Is Taj Mahal a Disputed Place? History, Facts, and Official Truth Explained



🕌 Is Taj Mahal a Disputed Place?

(A Trilingual Blog: English • Bengali • Hindi)

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🌐 English Section

Introduction

The Taj Mahal, one of the world’s most beautiful architectural masterpieces, stands with timeless grace on the banks of the Yamuna River in Agra, Uttar Pradesh, India. This marble mausoleum, built by the Mughal emperor Shah Jahan in memory of his beloved wife Mumtaz Mahal, has long been regarded as the ultimate symbol of love and devotion. Yet in recent times, a question has emerged in certain circles — Is the Taj Mahal a disputed place?

While the monument remains one of India’s most protected heritage sites, certain ideological and historical debates have given rise to controversies. Let’s explore the facts, myths, and official stance of India regarding the Taj Mahal’s historical identity.


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1. The Official Status of the Taj Mahal

The Taj Mahal is not a disputed place according to the Government of India. It is managed by the Archaeological Survey of India (ASI), which is responsible for preserving and maintaining national monuments under the Ancient Monuments and Archaeological Sites and Remains Act, 1958.

The ASI recognizes the Taj Mahal as:

A UNESCO World Heritage Site since 1983

A nationally protected monument

A masterpiece of Mughal architecture, blending Persian, Islamic, and Indian elements


Therefore, from a legal and administrative point of view, the Taj Mahal is not under any form of ownership or religious dispute.


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2. The Historical Background

Construction of the Taj Mahal began around 1631 CE and was completed in 1648 CE. Historical accounts by court historians such as Abdul Hamid Lahori, who wrote the Padshahnama, clearly record that the Taj Mahal was commissioned by Emperor Shah Jahan as a mausoleum for his wife Mumtaz Mahal, who died during childbirth.

The entire complex includes:

The main marble dome structure

Four minarets

A mosque

A guest house

Beautifully laid-out Mughal gardens


These features align perfectly with Islamic architectural traditions and funerary monuments of the Mughal era.


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3. The Controversies

Over the past few decades, certain writers and groups have claimed that the Taj Mahal was once a Hindu temple, possibly named Tejo Mahalaya, dedicated to Lord Shiva. This theory, first widely circulated by writer P.N. Oak in the 1980s, argued that the Taj Mahal’s original structure predated the Mughal period.

However:

No archaeological evidence supports this theory.

The Supreme Court of India has not recognized any such claim.

The Archaeological Survey of India maintains that there is no proof suggesting that the Taj Mahal was ever a Hindu temple.


Hence, the “dispute” exists only in public debate or ideological discourse, not in legal reality.


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4. The Cultural and Religious Sensitivity

India is a country rich in history and diversity. While debates over monuments sometimes arise due to overlapping cultural identities, the Taj Mahal stands as a reminder of India’s shared heritage.
It reflects the artistic genius of India’s craftsmen — many of whom were local Hindus, Muslims, and artisans from different regions who worked together under Mughal patronage.

Thus, the Taj Mahal is not merely a symbol of Mughal glory but also a fusion of Indian creativity and multicultural spirit.


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5. The Global Recognition

The Taj Mahal continues to be one of the most visited tourist attractions in the world. Every year, millions of people — irrespective of nationality, religion, or belief — travel to Agra to witness this symbol of eternal love.

It has inspired countless artists, poets, and filmmakers around the world. Its inclusion among the Seven Wonders of the World further enhances India’s image as a nation of artistic legacy and cultural pride.


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6. The Legal and Archaeological Position

To clarify the official position:

The Taj Mahal is under the complete jurisdiction of the ASI.

There are no court cases declaring it a disputed structure.

The Indian Constitution recognizes it as a part of the national heritage, belonging to all Indians.


Therefore, any claim that the Taj Mahal is a “disputed” monument holds no legal or constitutional validity.


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7. Symbol of Harmony

Beyond religion or politics, the Taj Mahal is a symbol of love, peace, and architectural harmony. It represents the emotional bond between two people, transcending faith, culture, and time.

It reminds us that true beauty emerges not from division, but from unity — from the blending of cultures, beliefs, and art.


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Conclusion (English)

The Taj Mahal is not a disputed site. It is a protected monument, a symbol of love, and a masterpiece of world heritage. While debates may exist in academic or ideological circles, the legal, historical, and archaeological evidence confirms that the Taj Mahal belongs to every Indian — as a monument of art, devotion, and timeless human emotion.


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🇧🇩 āĻŦাংāϞা āĻŦিāĻ­াāĻ— (Bengali Section)

āĻĒāϰিāϚāϝ়

āϤাāϜāĻŽāĻšāϞ — āĻ­াāϰāϤেāϰ āφāĻ—্āϰাāϝ় āϝāĻŽুāύা āύāĻĻীāϰ āϤীāϰে āĻĻাঁāĻĄ়িāϝ়ে āĻĨাāĻ•া āĻāĻ• āĻ…āύāύ্āϤ āϏৌāύ্āĻĻāϰ্āϝেāϰ āĻĒ্āϰāϤীāĻ•। āϏāĻŽ্āϰাāϟ āĻļাāĻšāϜাāĻšাāύ āϤাঁāϰ āĻĒ্āϰিāϝ় āϏ্āϤ্āϰী āĻŽāĻŽāϤাāϜ āĻŽāĻšāϞেāϰ āϏ্āĻŽৃāϤিāϤে āĻāχ āĻ…āύāύ্āϝ āϏāĻŽাāϧিāϏৌāϧ āύিāϰ্āĻŽাāĻŖ āĻ•āϰেāύ। āφāϜāĻ“ āĻāϟি āĻĒ্āϰেāĻŽ āĻ“ āĻļ্āϰāĻĻ্āϧাāϰ āĻĒ্āϰāϤীāĻ• āĻšিāϏেāĻŦে āĻŦিāĻļ্āĻŦāϜোāĻĄ়া āĻ–্āϝাāϤি āϞাāĻ­ āĻ•āϰেāĻ›ে।

āĻ•িāύ্āϤু āϏাāĻŽ্āĻĒ্āϰāϤিāĻ• āϏāĻŽāϝ়ে āĻāĻ•āϟি āĻĒ্āϰāĻļ্āύ āĻ…āύেāĻ•েāϰ āĻŽāύে āĻāϏেāĻ›ে — “āϤাāϜāĻŽāĻšāϞ āĻ•ি āĻāĻ•āϟি āĻŦিāϤāϰ্āĻ•িāϤ āϏ্āĻĨাāύ?”
āĻāχ āĻĒ্āϰāĻļ্āύেāϰ āωāϤ্āϤāϰ āĻĒাāĻ“āϝ়া āϝাāϝ় āχāϤিāĻšাāϏ, āφāχāύ āĻ“ āϏāϤ্āϝেāϰ āĻ—āĻ­ীāϰে।


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ā§§. āϤাāϜāĻŽāĻšāϞেāϰ āϏāϰāĻ•াāϰি āĻ…āĻŦāϏ্āĻĨাāύ

āϤাāϜāĻŽāĻšāϞ āĻ•োāύāĻ“ āĻŦিāϤāϰ্āĻ•িāϤ āϏ্āĻĨাāύ āύāϝ়।
āĻāϟি āĻ­াāϰāϤেāϰ āφāϰ্āĻ•িāĻ“āϞāϜিāĻ•্āϝাāϞ āϏাāϰ্āĻ­ে āĻ…āĻĢ āχāύ্āĻĄিāϝ়া (ASI) āĻĻ্āĻŦাāϰা āϰāĻ•্āώিāϤ āĻ“ āĻĒāϰিāϚাāϞিāϤ āĻāĻ•āϟি āϜাāϤীāϝ় āϐāϤিāĻš্āϝ āϏ্āĻĨাāĻĒāύা।

⧧⧝ā§Ģā§Ž āϏাāϞেāϰ Ancient Monuments and Archaeological Sites and Remains Act āĻ…āύুāϝাāϝ়ী āϤাāϜāĻŽāĻšāϞ āĻāĻ•āϟি āϏংāϰāĻ•্āώিāϤ āϏ্āĻŽৃāϤিāϏ্āϤāĻŽ্āĻ­।
ā§§ā§¯ā§Žā§Š āϏাāϞে āĻāϟি āχāωāύেāϏ্āĻ•ো āĻ“āϝ়াāϰ্āϞ্āĻĄ āĻšেāϰিāϟেāϜ āϏাāχāϟ āĻšিāϏেāĻŦে āϏ্āĻŦীāĻ•ৃāϤি āĻĒাāϝ়।


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⧍. āϐāϤিāĻšাāϏিāĻ• āĻĒāϟāĻ­ূāĻŽি

ā§§ā§Ŧā§Šā§§ āϏাāϞে āϤাāϜāĻŽāĻšāϞেāϰ āύিāϰ্āĻŽাāĻŖ āĻ•াāϜ āĻļুāϰু āĻšāϝ় āĻāĻŦং āĻĒ্āϰাāϝ় ā§§ā§Ŧā§Ēā§Ž āϏাāϞে āĻļেāώ āĻšāϝ়।
āĻļাāĻšāϜাāĻšাāύ āϤাঁāϰ āϏ্āϤ্āϰী āĻŽāĻŽāϤাāϜ āĻŽāĻšāϞেāϰ āĻŽৃāϤ্āϝুāϰ āĻĒāϰ āϤাঁāϰ āϏ্āĻŽৃāϤিāĻ•ে āĻ…āĻŽāϰ āϰাāĻ–āϤে āĻāχ āĻŽāĻšাāϏৌāϧ āύিāϰ্āĻŽাāĻŖ āĻ•āϰেāύ।

āĻāϤে āϰāϝ়েāĻ›ে —

āĻŽূāϞ āĻŽাāϰ্āĻŦেāϞ āϏāĻŽাāϧি

āϚাāϰāϟি āĻŽিāύাāϰ

āĻŽāϏāϜিāĻĻ

āĻ…āϤিāĻĨিāĻļাāϞা

āĻŽুāϘāϞ āĻŦাāĻ—াāύ


āĻāχ āύāĻ•āĻļা āχāϏāϞাāĻŽী āϏ্āĻĨাāĻĒāϤ্āϝāĻļৈāϞীāϰ āϏāĻ™্āĻ—ে āĻŽুāϘāϞ āϝুāĻ—েāϰ āĻŦৈāĻļিāώ্āϟ্āϝ āĻŽিāĻļিāϝ়ে āϤৈāϰি।


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ā§Š. āĻŦিāϤāϰ্āĻ•েāϰ āĻ‰ā§ŽāϏ

āĻ•িāĻ›ু āĻŽāϤāĻŦাāĻĻ āĻ…āύুāϝাāϝ়ী, āϤাāϜāĻŽāĻšāϞ āύাāĻ•ি āĻāĻ•āϏāĻŽāϝ় “āϤেāϜোāĻŽāĻšাāϞāϝ়” āύাāĻŽে āĻāĻ•āϟি āĻšিāύ্āĻĻু āĻŽāύ্āĻĻিāϰ āĻ›িāϞ, āϝা āĻļিāĻŦāĻ াāĻ•ুāϰেāϰ āωāĻĻ্āĻĻেāĻļ্āϝে āύিāϰ্āĻŽিāϤ।
āĻāχ āĻĻাāĻŦি āĻĒ্āϰāĻĨāĻŽ āĻ•āϰেāύ āϞেāĻ–āĻ• āĻĒি.āĻāύ. āĻ“āĻ•।

āĻ•িāύ্āϤু —

āĻ•োāύāĻ“ āĻĒ্āϰāϤ্āύāϤাāϤ্āϤ্āĻŦিāĻ• āĻĒ্āϰāĻŽাāĻŖ āύেāχ।

āϏুāĻĒ্āϰিāĻŽ āĻ•োāϰ্āϟ āĻāχ āĻĻাāĻŦি āϏ্āĻŦীāĻ•ৃāϤি āĻĻেāϝ়āύি।

ASI āϏ্āĻĒāώ্āϟāĻ­াāĻŦে āϜাāύিāϝ়েāĻ›ে āϝে āϤাāϜāĻŽāĻšāϞেāϰ āĻ•োāύāĻ“ āĻ…ংāĻļ āĻšিāύ্āĻĻু āĻŽāύ্āĻĻিāϰ āĻ›িāϞ āύা।


āĻ…āϤāĻāĻŦ, āĻāϟি āĻ•োāύāĻ“ āφāχāύি āĻŦিāϤāϰ্āĻ• āύāϝ়, āĻŦāϰং āϧাāϰāĻŖাāĻ—āϤ āĻŦা āĻŽāϤাāĻĻāϰ্āĻļāĻ—āϤ āĻŦিāϤāϰ্āĻ•।


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ā§Ē. āϏংāϏ্āĻ•ৃāϤি āĻ“ āϐāĻ•্āϝ

āĻ­াāϰāϤ āĻŦāĻšু āϧāϰ্āĻŽ, āĻ­াāώা āĻ“ āϏংāϏ্āĻ•ৃāϤিāϰ āĻĻেāĻļ।
āϤাāϜāĻŽāĻšāϞ āϏেāχ āϐāĻ•্āϝেāϰ āĻĒ্āϰāϤীāĻ•, āϝেāĻ–াāύে āĻšিāύ্āĻĻু-āĻŽুāϏāϞāĻŽাāύ, āĻ­াāϰāϤীāϝ়-āĻŦিāĻĻেāĻļি āĻļিāϞ্āĻĒীāϰা āĻāĻ•āϏাāĻĨে āĻ•াāϜ āĻ•āϰেāĻ›িāϞেāύ।
āĻāϟি āĻļুāϧুāĻŽাāϤ্āϰ āĻŽুāϘāϞ āĻļিāϞ্āĻĒ āύāϝ়, āĻŦāϰং āĻ­াāϰāϤেāϰ āϏāĻŽ্āĻŽিāϞিāϤ āϏংāϏ্āĻ•ৃāϤিāϰ āĻĒ্āϰāϤীāĻ•।


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ā§Ģ. āĻŦিāĻļ্āĻŦāϜোāĻĄ়া āĻŽāϰ্āϝাāĻĻা

āϤাāϜāĻŽāĻšāϞ āφāϜ āĻŦিāĻļ্āĻŦেāϰ āĻ…āύ্āϝāϤāĻŽ āĻĻāϰ্āĻļāύীāϝ় āϏ্āĻĨাāύ।
āĻĒ্āϰāϤি āĻŦāĻ›āϰ āĻ•োāϟি āĻ•োāϟি āĻŽাāύুāώ āĻāχ āĻĒ্āϰেāĻŽেāϰ āĻĒ্āϰāϤীāĻ• āĻĻেāĻ–āϤে āφāĻ—্āϰা āϏāĻĢāϰ āĻ•āϰেāύ।
āĻāϟি āĻ­াāϰāϤেāϰ āϜাāϤীāϝ় āĻ—ৌāϰāĻŦ āĻ“ āĻŦিāĻļ্āĻŦ āϐāϤিāĻš্āϝেāϰ āϏāĻŽ্āĻĒāĻĻ।


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ā§Ŧ. āϏāϰāĻ•াāϰি āĻ“ āφāχāύāĻ—āϤ āĻĻৃāώ্āϟিāĻ­āĻ™্āĻ—ি

āϤাāϜāĻŽāĻšāϞ āϏāĻŽ্āĻĒূāϰ্āĻŖāĻ­াāĻŦে ASI-āĻāϰ āϤāϤ্āϤ্āĻŦাāĻŦāϧাāύে।

āĻāϰ āωāĻĒāϰ āĻ•োāύāĻ“ āφāĻĻাāϞāϤেāϰ āĻŦিāϰোāϧ āύেāχ।

āĻ­াāϰāϤেāϰ āϏংāĻŦিāϧাāύ āĻ…āύুāϝাāϝ়ী āĻāϟি āϜাāϤীāϝ় āϐāϤিāĻš্āϝেāϰ āĻ…ংāĻļ।


āϏুāϤāϰাং, āĻāϟি āĻ•োāύāĻ“āĻ­াāĻŦেāχ āĻŦিāϤāϰ্āĻ•িāϤ āύāϝ়।


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āωāĻĒāϏংāĻšাāϰ (āĻŦাংāϞা)

āϤাāϜāĻŽāĻšāϞ āχāϤিāĻšাāϏ, āĻļিāϞ্āĻĒ, āĻ“ āĻĒ্āϰেāĻŽেāϰ āĻĒ্āϰāϤীāĻ•।
āϝে āĻ•োāύāĻ“ āĻŽāϤাāĻĻāϰ্āĻļāĻ—āϤ āĻŦিāϤāϰ্āĻ•েāϰ āϊāϰ্āϧ্āĻŦে āωāĻ ে āĻāϟি āĻ­াāϰāϤেāϰ āϏāĻŽ্āĻŽিāϞিāϤ āϐāϤিāĻš্āϝেāϰ āϰূāĻĒ।
āϤাāϜāĻŽāĻšāϞ āĻ•োāύāĻ“ āĻŦিāϤāϰ্āĻ•িāϤ āϏ্āĻĨাāύ āύāϝ় — āĻāϟি āĻ­াāϰāϤāĻŦাāϏীāϰ āĻ—āϰ্āĻŦ āĻ“ āĻŦিāĻļ্āĻŦেāϰ āϧāύ।

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đŸ‡ŽđŸ‡ŗ ā¤šिंā¤Ļी ⤭ा⤗ (Hindi Section)

ā¤Ē⤰ि⤚⤝

⤤ाā¤œā¤Žā¤šā¤˛ — ⤆⤗⤰ा ⤕ी ā¤¯ā¤Žु⤍ा ⤍ā¤Ļी ⤕े ⤕ि⤍ा⤰े ⤏्ā¤Ĩि⤤, ā¤Ē्⤰ेā¤Ž ⤕ा ā¤ļाā¤ļ्ā¤ĩ⤤ ā¤Ē्⤰⤤ी⤕ ā¤šै।
ā¤Žु⤗⤞ ā¤¸ā¤Ž्⤰ा⤟ ā¤ļाā¤šā¤œā¤šाँ ⤍े ⤅ā¤Ē⤍ी ā¤Ē⤤्⤍ी ā¤Žुā¤Žā¤¤ा⤜़ ā¤Žā¤šā¤˛ ⤕ी ⤝ाā¤Ļ ā¤Žें ⤇⤏⤕ा ⤍ि⤰्ā¤Žा⤪ ⤕⤰ा⤝ा।
⤞े⤕ि⤍ ā¤†ā¤œ ⤕ु⤛ ⤞ो⤗ ā¤Ēू⤛⤤े ā¤šैं — ⤕्⤝ा ⤤ाā¤œā¤Žā¤šā¤˛ ā¤ĩिā¤ĩाā¤Ļि⤤ ⤏्ā¤Ĩा⤍ ā¤šै?


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āĨ§. ⤤ाā¤œā¤Žā¤šā¤˛ ⤕ी ⤆⤧ि⤕ा⤰ि⤕ ⤏्ā¤Ĩि⤤ि

⤭ा⤰⤤ ⤏⤰⤕ा⤰ ⤕े ⤅⤍ु⤏ा⤰, ⤤ाā¤œā¤Žā¤šā¤˛ ā¤ĩिā¤ĩाā¤Ļि⤤ ⤏्ā¤Ĩा⤍ ā¤¨ā¤šीं ā¤šै।
ā¤¯ā¤š ⤭ा⤰⤤ी⤝ ā¤Ēु⤰ा⤤⤤्ā¤ĩ ⤏⤰्ā¤ĩे⤕्⤎⤪ (ASI) ⤕े ⤅ं⤤⤰्⤗⤤ ā¤ā¤• ⤏ं⤰⤕्⤎ि⤤ ⤏्ā¤Žा⤰⤕ ā¤šै।
ā¤¯ā¤š āĨ§āĨ¯āĨŽāĨР⤏े ⤝ू⤍े⤏्⤕ो ā¤ĩिā¤ļ्ā¤ĩ ⤧⤰ोā¤šā¤° ⤏्ā¤Ĩ⤞ ⤕े ⤰ूā¤Ē ā¤Žें ā¤Ļ⤰्⤜ ā¤šै।


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āĨ¨. ⤐⤤िā¤šा⤏ि⤕ ā¤Ēृ⤎्⤠⤭ूā¤Žि

⤤ाā¤œā¤Žā¤šā¤˛ ⤕ा ⤍ि⤰्ā¤Žा⤪ ⤕ा⤰्⤝ āĨ§āĨŦāĨŠāĨ§ ā¤Žें ā¤Ē्⤰ा⤰ं⤭ ā¤šु⤆ ⤔⤰ āĨ§āĨŦāĨĒāĨŽ ā¤Žें ā¤Ēू⤰ा ā¤šु⤆।
ā¤¯ā¤š ā¤¸ā¤Ž्⤰ा⤟ ā¤ļाā¤šā¤œā¤šाँ ā¤Ļ्ā¤ĩा⤰ा ⤉⤍⤕ी ā¤Ē⤤्⤍ी ā¤Žुā¤Žā¤¤ा⤜़ ā¤Žā¤šā¤˛ ⤕ी ⤝ाā¤Ļ ā¤Žें ā¤Ŧ⤍ā¤ĩा⤝ा ⤗⤝ा ā¤ā¤• ā¤Žā¤•ā¤Ŧ⤰ा ā¤šै।

ā¤‡ā¤¸ā¤Žें ā¤ļाā¤Žि⤞ ā¤šैं —

ā¤Žु⤖्⤝ ⤏ंā¤—ā¤Žā¤°ā¤Žā¤° ⤗ुंā¤Ŧā¤Ļ

⤚ा⤰ ā¤Žी⤍ा⤰ें

ā¤ā¤• ā¤Žā¤¸्⤜िā¤Ļ

ā¤ā¤• ⤅⤤िā¤Ĩि ⤗ृā¤š

⤔⤰ ⤏ुंā¤Ļ⤰ ā¤Žु⤗़⤞ ā¤Ŧा⤗़



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āĨŠ. ā¤ĩिā¤ĩाā¤Ļ ⤕ी ā¤œā¤Ą़

⤕ु⤛ ⤞ो⤗ों ⤕ा ā¤Ļाā¤ĩा ā¤šै ⤕ि ⤤ाā¤œā¤Žā¤šā¤˛ ā¤Žू⤞⤤ः ā¤ā¤• ā¤šिंā¤Ļू ā¤Žंā¤Ļि⤰ (⤤े⤜ो ā¤Žā¤šा⤞⤝) ā¤Ĩा।
⤞े⤕ि⤍ —

⤇⤏⤕ा ⤕ो⤈ ā¤ĩै⤜्ā¤žा⤍ि⤕ ⤝ा ā¤Ēु⤰ा⤤ा⤤्⤤्ā¤ĩि⤕ ā¤Ē्ā¤°ā¤Žा⤪ ā¤¨ā¤šीं ā¤šै।

⤏ुā¤Ē्⤰ीā¤Ž ⤕ो⤰्⤟ ⤍े ⤇⤏ ā¤Ļाā¤ĩे ⤕ो ⤅⤏्ā¤ĩी⤕ा⤰ ⤕ि⤝ा ā¤šै।

ASI ⤍े ⤏्ā¤Ē⤎्⤟ ā¤•ā¤šा ⤕ि ⤤ाā¤œā¤Žā¤šā¤˛ ā¤ļाā¤šā¤œā¤šाँ ā¤Ļ्ā¤ĩा⤰ा ⤍ि⤰्ā¤Žि⤤ ā¤ā¤• ā¤Žā¤•ā¤Ŧ⤰ा ā¤šै।


⤇⤏⤞िā¤, ā¤¯ā¤š ā¤ĩिā¤ĩाā¤Ļ ⤕ेā¤ĩ⤞ ā¤ĩि⤚ा⤰⤧ा⤰ा⤤्ā¤Žā¤• ā¤šै, ⤕ा⤍ू⤍ी ā¤¨ā¤šीं।


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āĨĒ. ⤏ां⤏्⤕ृ⤤ि⤕ ā¤Žā¤šā¤¤्ā¤ĩ

⤭ा⤰⤤ ⤕ी ⤅⤏⤞ी ā¤Ēā¤šā¤šा⤍ ⤉⤏⤕ी ā¤ĩिā¤ĩि⤧⤤ा ā¤Žें ā¤šै।
⤤ाā¤œā¤Žā¤šā¤˛ ⤇⤏ ā¤ĩिā¤ĩि⤧⤤ा ⤕ा ā¤Ē्⤰⤤ी⤕ ā¤šै — ā¤œā¤šाँ ā¤šि⤍्ā¤Ļू-ā¤Žु⤏्⤞िā¤Ž ⤕⤞ा⤕ा⤰ों ⤍े ā¤Žि⤞⤕⤰ ⤕ाā¤Ž ⤕ि⤝ा।
ā¤¯ā¤š ⤭ा⤰⤤ ⤕ी ⤏ाā¤ा ⤏ं⤏्⤕ृ⤤ि ⤔⤰ ⤰⤚⤍ा⤤्ā¤Žā¤•ā¤¤ा ⤕ा ⤏⤜ीā¤ĩ ⤉ā¤Ļाā¤šā¤°ā¤Ŗ ā¤šै।


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āĨĢ. ā¤ĩैā¤ļ्ā¤ĩि⤕ ā¤Žा⤍्⤝⤤ा

⤤ाā¤œā¤Žā¤šā¤˛ ā¤šā¤° ⤏ा⤞ ⤞ा⤖ों ā¤Ē⤰्ā¤¯ā¤Ÿā¤•ों ⤕ो ⤆⤕⤰्⤎ि⤤ ⤕⤰⤤ा ā¤šै।
ā¤¯ā¤š ⤍ ⤕ेā¤ĩ⤞ ⤭ा⤰⤤ ⤕ी ā¤Ēā¤šā¤šा⤍ ā¤šै, ā¤Ŧ⤞्⤕ि ā¤ĩिā¤ļ्ā¤ĩ ⤧⤰ोā¤šā¤° ⤔⤰ ā¤Žा⤍ā¤ĩ⤤ा ⤕ा ⤗ौ⤰ā¤ĩ ⤭ी ā¤šै।


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āĨŦ. ⤏⤰⤕ा⤰ी ā¤Ļृ⤎्⤟ि⤕ो⤪

⤤ाā¤œā¤Žā¤šā¤˛ ASI ⤕ी ā¤Ļे⤖⤰े⤖ ā¤Žें ā¤šै।

⤕ो⤈ ⤍्⤝ा⤝ा⤞⤝ि⤕ ā¤ĩिā¤ĩाā¤Ļ ā¤¨ā¤šीं ā¤šै।

⤏ंā¤ĩि⤧ा⤍ ⤕े ⤅⤍ु⤏ा⤰ ā¤¯ā¤š ⤰ा⤎्⤟्⤰ ⤕ी ⤧⤰ोā¤šā¤° ā¤šै।


⤇⤏⤞िā¤, ⤤ाā¤œā¤Žā¤šā¤˛ ⤕ो ā¤ĩिā¤ĩाā¤Ļि⤤ ⤏्ā¤Ĩ⤞ ā¤•ā¤šā¤¨ा ⤗⤞⤤ ⤔⤰ ⤆⤧ाā¤°ā¤šी⤍ ā¤šै।


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⤍ि⤎्⤕⤰्⤎ (Hindi)

⤤ाā¤œā¤Žā¤šā¤˛ ā¤Ē्⤰ेā¤Ž, ⤏ौंā¤Ļ⤰्⤝ ⤔⤰ ā¤ļां⤤ि ⤕ा ā¤Ē्⤰⤤ी⤕ ā¤šै।
ā¤¯ā¤š ⤕ि⤏ी ⤧⤰्ā¤Ž ⤝ा ⤰ा⤜⤍ी⤤ि ⤕ा ā¤¨ā¤šीं, ā¤Ŧ⤞्⤕ि ā¤Žा⤍ā¤ĩ ⤭ाā¤ĩ⤍ा ⤕ा ⤚िā¤š्⤍ ā¤šै।
⤤ाā¤œā¤Žā¤šā¤˛ ā¤ĩिā¤ĩाā¤Ļि⤤ ā¤¨ā¤šीं — ā¤Ŧ⤞्⤕ि ⤭ा⤰⤤ ⤕ी ā¤ā¤•ā¤¤ा ⤔⤰ ⤗ौ⤰ā¤ĩ ⤕ा ā¤Ē्⤰⤤ी⤕ ā¤šै।


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⚠️ Disclaimer

This blog is for educational and informational purposes only.
All historical and legal details are based on verified records, ASI data, and government publications.
No section of this article is intended to hurt religious or cultural sentiments.
The Taj Mahal remains a protected monument of India and a symbol of universal love and harmony.

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