đ From One to Eleven: The Path of Numbers and Being
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đ¸ Original Poem
From One to Eleven: The Path of Numbers and Being
From one to nine,
Go easy and fine.
In steps of grace,
You learn your place.
But when to eleven you climb,
Come down again in time.
For pride in height
Dims wisdom’s light.
Take one and zero,
That humble pair of a hero.
One stands tall,
Zero completes it all.
Together they make ten,
Circle of start again.
As you go eleven,
Remember, descend again.
In digits small, life hides,
In numbers, truth abides.
Balance of gain and loss
Shapes the path we cross.
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đ️ ENGLISH SECTION (~2300 words)
đą Introduction – The Poetry Hidden in Numbers
Mathematics and poetry may seem like opposites — one is logic, the other emotion.
But in truth, both are languages of order, rhythm, and truth.
The poem “From One to Eleven” reveals that even in simple numbers, the universe whispers wisdom.
From 1 to 9, life flows in stages — like seasons of growth.
But when we reach 11, the poet reminds us to “come down again.”
Because when ambition climbs too high, humility must return.
And when we unite 1 and 0, we find completion — a perfect cycle called 10.
This poem invites us to see numbers not as symbols of counting, but as reflections of being.
Every number tells a story — of creation, pride, balance, and rebirth.
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đŧ Stanza 1: “From one to nine, go easy and fine.”
Here, the poet begins the journey.
Numbers from one to nine represent the natural rhythm of life — the learning phase, where everything unfolds gradually.
One — birth, beginning, identity.
Two — partnership, duality, balance.
Three — creativity, expression, and growth.
Four — structure, foundation, and stability.
Five — curiosity, exploration, and change.
Six — responsibility, care, and harmony.
Seven — introspection and wisdom.
Eight — power, discipline, and karma.
Nine — completion, generosity, and universality.
By saying “go easy and fine,” the poet encourages graceful progress, not haste.
Like the natural growth of a tree, every number is a stage of consciousness.
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đŋ Stanza 2: “In steps of grace, you learn your place.”
Every step in life teaches us where we belong.
The poet emphasizes that learning is not only gaining knowledge, but also understanding limits.
Graceful living means respecting rhythm — knowing when to rise, when to pause, and when to return.
In numbers, each digit builds upon the previous one.
So does life — we cannot skip from one to nine without living through two, three, and four.
The poem teaches the art of gradual evolution.
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đž Stanza 3: “But when to eleven you climb, come down again in time.”
Eleven (11) is unique — two ones side by side.
It looks like ego multiplied — self seeing self.
The poet warns that when we go beyond balance, pride may replace humility.
In life, “eleven” symbolizes overreach — when success becomes arrogance.
That’s when we must “come down again,” meaning return to simplicity, humanity, and gratitude.
Climbing too high without reflection can blur wisdom.
The descent isn’t defeat — it’s the return to equilibrium.
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đģ Stanza 4: “For pride in height dims wisdom’s light.”
Pride is the shadow of success.
When a person climbs the mountain of achievement, the temptation of superiority follows.
Here, the poet reminds us that ego blinds truth.
Wisdom is like light — it shines best when the mind is calm and humble.
Pride, however, clouds that light.
Thus, humility is not weakness but the protection of clarity.
This stanza echoes an ancient truth:
> “The higher the tree grows, the deeper its roots must go.”
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đē Stanza 5: “Take one and zero, that humble pair of a hero.”
This is the heart of the poem.
One (1) symbolizes existence — the self.
Zero (0) symbolizes emptiness — the infinite void.
Together, they form ten — a perfect union of being and nothingness.
In this line, the poet redefines heroism.
A true hero is not one who only stands tall (like 1),
but one who also embraces emptiness (like 0).
The combination of one and zero creates balance — strength with humility, power with silence.
That’s what makes a person a “hero.”
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đš Stanza 6: “One stands tall, zero completes it all.”
Here lies the essence of completeness.
Without zero, one is limited.
Without one, zero is void.
Together, they become ten — a number of wholeness, symbolizing the cycle of life, death, and renewal.
Zero is often seen as “nothing,” but in truth, it holds infinite potential.
In spirituality, zero is the source of creation — silence before sound, space before form.
So, “zero completes it all” means — humility completes greatness.
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đŧ Stanza 7: “Together they make ten, circle of start again.”
After nine comes ten — the end of one cycle and the beginning of another.
Ten is the return to one, but on a higher level of awareness.
It represents rebirth, repetition, and renewal.
Just as the sun rises every day after night, life too repeats its rhythm.
The poet calls ten a “circle of start again” — reminding us that every completion is a fresh beginning.
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đģ Stanza 8: “As you go eleven, remember, descend again.”
This line completes the earlier warning.
After the perfection of ten, when we reach eleven, the ego may rise again.
Hence, we must descend back into awareness.
The cycle of ascent and descent continues — it is the dance of evolution.
The poet teaches that wisdom is not about staying high forever,
but about knowing when to step down gracefully.
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đˇ Stanza 9: “In digits small, life hides; in numbers, truth abides.”
Numbers may look simple, but they hold profound symbolism.
Every digit hides a universal law.
In their order lies the story of creation — from singularity (1) to infinity (0).
The poet’s insight is that truth doesn’t always speak loudly — sometimes, it whispers through symbols.
In numbers, logic and life meet.
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đģ Stanza 10: “Balance of gain and loss shapes the path we cross.”
Finally, the poet concludes with a universal truth:
Life is a balance — of winning and losing, rising and falling, gaining and letting go.
Just like numbers move both forward and backward in equations,
our experiences shift between joy and sorrow.
The key is not to avoid change, but to keep balance.
Because balance is the bridge between mathematics and mindfulness,
between living and being.
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đ¸ Conclusion (English)
The poem “From One to Eleven” teaches that:
Numbers are spiritual mirrors.
Pride destroys wisdom; humility restores it.
One and zero together make completeness.
Life is a cycle of ascent and descent — not linear, but circular.
It’s not just a poem about digits — it’s about understanding our own rhythm of being.
We are all walking from “one to eleven,” learning to rise, fall, and rise again with grace.
đŧ BENGALI SECTION – “āĻāĻ āĻĨেāĻে āĻāĻাāϰো: āϏংāĻ্āϝাāϰ āĻĒāĻĨে āĻীāĻŦāύāĻĻāϰ্āĻļāύ”
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āĻূāĻŽিāĻা – āϏংāĻ্āϝাāϰ āĻŽāϧ্āϝেāĻ āĻীāĻŦāύেāϰ āĻĻāϰ্āĻļāύ
āĻ
āĻ্āĻ āĻ āĻāĻŦিāϤা — āĻĻুāĻāĻে āĻāĻŽāϰা āĻĒ্āϰাāϝ়āĻ āĻŦিāĻĒāϰীāϤ āĻাāĻŦি।
āĻ
āĻ্āĻ āĻšāϞো āϝুāĻ্āϤিāϰ āĻাāώা, āĻāϰ āĻāĻŦিāϤা āĻšāϞো āĻ
āύুāĻূāϤিāϰ।
āĻিāύ্āϤু āĻĒ্āϰāĻৃāϤāĻĒāĻ্āώে, āĻĻুāĻোāĻ āϏৃāώ্āĻি āĻāϰে āĻāĻ āϧāϰāύেāϰ āĻāύ্āĻĻ āĻ āĻাāϰāϏাāĻŽ্āϝ।
“āĻāĻ āĻĨেāĻে āĻāĻাāϰো” āĻāĻŦিāϤাāĻি āĻāĻŽাāĻĻেāϰ āĻļেāĻাāϝ় — āϏংāĻ্āϝাāϰ āĻŽāϧ্āϝেāĻ āϞুāĻিāϝ়ে āĻāĻে āĻীāĻŦāύেāϰ āĻĻāϰ্āĻļāύ।
āĻāĻ āĻĨেāĻে āύāϝ় — āĻāĻি āĻীāĻŦāύেāϰ āϏāĻšāĻ āĻ āϏুāύ্āĻĻāϰ āĻĒāĻĨ, āϝেāĻাāύে āĻāĻŽāϰা āϧীāϰে āϧীāϰে āĻļিāĻি, āĻŦāĻĄ় āĻšāĻ, āĻŦুāĻāϤে āĻļিāĻি।
āĻিāύ্āϤু āϝāĻāύ āĻāĻŽāϰা āĻāĻাāϰোāϝ় āĻāĻ ি, āĻāĻŦি āĻŦāϞেāύ, “āĻāĻŦাāϰ āύেāĻŽে āĻāϏো।”
āĻাāϰāĻŖ āĻāĻ্āĻāϤাāϝ় āĻিāϝ়ে āĻ
āĻšংāĻাāϰ āĻাāĻে, āĻāϰ āĻ
āĻšংāĻাāϰ āĻŽুāĻে āĻĻেāϝ় āĻ্āĻাāύেāϰ āĻāϞো।
āϝāĻāύ āĻāĻŽāϰা āĻāĻ āĻāϰ āĻļূāύ্āϝāĻে āĻāĻāϤ্āϰ āĻāϰি, āϤāĻāύ āĻāĻ িāϤ āĻšāϝ় āĻĻāĻļ — āĻĒূāϰ্āĻŖāϤাāϰ āĻĒ্āϰāϤীāĻ।
āĻāĻ āĻāĻŦিāϤা āĻāĻŽাāĻĻেāϰ āĻļেāĻাāϝ়: āĻীāĻŦāύেāϰ āĻĒ্āϰāϤিāĻি āϏংāĻ্āϝা āĻāĻāĻি āĻļিāĻ্āώা, āĻāĻāĻি āϧাāĻĒ, āĻāĻāĻি āϏāϤ্āϝেāϰ āĻĒ্āϰāϤিāĻ্āĻāĻŦি।
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đą āĻĒ্āϰāĻĨāĻŽ āϏ্āϤāĻŦāĻ – “āĻāĻ āĻĨেāĻে āύāϝ়, āϏāĻšāĻে āĻ āϏুāύ্āĻĻāϰāĻাāĻŦে āĻāϞো।”
āĻāĻ āĻĨেāĻে āύāϝ় āĻĒāϰ্āϝāύ্āϤ āϏংāĻ্āϝা āĻীāĻŦāύেāϰ āύāϝ়āĻি āϏ্āϤāϰ।
āĻāĻ āĻŽাāύে āĻļুāϰু, āĻĻুāĻ āĻŽাāύে āĻাāϰāϏাāĻŽ্āϝ, āϤিāύ āĻŽাāύে āϏৃāĻāύ, āĻাāϰ āĻŽাāύে āϏ্āĻĨিāϤি, āĻĒাঁāĻ āĻŽাāύে āĻ
āύুāϏāύ্āϧাāύ, āĻāϝ় āĻŽাāύে āϏুāϰ, āϏাāϤ āĻŽাāύে āĻāϤ্āĻŽāĻŦিāĻļ্āϞেāώāĻŖ, āĻāĻ āĻŽাāύে āĻļৃāĻ্āĻāϞা, āĻāϰ āύāϝ় āĻŽাāύে āĻĒূāϰ্āĻŖāϤা।
āĻāĻŦি āĻŦāϞেāύ, “āϏāĻšāĻে āĻ āϏুāύ্āĻĻāϰāĻাāĻŦে āĻāϞো।”
āĻ
āϰ্āĻĨাā§, āĻীāĻŦāύেāϰ āĻĒāĻĨ āĻšোāĻ āĻŽৃāĻĻু āĻ āϏ্āĻĨিāϰ।
āϝেāĻŽāύ āĻāĻ āĻļিāĻļু āϧীāϰে āϧীāϰে āĻšাঁāĻা āĻļেāĻে, āϤেāĻŽāύāĻ āĻŽাāύুāώāĻ āĻļেāĻে āύিāĻেāϰ āĻĒāĻĨ।
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đŋ āĻĻ্āĻŦিāϤীāϝ় āϏ্āϤāĻŦāĻ – “āĻ্āϰেāϏেāϰ āϧাāĻĒে āϧাāĻĒে, āĻļেāĻো āύিāĻেāϰ āϏ্āĻĨাāύ।”
āĻীāĻŦāύেāϰ āĻĒ্āϰāϤিāĻি āϧাāĻĒ āĻāĻŽাāĻĻেāϰ āĻļেāĻাāϝ় āĻোāĻĨাāϝ় āĻāĻŽাāĻĻেāϰ āϏ্āĻĨাāύ।
āϝে āĻŽাāύুāώ āϧৈāϰ্āϝেāϰ āϏāĻ্āĻে āĻļেāĻে, āϏে āĻাāύে āĻীāĻŦāύেāϰ āĻāύ্āĻĻāĻে।
āϏংāĻ্āϝাāϰ āĻŽāϤোāĻ āĻীāĻŦāύāĻ āĻāĻāĻি āĻ্āϰāĻŽিāĻ āϧাāϰা, āϝেāĻাāύে āĻোāύো āϧাāĻĒ āĻŦাāĻĻ āĻĻেāĻāϝ়া āϝাāϝ় āύা।
āĻĒ্āϰāϤিāĻি āĻ
āĻিāĻ্āĻāϤা, āĻĒ্āϰāϤিāĻি āĻŦāĻāϰ — āĻāĻেāĻāĻি āϏংāĻ্āϝা, āĻāĻেāĻāĻি āĻĒাāĻ ।
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đž āϤৃāϤীāϝ় āϏ্āϤāĻŦāĻ – “āϝāĻāύ āĻāĻাāϰোāϝ় āĻāĻ āĻŦে, āĻāĻŦাāϰ āύেāĻŽে āĻāϏো।”
āĻāĻাāϰো (ā§§ā§§) āĻŽাāύে āĻĻুāĻāĻি āĻāĻ āĻĒাāĻļাāĻĒাāĻļি — āϝেāύ āĻĻুāĻি āĻ
āĻšং āĻāĻāϏāĻ্āĻে āĻĻাঁāĻĄ়িāϝ়ে āĻāĻে।
āĻāĻি āĻāĻŽাāĻĻেāϰ āϏ্āĻŽāϰāĻŖ āĻāϰিāϝ়ে āĻĻেāϝ়, āĻ
āϤিāϰিāĻ্āϤ āϏাāĻĢāϞ্āϝ āĻāĻāύো āĻāĻāύো āĻāϤ্āĻŽāĻŽ্āĻāϰিāϤাāϰ āĻāύ্āĻŽ āĻĻেāϝ়।
āϤাāĻ āĻāĻŦি āĻŦāϞেāύ, “āĻāĻŦাāϰ āύেāĻŽে āĻāϏো” — āĻ
āϰ্āĻĨাā§ āĻŦিāύāϝ়ে āĻĢিāϰে āĻāϏো।
āĻীāĻŦāύে āϝāĻāύ āĻāĻŽāϰা āĻঁāĻুāϤে āĻāĻ ি, āϤāĻāύ āύিāĻেāϰ āĻĒৃāĻĨিāĻŦীāĻে āĻুāϞে āϝাāĻ।
āĻিāύ্āϤু āĻĒ্āϰāĻৃāϤ āĻ্āĻাāύ āϤāĻāύāĻ āĻāϏে, āϝāĻāύ āĻāĻŽāϰা āĻļিāĻি āύীāĻুāϤে āύেāĻŽে āĻāϏāϤে।
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đģ āĻāϤুāϰ্āĻĨ āϏ্āϤāĻŦāĻ – “āĻāĻ্āĻāϤাāϰ āĻ
āĻšংāĻাāϰ āĻŽুāĻে āĻĻেāϝ় āĻĒ্āϰāĻ্āĻাāϰ āĻāϞো।”
āĻ
āĻšংāĻাāϰ āĻšāϞো āϏāĻĢāϞāϤাāϰ āĻাāϝ়া।
āϝāĻāύ āĻāĻŽāϰা āĻঁāĻুāϤে āĻāĻ ি, āϤāĻāύ āύিāĻেāĻে āϏāϰ্āĻŦāĻļ্āϰেāώ্āĻ āĻাāĻŦাāϰ āĻ্āϰাāύ্āϤি āĻāύ্āĻŽাāϝ়।
āĻāĻŦি āĻŦāϞেāύ, āĻ
āĻšংāĻাāϰ āĻŽāύেāϰ āĻোāĻ āĻŦāύ্āϧ āĻāϰে āĻĻেāϝ়।
āĻĒ্āϰāĻ্āĻা āĻŦা āĻ্āĻাāύ āĻāϞোāϝ়েāϰ āĻŽāϤো —
āϝāϤ āĻŦেāĻļি āĻŦিāύāϝ়ী āĻšāĻŦে āĻŽāύ, āϤāϤāĻ āĻĒāϰিāώ্āĻাāϰ āĻšāĻŦে āϤাāϰ āĻāϞো।
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đš āĻĒāĻ্āĻāĻŽ āϏ্āϤāĻŦāĻ – “āĻāĻ āĻ āĻļূāύ্āϝ — āύাāϝ়āĻেāϰ āĻŦিāύāϝ়ী āĻুāĻি।”
āĻāĻ āϏ্āϤāĻŦāĻ āĻāĻŦিāϤাāϰ āĻšৃāĻĻāϝ়।
āĻāĻ āĻŽাāύে āĻ
āϏ্āϤিāϤ্āĻŦ, āĻļূāύ্āϝ āĻŽাāύে āĻļুāύ্āϝāϤা।
āĻĻু’āĻো āĻŽিāϞেāĻ āĻāĻ āύ āĻāϰে āĻĻāĻļ — āĻĒূāϰ্āĻŖāϤাāϰ āĻĒ্āϰāϤীāĻ।
āĻāĻŦি āĻŦāϞেāύ, āϏāϤ্āϝিāĻাāϰেāϰ āύাāϝ়āĻ āϏে āύāϝ় āϝে āĻļুāϧু āĻĻাঁāĻĄ়িāϝ়ে āĻĨাāĻে (āĻāĻ),
āĻŦāϰং āϏে, āϝে āĻļূāύ্āϝāϤাāĻে āĻāϞিāĻ্āĻāύ āĻāϰāϤে āĻĒাāϰে।
āĻাāϰāĻŖ āĻļূāύ্āϝāĻ āĻĻেāϝ় āĻ
āύāύ্āϤ āϏāĻŽ্āĻাāĻŦāύা।
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đŧ āώāώ্āĻ āϏ্āϤāĻŦāĻ – “āĻāĻ āĻĻাঁāĻĄ়িāϝ়ে āĻĨাāĻে, āĻļূāύ্āϝ āϏāĻŽ্āĻĒূāϰ্āĻŖ āĻāϰে।”
āĻāĻ āĻŽাāύে āĻāĻŽি, āĻļূāύ্āϝ āĻŽাāύে āϏāĻŦāĻিāĻু — āĻ
āύāύ্āϤ।
āĻāĻāϞা āĻāĻ āĻ
āϏāĻŽ্āĻĒূāϰ্āĻŖ, āĻļূāύ্āϝāĻ āĻāĻা āĻ
āϰ্āĻĨāĻšীāύ।
āĻিāύ্āϤু āϝāĻāύ āϤাāϰা āĻāĻāϤ্āϰ āĻšāϝ়, āϤāĻāύ āĻāύ্āĻŽ āύেāϝ় āĻĒূāϰ্āĻŖāϤা।
āĻāĻি āĻীāĻŦāύেāϰ āĻāĻীāϰ āĻĻāϰ্āĻļāύ —
āĻ
āĻšংāĻাāϰ āĻ āĻŦিāύāϝ় āĻŽিāϞে āĻāĻĄ়ে āĻāĻ ে āĻĒূāϰ্āĻŖ āĻŽাāύুāώ।
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đē āϏāĻĒ্āϤāĻŽ āϏ্āϤāĻŦāĻ – “āĻāĻāϏāĻ্āĻে āϤাāϰা āĻāĻĄ়ে āϤোāϞে āĻĻāĻļ, āύāϤুāύ āϏূāĻāύাāϰ āĻŦৃāϤ্āϤ।”
āύāϝ়-āĻāϰ āĻĒāϰে āĻāϏে āĻĻāĻļ — āĻ
āϰ্āĻĨাā§ āĻāĻāĻি āĻāĻ্āϰেāϰ āϏāĻŽাāĻĒ্āϤি āĻ āύāϤুāύ āĻāĻ্āϰেāϰ āĻļুāϰু।
āĻĻāĻļ āĻšāϞো āĻĒুāύāϰ্āĻāύ্āĻŽ, āύāϤুāύ āĻāϰে āĻļুāϰু āĻāϰাāϰ āĻĒ্āϰāϤীāĻ।
āϝেāĻŽāύ āϏূāϰ্āϝ āĻĒ্āϰāϤিāĻĻিāύ āĻāĻ ে, āϤেāĻŽāύি āĻীāĻŦāύেāϰ āĻĒ্āϰāϤিāĻি āϏāĻŽাāĻĒ্āϤিāĻ āύāϤুāύ āϏূāĻāύা।
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đģ āĻ
āώ্āĻāĻŽ āϏ্āϤāĻŦāĻ – “āϝāĻāύ āĻāĻাāϰোāϝ় āĻāĻ āĻŦে, āĻŽāύে āϰেāĻো, āĻāĻŦাāϰ āύেāĻŽে āĻāϏো।”
āĻāĻŦি āĻāĻাāύে āĻāĻŦাāϰ āĻŽāύে āĻāϰিāϝ়ে āĻĻেāύ — āĻĒূāϰ্āĻŖāϤাāϰ āĻĒāϰ āĻ
āĻšংāĻাāϰ āĻāϏে।
āĻĻāĻļেāϰ āĻĒāϰেāϰ āϏংāĻ্āϝা āĻāĻাāϰো āĻāĻŽাāĻĻেāϰ āĻļেāĻাāϝ় — āĻāĻŦাāϰ āĻŦিāύāϝ়ে āĻĢিāϰে āĻāϏো।
āĻāĻাāĻ āĻীāĻŦāύেāϰ āĻāύ্āĻĻ — āĻāĻ া, āύাāĻŽা, āĻāĻŦাāϰ āĻāĻ া।
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đš āύāĻŦāĻŽ āϏ্āϤāĻŦāĻ – “āĻোāĻ āĻোāĻ āĻ
āĻ্āĻে āϞুāĻিāϝ়ে āĻāĻে āĻীāĻŦāύ; āϏংāĻ্āϝাāϝ় āĻāĻে āϏāϤ্āϝ।”
āϏংāĻ্āϝাāĻুāϞো āĻোāĻ, āĻিāύ্āϤু āϤাāĻĻেāϰ āĻŽāϧ্āϝে āϞুāĻিāϝ়ে āĻāĻে āĻŽāĻšাāĻāĻāϤেāϰ āϰāĻšāϏ্āϝ।
āĻāĻ āĻĨেāĻে āĻļূāύ্āϝ āĻĒāϰ্āϝāύ্āϤ āĻĒ্āϰāϤিāĻি āĻ
āĻ্āĻ āĻāĻŽাāĻĻেāϰ āĻļেāĻাāϝ় — āĻীāĻŦāύেāϰ āϧাāϰা, āϏৃāώ্āĻিāϰ āĻāĻ্āϰ, āĻŦিāύāϝ়েāϰ āĻĒাāĻ ।
āϏংāĻ্āϝা āĻেāĻŦāϞ āĻāĻŖāύা āύāϝ়, āϤাāϰা āĻীāĻŦāύেāϰ āĻĒ্āϰāϤীāĻ।
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đˇ āĻĻāĻļāĻŽ āϏ্āϤāĻŦāĻ – “āϞাāĻ āĻ āĻ্āώāϤিāϰ āĻাāϰāϏাāĻŽ্āϝāĻ āϤৈāϰি āĻāϰে āĻীāĻŦāύেāϰ āĻĒāĻĨ।”
āĻļেāώ āϏ্āϤāĻŦāĻে āĻāĻŦি āĻŦāϞেāύ — āĻীāĻŦāύ āĻšāϞো āĻাāϰāϏাāĻŽ্āϝ।
āϝেāĻŽāύ āĻ
āĻ্āĻে āϝোāĻ-āĻŦিāϝ়োāĻ āĻāĻে, āϤেāĻŽāύি āĻীāĻŦāύে āϏুāĻ-āĻĻুঃāĻ āĻāĻে।
āϞাāĻ āĻ āĻ্āώāϤিāϰ āĻŽাāĻে āĻাāϰāϏাāĻŽ্āϝ āϰāĻ্āώা āĻāϰাāĻ āĻীāĻŦāύāĻ্āĻাāύ।
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đ¸ āĻāĻĒāϏংāĻšাāϰ (āĻŦাংāϞা)
“āĻāĻ āĻĨেāĻে āĻāĻাāϰো” āĻāĻŦিāϤাāĻি āĻāĻŽাāĻĻেāϰ āĻļেāĻাāϝ়:
āϏংāĻ্āϝাāϰ āĻŽāϧ্āϝে āϞুāĻিāϝ়ে āĻāĻে āĻ
āϏ্āϤিāϤ্āĻŦেāϰ āϏāϤ্āϝ।
āĻ
āĻšংāĻাāϰে āĻāϞো āύিāĻে āϝাāϝ়, āĻŦিāύāϝ়ে āĻāϞো āĻ্āĻŦāϞে।
āĻāĻ āĻ āĻļূāύ্āϝেāϰ āĻŽিāϞāĻ āĻĻেāϝ় āĻĒূāϰ্āĻŖāϤা।
āĻীāĻŦāύেāϰ āĻāĻ্āϰ āĻšāϞো āĻāĻ া, āύাāĻŽা āĻ āĻāĻŦাāϰ āĻāĻ া।
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đē HINDI SECTION – “ā¤ā¤ ⤏े ā¤्⤝ाā¤°ā¤š ⤤ā¤: ⤏ंā¤्⤝ा ā¤ā¤° ā¤
⤏्⤤ि⤤्ā¤ĩ ā¤ा ā¤Ļ⤰्ā¤ļ⤍”
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đŧ ā¤ूā¤Žिā¤ा – ⤏ंā¤्⤝ाā¤ं ā¤Žें ā¤िā¤Ēा ā¤ीā¤ĩ⤍ ā¤ा ā¤°ā¤šā¤¸्⤝
ā¤ā¤Ŗि⤤ ā¤ā¤° ā¤ā¤ĩि⤤ा — ā¤Ļो ā¤
⤞⤠ā¤Ļु⤍ि⤝ा ⤞ā¤ā¤¤ी ā¤šैं।
ā¤Ē⤰ ā¤
⤏⤞ ā¤Žें ā¤Ļो⤍ों ā¤šी ⤞⤝ ā¤ā¤° ⤏ं⤤ु⤞⤍ ā¤ी ā¤ा⤎ा ā¤šैं।
ā¤ā¤ĩि⤤ा “ā¤ā¤ ⤏े ā¤्⤝ाā¤°ā¤š” ā¤šā¤Žें ⤏िā¤ा⤤ी ā¤šै ā¤ि ā¤šā¤° ⤏ंā¤्⤝ा ā¤Žें ā¤ीā¤ĩ⤍ ā¤ी ā¤ā¤ ⤏ी⤠ā¤िā¤Ēी ā¤šै।
ā¤ā¤ ⤏े ⤍ौ ⤤⤠ā¤ीā¤ĩ⤍ ā¤ी ⤝ा⤤्⤰ा ā¤¸ā¤šā¤ ā¤šै,
ā¤Ē⤰ ā¤ā¤Ŧ ā¤šā¤Ž ā¤्⤝ाā¤°ā¤š ā¤Ē⤰ ā¤Ēā¤šुँā¤ā¤¤े ā¤šैं, ā¤ā¤ĩि ā¤ā¤šā¤¤े ā¤šैं — “ā¤Ģि⤰ ⤍ीā¤े ā¤ā¤¤ā¤°ो।”
ā¤्⤝ोंā¤ि ā¤ँā¤ा⤠ā¤Ē⤰ ā¤Ēā¤šुँā¤ā¤ā¤° ā¤
ā¤्⤏⤰ ā¤
ā¤šंā¤ा⤰ ā¤ā¤¨्ā¤Ž ⤞े⤤ा ā¤šै।
ā¤ā¤° ā¤ā¤Ŧ ā¤ā¤ ā¤ā¤° ā¤ļू⤍्⤝ ā¤Žि⤞⤤े ā¤šैं, ⤤ā¤Ŧ ā¤Ŧ⤍⤤ा ā¤šै ā¤Ļ⤏ —
ā¤Ēू⤰्⤪⤤ा ā¤ा ā¤Ē्⤰⤤ीā¤, ā¤ीā¤ĩ⤍ ā¤ा ā¤ā¤्⤰।
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đą ā¤Ēā¤šā¤˛ा ā¤Ēā¤Ļ – “ā¤ā¤ ⤏े ⤍ौ, ā¤¸ā¤šā¤ ā¤ā¤° ⤏ुंā¤Ļ⤰ ā¤ā¤˛ो।”
ā¤ā¤ ⤏े ⤍ौ ⤤⤠ā¤ीā¤ĩ⤍ ā¤े ⤍ौ ā¤ā¤°ā¤Ŗ ā¤šैं —
ā¤ā¤ ā¤ā¤¨्ā¤Ž, ā¤Ļो ⤏ं⤤ु⤞⤍, ⤤ी⤍ ⤰ā¤ā¤¨ा, ā¤ा⤰ ⤏्ā¤Ĩि⤰⤤ा, ā¤Ēाँ⤠ā¤Ē⤰िā¤ĩ⤰्⤤⤍, ā¤ā¤š ā¤ā¤°ु⤪ा, ⤏ा⤤ ā¤ā¤¤्ā¤Žā¤्ā¤ा⤍, ā¤ā¤ ā¤
⤍ुā¤ļा⤏⤍, ⤍ौ ā¤Ēू⤰्⤪⤤ा।
ā¤ā¤ĩि ā¤ā¤šā¤¤े ā¤šैं — “ā¤¸ā¤šā¤ ā¤ā¤° ⤏ुंā¤Ļ⤰ ā¤ā¤˛ो।”
⤝ा⤍ी ā¤ीā¤ĩ⤍ ā¤ो ā¤ā¤˛्ā¤Ļी ā¤¨ā¤šीं, ⤧ै⤰्⤝ ⤏े ā¤ि⤝ो।
ā¤šā¤° ⤏ंā¤्⤝ा ā¤ā¤ ā¤
⤍ुā¤ā¤ĩ ā¤šै, ā¤šā¤° ā¤ā¤Ļā¤Ž ā¤ā¤ ā¤ļिā¤्⤎ा।
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đŋ ā¤Ļू⤏⤰ा ā¤Ēā¤Ļ – “ā¤
⤍ुā¤्ā¤°ā¤š ā¤े ā¤ā¤Ļā¤Žों ⤏े, ā¤
ā¤Ē⤍ा ⤏्ā¤Ĩा⤍ ā¤ा⤍ो।”
ā¤ीā¤ĩ⤍ ā¤Žें ā¤šā¤° ā¤ā¤Ļā¤Ž ā¤šā¤Žें ā¤ु⤠⤏िā¤ा⤤ा ā¤šै।
ā¤ो ā¤¨ā¤Ž्⤰⤤ा ⤏े ā¤ā¤˛ā¤¤ा ā¤šै, ā¤ĩā¤šी ā¤
ā¤Ē⤍े ⤏्ā¤Ĩा⤍ ā¤ो ā¤Ēā¤šā¤ा⤍⤤ा ā¤šै।
⤏ंā¤्⤝ाā¤ं ā¤ी ā¤¤ā¤°ā¤š, ā¤ीā¤ĩ⤍ ā¤ी ā¤्ā¤°ā¤Žिā¤ ā¤šै — ā¤ो⤠ā¤ā¤°ā¤Ŗ ā¤ोā¤Ą़ा ā¤¨ā¤šीं ā¤ा ⤏ā¤ā¤¤ा।
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đž ⤤ी⤏⤰ा ā¤Ēā¤Ļ – “ā¤ā¤Ŧ ā¤्⤝ाā¤°ā¤š ā¤Ē⤰ ā¤ā¤ĸ़ो, ā¤¸ā¤Žā¤¯ ā¤Ē⤰ ā¤ā¤¤ā¤° ā¤ā¤।”
ā¤्⤝ाā¤°ā¤š (11) ⤝ा⤍ी ā¤Ļो ‘ā¤ā¤’ ⤏ाā¤Ĩ — ā¤Ļो ā¤
ā¤šंā¤ा⤰ ā¤ā¤Žā¤¨े-⤏ाā¤Žā¤¨े।
ā¤¯ā¤š ā¤े⤤ाā¤ĩ⤍ी ā¤šै — ā¤ā¤Ŧ ⤏ā¤Ģ⤞⤤ा ā¤Ŧā¤ĸ़⤤ी ā¤šै, ⤤ो ā¤ĩिā¤¨ā¤Ž्⤰⤤ा ā¤ā¤°ू⤰ी ā¤šै।
“ā¤ā¤¤ā¤° ā¤ā¤” ā¤ा ā¤
⤰्ā¤Ĩ ā¤šै — ā¤
ā¤šंā¤ा⤰ ā¤ो ⤤्⤝ाā¤ो।
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đģ ā¤ौā¤Ĩा ā¤Ēā¤Ļ – “ā¤ँā¤ा⤠ā¤ा ā¤
ā¤िā¤Žा⤍ ā¤Žिā¤ा ā¤Ļे⤤ा ā¤šै ā¤्ā¤ा⤍ ā¤ा ā¤Ē्⤰ā¤ाā¤ļ।”
ā¤
ā¤िā¤Žा⤍ ⤏ā¤Ģ⤞⤤ा ā¤ी ā¤ा⤝ा ā¤šै।
ā¤ā¤Ŧ ā¤Žā¤¨ ā¤ँā¤ा ā¤šो⤤ा ā¤šै, ⤤ो ā¤ā¤¸े ⤞ā¤ā¤¤ा ā¤šै ā¤ि ā¤ĩā¤š ⤏ā¤Ŧ ā¤ा⤍⤤ा ā¤šै।
⤞ेā¤ि⤍ ā¤
ā¤šंā¤ा⤰ ā¤्ā¤ा⤍ ā¤ो ā¤ĸ⤠ā¤Ļे⤤ा ā¤šै।
ā¤ĩिā¤¨ā¤Ž्⤰⤤ा ā¤šी ā¤
⤏⤞ी ā¤Ē्⤰ā¤ाā¤ļ ā¤šै।
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đš ā¤Ēाँā¤ā¤ĩाँ ā¤Ēā¤Ļ – “ā¤ā¤ ā¤ā¤° ā¤ļू⤍्⤝ — ⤍ा⤝⤠ā¤ी ā¤ĩिā¤¨ā¤Ž्⤰ ā¤ोā¤Ą़ी।”
ā¤ā¤ ā¤
⤏्⤤ि⤤्ā¤ĩ ā¤šै, ā¤ļू⤍्⤝ ā¤ļां⤤ि ā¤šै।
ā¤ā¤Ŧ ā¤Ļो⤍ों ā¤Žि⤞⤤े ā¤šैं, ⤤ā¤Ŧ ā¤Ŧ⤍⤤ा ā¤šै ā¤Ļ⤏ — ⤏ं⤤ु⤞⤍ ā¤ा ā¤Ē्⤰⤤ीā¤।
⤏ā¤्ā¤ा ⤍ा⤝⤠ā¤ĩā¤š ā¤šै ā¤ो ā¤ļू⤍्⤝⤤ा ā¤ो ā¤ी ⤏्ā¤ĩीā¤ा⤰ ā¤ā¤°ā¤¤ा ā¤šै।
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đŧ ā¤ā¤ ा ā¤Ēā¤Ļ – “ā¤ā¤ ā¤ā¤Ą़ा ā¤šै, ā¤ļू⤍्⤝ ā¤ā¤¸े ā¤Ēू⤰ा ā¤ā¤°ā¤¤ा ā¤šै।”
ā¤ā¤ ā¤
ā¤े⤞ा ā¤
⤧ू⤰ा ā¤šै, ā¤ļू⤍्⤝ ā¤Ŧि⤍ा ā¤ā¤ ā¤े ⤍ि⤰⤰्ā¤Ĩā¤।
ā¤Ļो⤍ों ā¤Žि⤞ā¤ā¤° ā¤Ŧ⤍ा⤤े ā¤šैं ā¤Ēू⤰्⤪⤤ा।
ā¤ै⤏े ā¤ļā¤्⤤ि ā¤ā¤° ā¤ļां⤤ि, ā¤
ā¤šंā¤ा⤰ ā¤ā¤° ā¤ĩिā¤¨ā¤Ž्⤰⤤ा ā¤ा ⤏ंā¤ā¤Ž।
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đē ⤏ा⤤ā¤ĩाँ ā¤Ēā¤Ļ – “ā¤Žि⤞ā¤ā¤° ā¤Ŧ⤍ा⤤े ā¤šैं ā¤Ļ⤏ — ⤍⤠ā¤ā¤°ं⤠ā¤ा ā¤ā¤्⤰।”
ā¤Ļ⤏ ā¤ā¤ ⤍⤠ā¤ā¤्⤰ ā¤ी ā¤ļु⤰ुā¤ā¤¤ ā¤šै।
ā¤¯ā¤š ā¤¸ā¤Žाā¤Ē्⤤ि ā¤¨ā¤šीं, ā¤Ēु⤍⤰्ā¤ā¤¨्ā¤Ž ā¤šै।
ā¤šā¤° ā¤
ं⤤ ā¤े ā¤Ŧाā¤Ļ ā¤ā¤ ⤍⤠ā¤ļु⤰ुā¤ā¤¤ ā¤šो⤤ी ā¤šै — ā¤¯ā¤šी ā¤ीā¤ĩ⤍ ā¤ा ⤍िā¤¯ā¤Ž ā¤šै।
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đģ ā¤ā¤ ā¤ĩाँ ā¤Ēā¤Ļ – “ā¤ā¤Ŧ ā¤्⤝ाā¤°ā¤š ⤤⤠ā¤ाā¤, ⤝ाā¤Ļ ⤰ā¤ो, ā¤Ģि⤰ ⤍ीā¤े ā¤ā¤¤ā¤° ā¤ā¤।”
ā¤Ļ⤏ ā¤े ā¤Ŧाā¤Ļ ā¤ā¤Ŧ ā¤्⤝ाā¤°ā¤š ā¤ā¤¤ा ā¤šै, ⤤ो ā¤े⤤ाā¤ĩ⤍ी ā¤Žि⤞⤤ी ā¤šै —
ā¤ँā¤ा⤠ā¤े ā¤Ŧाā¤Ļ ā¤ी ⤧⤰⤤ी ā¤ो ā¤Žā¤¤ ā¤ू⤞ो।
ā¤¯ā¤š ā¤ā¤ĸ़⤍े ā¤ā¤° ā¤ā¤¤ā¤°ā¤¨े ā¤ा ⤏⤤⤤ ā¤ā¤्⤰ ā¤šै — ā¤ीā¤ĩ⤍ ā¤ी ⤞⤝।
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đš ⤍ā¤ĩाँ ā¤Ēā¤Ļ – “ā¤ोā¤े ā¤
ंā¤ों ā¤Žें ā¤िā¤Ēा ā¤ीā¤ĩ⤍, ⤏ंā¤्⤝ाā¤ं ā¤Žें ā¤िā¤Ēा ⤏⤤्⤝।”
ā¤šā¤° ā¤
ंā¤ ā¤Žें ā¤ā¤ ā¤°ā¤šā¤¸्⤝ ā¤šै।
ā¤ā¤ ⤏े ā¤ļू⤍्⤝ ā¤¤ā¤ ā¤šā¤° ⤏ंā¤्⤝ा ā¤šā¤Žें ⤏िā¤ा⤤ी ā¤šै —
ā¤ीā¤ĩ⤍ ā¤ा ā¤
⤰्ā¤Ĩ, ⤏ृā¤ā¤¨ ā¤ा ⤍िā¤¯ā¤Ž, ā¤ā¤° ā¤ĩिā¤¨ā¤Ž्⤰⤤ा ā¤ा ā¤Žā¤šā¤¤्ā¤ĩ।
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đˇ ā¤Ļ⤏ā¤ĩाँ ā¤Ēā¤Ļ – “⤞ा⤠ā¤ā¤° ā¤šा⤍ि ā¤ा ⤏ं⤤ु⤞⤍ ā¤šी ā¤ीā¤ĩ⤍ ā¤ा ā¤Žा⤰्⤠ā¤Ŧ⤍ा⤤ा ā¤šै।”
ā¤ीā¤ĩ⤍ ā¤ā¤Ŗि⤤ ā¤ी ā¤¤ā¤°ā¤š ā¤šै —
ā¤ā¤šाँ ā¤ोā¤Ą़ ā¤ā¤° ā¤ā¤ाā¤ĩ ā¤Ļो⤍ों ā¤ā¤°ू⤰ी ā¤šैं।
⤏ुā¤-ā¤Ļुःā¤, ⤏ā¤Ģ⤞⤤ा-ā¤
⤏ā¤Ģ⤞⤤ा — ⤏ā¤Ŧ ā¤Žि⤞ā¤ā¤° ā¤ीā¤ĩ⤍ ā¤ो ⤏ं⤤ु⤞ि⤤ ā¤Ŧ⤍ा⤤े ā¤šैं।
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đ¸ ā¤ā¤Ē⤏ंā¤šा⤰ (Hindi)
“ā¤ā¤ ⤏े ā¤्⤝ाā¤°ā¤š” ā¤ā¤ĩि⤤ा ⤏िā¤ा⤤ी ā¤šै:
⤏ंā¤्⤝ाā¤ँ ā¤ीā¤ĩ⤍ ā¤ा ā¤Ē्⤰⤤ीā¤ ā¤šैं।
ā¤
ā¤šंā¤ा⤰ ā¤्ā¤ा⤍ ā¤ो ā¤ĸā¤ā¤¤ा ā¤šै, ā¤ĩिā¤¨ā¤Ž्⤰⤤ा ā¤ā¤¸े ā¤ā¤ाā¤ā¤° ā¤ā¤°ā¤¤ी ā¤šै।
ā¤ā¤ ā¤ā¤° ā¤ļू⤍्⤝ ā¤ा ā¤Žि⤞⤍ ā¤Ēू⤰्⤪⤤ा ā¤Ļे⤤ा ā¤šै।
ā¤ीā¤ĩ⤍ ā¤ā¤ĸ़⤍े ā¤ā¤° ā¤ā¤¤ā¤°ā¤¨े ā¤ी ⤍ि⤰ं⤤⤰ ⤝ा⤤्⤰ा ā¤šै।
⚖️ DISCLAIMER:
This blog is for educational, poetic, and philosophical reflection only.
All interpretations of numbers are symbolic, not predictive or mathematical advice.
Readers are encouraged to think freely and interpret the message personally.
The author or publisher bears no responsibility for individual decisions made from symbolic meaning.
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