miller’s Tale: A funny, bawdy story about deception.

The Wife of Bath’s Tale: A woman’s view of love, marriage, and power.

The Pardoner’s Tale: A moral story about greed and hypocrisy.

The Nun’s Priest’s Tale: A witty animal fable.


Through these stories, Chaucer mixes romance, tragedy, humor, and moral lessons—showing the beauty and diversity of human experience.


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Themes

1. Social Class and Human Nature: Chaucer shows that virtues and vices exist in every class.


2. Religion and Morality: The tales question the true meaning of faith and goodness.


3. Love and Marriage: Many stories explore romantic and marital relationships.


4. Greed and Corruption: Several tales warn against selfishness and moral decay.




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Language and Style

Chaucer wrote The Canterbury Tales in Middle English, the language spoken in England after the Norman Conquest. His writing made English a respected literary language for the first time.

His use of rhyming couplets, realistic characters, and humor gave life to the stories and influenced all later English writers.


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Moral and Legacy

Chaucer’s pilgrims reflect humanity in all its forms—noble, foolish, kind, and wicked. That is why The Canterbury Tales is not only a medieval book but also a timeless study of human life.

Today, Chaucer is called the Father of English Poetry, and The Canterbury Tales remains a cornerstone of English literature studied across the world.


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⚖️ Disclaimer

This blog is for educational and literary purposes only. The analysis reflects general interpretations for students and readers. The author is not a literary expert, but a learner and admirer of classic literature.

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🌸 āĻŦাংāϞা āϏংāϏ্āĻ•āϰāĻŖ (Bengali Version)

āĻ­ূāĻŽিāĻ•া

The Canterbury Tales āĻšāϞো āĻŽāϧ্āϝāϝুāĻ—েāϰ āχংāϰেāϜ āĻ•āĻŦি āϜেāĻĢ্āϰি āϚāϏাāϰ āϰāϚিāϤ āĻāĻ• āĻ…āύāύ্āϝ āϏাāĻšিāϤ্āϝāĻ•āϰ্āĻŽ। āĻāϟি ā§§ā§ĒāĻļ āĻļāϤāĻ•েāϰ āχংāϰেāϜ āϏāĻŽাāϜেāϰ āĻāĻ•āϟি āϜীāĻŦāύ্āϤ āĻĒ্āϰāϤিāϚ্āĻ›āĻŦি। āĻ•্āϝাāύ্āϟাāϰāĻŦেāϰি āĻ—িāϰ্āϜাāϝ় āϏেāύ্āϟ āϟāĻŽাāϏ āĻŦেāĻ•েāϟ-āĻāϰ āĻŽāύ্āĻĻিāϰ āĻĻāϰ্āĻļāύে āϝাāĻ“āϝ়া āĻāĻ•āĻĻāϞ āϤীāϰ্āĻĨāϝাāϤ্āϰী āĻ—āϞ্āĻĒ āĻŦāϞাāϰ āĻŽাāϧ্āϝāĻŽে āϤাāĻĻেāϰ āϝাāϤ্āϰা āĻ•াāϟাāύ।


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āĻ•াāĻšিāύিāϰ āĻ•াāĻ াāĻŽো āĻ“ āĻĒāϰিāĻŦেāĻļ

āϞāύ্āĻĄāύেāϰ Tabard Inn āĻĨেāĻ•ে āĻļুāϰু āĻšāϝ় āϝাāϤ্āϰা। ā§Šā§Ļ āϜāύ āϤীāϰ্āĻĨāϝাāϤ্āϰী āϏিāĻĻ্āϧাāύ্āϤ āύেāύ, āĻĒ্āϰāϤ্āϝেāĻ•ে āĻĻুāϟি āĻ—āϞ্āĻĒ āĻŦāϞāĻŦেāύ āĻ•্āϝাāύ্āϟাāϰāĻŦেāϰি āϝাāĻ“āϝ়াāϰ āĻĒāĻĨে āĻāĻŦং āĻĻুāϟি āĻĢেāϰাāϰ āĻĒāĻĨে। āϏেāϰা āĻ—āϞ্āĻĒāĻ•াāϰāĻ•ে āĻŦিāύাāĻŽূāϞ্āϝে āĻ–াāĻŦাāϰ āĻĻেāĻ“āϝ়া āĻšāĻŦে।
āϚāϏাāϰ āĻĒāϰিāĻ•āϞ্āĻĒāύা āĻ•āϰেāĻ›িāϞেāύ ⧧⧍ā§Ļāϟি āĻ—āϞ্āĻĒ āϞিāĻ–āĻŦেāύ, āĻ•িāύ্āϤু āĻŽৃāϤ্āϝুāϰ āφāĻ—ে āϤিāύি āĻŽাāϤ্āϰ ⧍ā§Ēāϟি āϏāĻŽ্āĻĒূāϰ্āĻŖ āĻ•āϰāϤে āĻĒেāϰেāĻ›িāϞেāύ।


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āĻŽূāϞ āϚāϰিāϤ্āϰ āĻ“ āĻ—āϞ্āĻĒāϏāĻŽূāĻš

The Knight’s Tale: āĻ­াāϞোāĻŦাāϏা āĻ“ āϏāĻŽ্āĻŽাāύেāϰ āĻ•াāĻšিāύি।

The Miller’s Tale: āĻšাāϏ্āϝāϰāϏাāϤ্āĻŽāĻ• āĻĒ্āϰāϤাāϰāĻŖাāϰ āĻ—āϞ্āĻĒ।

The Wife of Bath’s Tale: āύাāϰীāϰ āĻĻৃāώ্āϟিāĻ•োāĻŖ āĻĨেāĻ•ে āĻĒ্āϰেāĻŽ āĻ“ āĻ•্āώāĻŽāϤা।

The Pardoner’s Tale: āϞোāĻ­ āĻ“ āĻ­āĻŖ্āĻĄাāĻŽিāϰ āĻŦিāϰুāĻĻ্āϧে āϏāϤāϰ্āĻ•āϤা।

The Nun’s Priest’s Tale: āĻĒ্āϰাāĻŖীāĻĻেāϰ āĻŽাāϧ্āϝāĻŽে āϰāϏিāĻ• āύীāϤি āĻļিāĻ•্āώা।


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āĻŽূāϞ āĻ­াāĻŦāύা

ā§§. āϏāĻŽাāϜ āĻ“ āĻŽাāύāĻŦ āĻĒ্āϰāĻ•ৃāϤি
⧍. āϧāϰ্āĻŽ āĻ“ āύৈāϤিāĻ•āϤা
ā§Š. āĻĒ্āϰেāĻŽ āĻ“ āĻŦিāĻŦাāĻš
ā§Ē. āϞোāĻ­ āĻ“ āĻĒাāĻĒ

āϚāϏাāϰেāϰ āĻĒ্āϰāϤিāϟি āĻ—āϞ্āĻĒ āϜীāĻŦāύেāϰ āĻŦৈāϚিāϤ্āϰ্āϝ āĻ“ āĻŽাāύুāώেāϰ āĻ­েāϤāϰেāϰ āϏৌāύ্āĻĻāϰ্āϝ-āĻ…āϏৌāύ্āĻĻāϰ্āϝāĻ•ে āĻĒ্āϰāĻ•াāĻļ āĻ•āϰে।


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āĻ­াāώা āĻ“ āĻļৈāϞী

āϚāϏাāϰ āϞিāĻ–েāĻ›িāϞেāύ āĻŽিāĻĄāϞ āχংāϰেāϜি āĻ­াāώাāϝ়, āϝা āχংāϰেāϜ āϏাāĻšিāϤ্āϝে āύāϤুāύ āϝুāĻ—েāϰ āϏূāϚāύা āĻ•āϰেāĻ›িāϞ। āϤাঁāϰ āĻ­াāώা āĻ›িāϞ āϏāĻšāϜ, āĻšাāϏ্āϝāϰāϏাāϤ্āĻŽāĻ• āĻ“ āĻŽাāύāĻŦিāĻ•।


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āωāĻĒāϏংāĻšাāϰ

The Canterbury Tales āφāĻŽাāĻĻেāϰ āĻļেāĻ–াāϝ়—āĻŽাāύুāώেāϰ āϚāϰিāϤ্āϰ āύাāύা āϰāĻ™ে āĻ­āϰāĻĒুāϰ। āĻāχ āĻ—্āϰāύ্āĻĨ āφāϜāĻ“ āφāĻŽাāĻĻেāϰ āϏāĻŽাāϜ āĻ“ āϜীāĻŦāύেāϰ āĻĒ্āϰāϤিāĻĢāϞāύ।


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⚖️ āĻĻাāϝ়āϏ্āĻŦীāĻ•াāϰ

āĻāχ āĻŦ্āϞāĻ—āϟি āϏāĻŽ্āĻĒূāϰ্āĻŖ āĻļিāĻ•্āώাāĻŽূāϞāĻ• āωāĻĻ্āĻĻেāĻļ্āϝে āϰāϚিāϤ। āĻāϟি āϞেāĻ–āĻ•েāϰ āĻŦ্āϝāĻ•্āϤিāĻ—āϤ āϏাāĻšিāϤ্āϝিāĻ• āĻŦ্āϝাāĻ–্āϝা, āĻ•োāύāĻ“ āĻŦিāĻļেāώāϜ্āĻž āĻŽāϤ āύāϝ়।


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đŸŒŧ ā¤šिंā¤Ļी ⤏ं⤏्⤕⤰⤪ (Hindi Version)

ā¤Ē⤰ि⤚⤝

The Canterbury Tales ⤅ं⤗्⤰े⤜़ ⤕ā¤ĩि ⤜्⤝ोā¤Ģ्⤰ी ⤚ॉ⤏⤰ ⤕ी ⤏ā¤Ŧ⤏े ā¤Ē्⤰⤏िā¤Ļ्⤧ ⤰⤚⤍ा ā¤šै। ā¤¯ā¤š ⤚ौā¤Ļā¤šā¤ĩीं ⤏ā¤Ļी ⤕ी ⤇ं⤗्⤞ैंā¤Ą ⤕ी ā¤¸ā¤Žा⤜-ā¤ां⤕ी ā¤šै, ⤜िā¤¸ā¤Žें ⤤ी⤰्ā¤Ĩ⤝ा⤤्⤰ी ⤏ें⤟ ā¤Ĩॉā¤Žā¤¸ ā¤Ŧेā¤•ā¤Ÿ ⤕ी ā¤¸ā¤Žा⤧ि ⤕े ā¤Ļ⤰्ā¤ļ⤍ ⤕े ⤞िā¤ ⤕ैं⤟⤰ā¤Ŧ⤰ी ⤕ी ⤝ा⤤्⤰ा ⤕⤰⤤े ā¤šुā¤ ⤅ā¤Ē⤍े-⤅ā¤Ē⤍े ⤕ि⤏्⤏े ⤏ु⤍ा⤤े ā¤šैं।


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ā¤•ā¤šा⤍ी ⤕ी ⤏ं⤰⤚⤍ा

ā¤•ā¤šा⤍ी ⤕ी ā¤ļु⤰ु⤆⤤ Tabard Inn ⤏े ā¤šो⤤ी ā¤šै। ā¤ĩā¤šाँ ⤤ी⤏ ⤝ा⤤्⤰ी ⤤⤝ ⤕⤰⤤े ā¤šैं ⤕ि ā¤šā¤° ⤕ो⤈ ā¤Ļो-ā¤Ļो ā¤•ā¤šा⤍ि⤝ाँ ⤏ु⤍ाā¤ā¤—ा। ⤜ो ⤏ā¤Ŧ⤏े ā¤…ā¤š्⤛ी ā¤•ā¤šा⤍ी ⤏ु⤍ाā¤ā¤—ा, ⤉⤏े ā¤ĩाā¤Ē⤏ी ā¤Ē⤰ ā¤Žुā¤Ģ्⤤ ⤭ो⤜ ā¤Žि⤞े⤗ा।
⤚ॉ⤏⤰ ⤍े 120 ā¤•ā¤šा⤍ि⤝ाँ ⤞ि⤖⤍े ⤕ी ⤝ो⤜⤍ा ā¤Ŧ⤍ा⤈ ā¤Ĩी, ā¤Ē⤰ ā¤Ēू⤰ी ⤕⤰ ā¤Ēाā¤ ⤕ेā¤ĩ⤞ 24।

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ā¤Žु⤖्⤝ ā¤Ēा⤤्⤰ ⤔⤰ ⤕ā¤Ĩाā¤ँ

The Knight’s Tale: ā¤Ē्⤰ेā¤Ž ⤔⤰ ā¤¸ā¤Ž्ā¤Žा⤍ ⤕ी ⤕ā¤Ĩा।

The Miller’s Tale: ā¤šं⤏ी ⤔⤰ ⤛⤞ ⤕ा ⤕ि⤏्⤏ा।

The Wife of Bath’s Tale: ⤍ा⤰ी ⤕ी ā¤ļ⤕्⤤ि ⤔⤰ ⤅⤧ि⤕ा⤰ ⤕ी ā¤•ā¤šा⤍ी।

The Pardoner’s Tale: ⤞ा⤞⤚ ⤔⤰ ā¤Ēा⤖ंā¤Ą ā¤Ē⤰ ā¤Ē्ā¤°ā¤šा⤰।

The Nun’s Priest’s Tale: ā¤ā¤• ⤚⤤ु⤰ ā¤Ēā¤ļु ⤕ā¤Ĩा ⤜िā¤¸ā¤Žें ⤍ै⤤ि⤕ ā¤ļि⤕्⤎ा ⤛िā¤Ēी ā¤šै।



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ā¤Žु⤖्⤝ ā¤ĩि⤎⤝

1. ā¤¸ā¤Žा⤜ ⤔⤰ ā¤Žा⤍ā¤ĩ ⤏्ā¤ĩ⤭ाā¤ĩ


2. ⤧⤰्ā¤Ž ⤔⤰ ⤍ै⤤ि⤕⤤ा


3. ā¤Ē्⤰ेā¤Ž ⤔⤰ ā¤ĩिā¤ĩाā¤š


4. ⤞ा⤞⤚ ⤔⤰ ⤭्⤰⤎्⤟ा⤚ा⤰




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⤭ा⤎ा ⤔⤰ ā¤ļै⤞ी

⤚ॉ⤏⤰ ⤍े ⤇⤏े ā¤Žिā¤Ąā¤˛ ⤇ं⤗्⤞िā¤ļ ā¤Žें ⤞ि⤖ा, ⤜ि⤏⤏े ⤅ं⤗्⤰े⤜़ी ⤭ा⤎ा ⤕ो ⤏ाā¤šि⤤्⤝ि⤕ ā¤¸ā¤Ž्ā¤Žा⤍ ā¤Žि⤞ा। ⤉⤍⤕ी ⤰⤚⤍ाā¤ँ ā¤šं⤏ी, ā¤ĩ्⤝ं⤗्⤝ ⤔⤰ ⤝ā¤Ĩा⤰्ā¤Ĩ ⤏े ⤭⤰ी ā¤šु⤈ ā¤šैं।


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⤍ि⤎्⤕⤰्⤎

The Canterbury Tales ⤏ि⤰्ā¤Ģ़ ā¤ā¤• ⤕ि⤤ाā¤Ŧ ā¤¨ā¤šीं, ā¤Ŧ⤞्⤕ि ⤜ीā¤ĩ⤍ ⤕ा ā¤Ļ⤰्ā¤Ē⤪ ā¤šै—⤜ो ā¤Ļि⤖ा⤤ा ā¤šै ⤕ि ā¤Žā¤¨ु⤎्⤝ ⤕ि⤤⤍ा ā¤ĩिā¤ĩि⤧, ⤜⤟ि⤞ ⤔⤰ ⤏ुंā¤Ļ⤰ ā¤šो⤤ा ā¤šै।


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⚖️ ⤅⤏्ā¤ĩी⤕⤰⤪ (Disclaimer)

ā¤¯ā¤š ā¤Ŧ्⤞ॉ⤗ ⤕ेā¤ĩ⤞ ā¤ļि⤕्⤎ा ⤔⤰ ⤅⤧्⤝⤝⤍ ⤕े ⤉ā¤Ļ्ā¤Ļेā¤ļ्⤝ ⤏े ⤞ि⤖ा ⤗⤝ा ā¤šै। ⤞े⤖⤕ ⤕ो⤈ ā¤ĩिā¤ļे⤎⤜्ā¤ž ā¤¨ā¤šीं, ā¤Ŧ⤞्⤕ि ⤏ाā¤šि⤤्⤝ ā¤Ē्⤰ेā¤Žी ⤔⤰ ā¤ĩिā¤Ļ्⤝ा⤰्ā¤Ĩी ā¤šैं।


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