Is Taj Mahal a Disputed Place? History, Facts, and Official Truth Explained
đ Is Taj Mahal a Disputed Place?
(A Trilingual Blog: English • Bengali • Hindi)
---
đ English Section
Introduction
The Taj Mahal, one of the world’s most beautiful architectural masterpieces, stands with timeless grace on the banks of the Yamuna River in Agra, Uttar Pradesh, India. This marble mausoleum, built by the Mughal emperor Shah Jahan in memory of his beloved wife Mumtaz Mahal, has long been regarded as the ultimate symbol of love and devotion. Yet in recent times, a question has emerged in certain circles — Is the Taj Mahal a disputed place?
While the monument remains one of India’s most protected heritage sites, certain ideological and historical debates have given rise to controversies. Let’s explore the facts, myths, and official stance of India regarding the Taj Mahal’s historical identity.
---
1. The Official Status of the Taj Mahal
The Taj Mahal is not a disputed place according to the Government of India. It is managed by the Archaeological Survey of India (ASI), which is responsible for preserving and maintaining national monuments under the Ancient Monuments and Archaeological Sites and Remains Act, 1958.
The ASI recognizes the Taj Mahal as:
A UNESCO World Heritage Site since 1983
A nationally protected monument
A masterpiece of Mughal architecture, blending Persian, Islamic, and Indian elements
Therefore, from a legal and administrative point of view, the Taj Mahal is not under any form of ownership or religious dispute.
---
2. The Historical Background
Construction of the Taj Mahal began around 1631 CE and was completed in 1648 CE. Historical accounts by court historians such as Abdul Hamid Lahori, who wrote the Padshahnama, clearly record that the Taj Mahal was commissioned by Emperor Shah Jahan as a mausoleum for his wife Mumtaz Mahal, who died during childbirth.
The entire complex includes:
The main marble dome structure
Four minarets
A mosque
A guest house
Beautifully laid-out Mughal gardens
These features align perfectly with Islamic architectural traditions and funerary monuments of the Mughal era.
---
3. The Controversies
Over the past few decades, certain writers and groups have claimed that the Taj Mahal was once a Hindu temple, possibly named Tejo Mahalaya, dedicated to Lord Shiva. This theory, first widely circulated by writer P.N. Oak in the 1980s, argued that the Taj Mahal’s original structure predated the Mughal period.
However:
No archaeological evidence supports this theory.
The Supreme Court of India has not recognized any such claim.
The Archaeological Survey of India maintains that there is no proof suggesting that the Taj Mahal was ever a Hindu temple.
Hence, the “dispute” exists only in public debate or ideological discourse, not in legal reality.
---
4. The Cultural and Religious Sensitivity
India is a country rich in history and diversity. While debates over monuments sometimes arise due to overlapping cultural identities, the Taj Mahal stands as a reminder of India’s shared heritage.
It reflects the artistic genius of India’s craftsmen — many of whom were local Hindus, Muslims, and artisans from different regions who worked together under Mughal patronage.
Thus, the Taj Mahal is not merely a symbol of Mughal glory but also a fusion of Indian creativity and multicultural spirit.
---
5. The Global Recognition
The Taj Mahal continues to be one of the most visited tourist attractions in the world. Every year, millions of people — irrespective of nationality, religion, or belief — travel to Agra to witness this symbol of eternal love.
It has inspired countless artists, poets, and filmmakers around the world. Its inclusion among the Seven Wonders of the World further enhances India’s image as a nation of artistic legacy and cultural pride.
---
6. The Legal and Archaeological Position
To clarify the official position:
The Taj Mahal is under the complete jurisdiction of the ASI.
There are no court cases declaring it a disputed structure.
The Indian Constitution recognizes it as a part of the national heritage, belonging to all Indians.
Therefore, any claim that the Taj Mahal is a “disputed” monument holds no legal or constitutional validity.
---
7. Symbol of Harmony
Beyond religion or politics, the Taj Mahal is a symbol of love, peace, and architectural harmony. It represents the emotional bond between two people, transcending faith, culture, and time.
It reminds us that true beauty emerges not from division, but from unity — from the blending of cultures, beliefs, and art.
---
Conclusion (English)
The Taj Mahal is not a disputed site. It is a protected monument, a symbol of love, and a masterpiece of world heritage. While debates may exist in academic or ideological circles, the legal, historical, and archaeological evidence confirms that the Taj Mahal belongs to every Indian — as a monument of art, devotion, and timeless human emotion.
---
đ§đŠ āĻŦাংāϞা āĻŦিāĻাāĻ (Bengali Section)
āĻĒāϰিāĻāϝ়
āϤাāĻāĻŽāĻšāϞ — āĻাāϰāϤেāϰ āĻāĻ্āϰাāϝ় āϝāĻŽুāύা āύāĻĻীāϰ āϤীāϰে āĻĻাঁāĻĄ়িāϝ়ে āĻĨাāĻা āĻāĻ āĻ
āύāύ্āϤ āϏৌāύ্āĻĻāϰ্āϝেāϰ āĻĒ্āϰāϤীāĻ। āϏāĻŽ্āϰাāĻ āĻļাāĻšāĻাāĻšাāύ āϤাঁāϰ āĻĒ্āϰিāϝ় āϏ্āϤ্āϰী āĻŽāĻŽāϤাāĻ āĻŽāĻšāϞেāϰ āϏ্āĻŽৃāϤিāϤে āĻāĻ āĻ
āύāύ্āϝ āϏāĻŽাāϧিāϏৌāϧ āύিāϰ্āĻŽাāĻŖ āĻāϰেāύ। āĻāĻāĻ āĻāĻি āĻĒ্āϰেāĻŽ āĻ āĻļ্āϰāĻĻ্āϧাāϰ āĻĒ্āϰāϤীāĻ āĻšিāϏেāĻŦে āĻŦিāĻļ্āĻŦāĻোāĻĄ়া āĻ্āϝাāϤি āϞাāĻ āĻāϰেāĻে।
āĻিāύ্āϤু āϏাāĻŽ্āĻĒ্āϰāϤিāĻ āϏāĻŽāϝ়ে āĻāĻāĻি āĻĒ্āϰāĻļ্āύ āĻ
āύেāĻেāϰ āĻŽāύে āĻāϏেāĻে — “āϤাāĻāĻŽāĻšāϞ āĻি āĻāĻāĻি āĻŦিāϤāϰ্āĻিāϤ āϏ্āĻĨাāύ?”
āĻāĻ āĻĒ্āϰāĻļ্āύেāϰ āĻāϤ্āϤāϰ āĻĒাāĻāϝ়া āϝাāϝ় āĻāϤিāĻšাāϏ, āĻāĻāύ āĻ āϏāϤ্āϝেāϰ āĻāĻীāϰে।
---
ā§§. āϤাāĻāĻŽāĻšāϞেāϰ āϏāϰāĻাāϰি āĻ
āĻŦāϏ্āĻĨাāύ
āϤাāĻāĻŽāĻšāϞ āĻোāύāĻ āĻŦিāϤāϰ্āĻিāϤ āϏ্āĻĨাāύ āύāϝ়।
āĻāĻি āĻাāϰāϤেāϰ āĻāϰ্āĻিāĻāϞāĻিāĻ্āϝাāϞ āϏাāϰ্āĻে āĻ
āĻĢ āĻāύ্āĻĄিāϝ়া (ASI) āĻĻ্āĻŦাāϰা āϰāĻ্āώিāϤ āĻ āĻĒāϰিāĻাāϞিāϤ āĻāĻāĻি āĻাāϤীāϝ় āĻāϤিāĻš্āϝ āϏ্āĻĨাāĻĒāύা।
⧧⧝ā§Ģā§Ž āϏাāϞেāϰ Ancient Monuments and Archaeological Sites and Remains Act āĻ
āύুāϝাāϝ়ী āϤাāĻāĻŽāĻšāϞ āĻāĻāĻি āϏংāϰāĻ্āώিāϤ āϏ্āĻŽৃāϤিāϏ্āϤāĻŽ্āĻ।
ā§§ā§¯ā§Žā§Š āϏাāϞে āĻāĻি āĻāĻāύেāϏ্āĻো āĻāϝ়াāϰ্āϞ্āĻĄ āĻšেāϰিāĻেāĻ āϏাāĻāĻ āĻšিāϏেāĻŦে āϏ্āĻŦীāĻৃāϤি āĻĒাāϝ়।
---
⧍. āĻāϤিāĻšাāϏিāĻ āĻĒāĻāĻূāĻŽি
ā§§ā§Ŧā§Šā§§ āϏাāϞে āϤাāĻāĻŽāĻšāϞেāϰ āύিāϰ্āĻŽাāĻŖ āĻাāĻ āĻļুāϰু āĻšāϝ় āĻāĻŦং āĻĒ্āϰাāϝ় ā§§ā§Ŧā§Ēā§Ž āϏাāϞে āĻļেāώ āĻšāϝ়।
āĻļাāĻšāĻাāĻšাāύ āϤাঁāϰ āϏ্āϤ্āϰী āĻŽāĻŽāϤাāĻ āĻŽāĻšāϞেāϰ āĻŽৃāϤ্āϝুāϰ āĻĒāϰ āϤাঁāϰ āϏ্āĻŽৃāϤিāĻে āĻ
āĻŽāϰ āϰাāĻāϤে āĻāĻ āĻŽāĻšাāϏৌāϧ āύিāϰ্āĻŽাāĻŖ āĻāϰেāύ।
āĻāϤে āϰāϝ়েāĻে —
āĻŽূāϞ āĻŽাāϰ্āĻŦেāϞ āϏāĻŽাāϧি
āĻাāϰāĻি āĻŽিāύাāϰ
āĻŽāϏāĻিāĻĻ
āĻ
āϤিāĻĨিāĻļাāϞা
āĻŽুāĻāϞ āĻŦাāĻাāύ
āĻāĻ āύāĻāĻļা āĻāϏāϞাāĻŽী āϏ্āĻĨাāĻĒāϤ্āϝāĻļৈāϞীāϰ āϏāĻ্āĻে āĻŽুāĻāϞ āϝুāĻেāϰ āĻŦৈāĻļিāώ্āĻ্āϝ āĻŽিāĻļিāϝ়ে āϤৈāϰি।
---
ā§Š. āĻŦিāϤāϰ্āĻেāϰ āĻā§āϏ
āĻিāĻু āĻŽāϤāĻŦাāĻĻ āĻ
āύুāϝাāϝ়ী, āϤাāĻāĻŽāĻšāϞ āύাāĻি āĻāĻāϏāĻŽāϝ় “āϤেāĻোāĻŽāĻšাāϞāϝ়” āύাāĻŽে āĻāĻāĻি āĻšিāύ্āĻĻু āĻŽāύ্āĻĻিāϰ āĻিāϞ, āϝা āĻļিāĻŦāĻ াāĻুāϰেāϰ āĻāĻĻ্āĻĻেāĻļ্āϝে āύিāϰ্āĻŽিāϤ।
āĻāĻ āĻĻাāĻŦি āĻĒ্āϰāĻĨāĻŽ āĻāϰেāύ āϞেāĻāĻ āĻĒি.āĻāύ. āĻāĻ।
āĻিāύ্āϤু —
āĻোāύāĻ āĻĒ্āϰāϤ্āύāϤাāϤ্āϤ্āĻŦিāĻ āĻĒ্āϰāĻŽাāĻŖ āύেāĻ।
āϏুāĻĒ্āϰিāĻŽ āĻোāϰ্āĻ āĻāĻ āĻĻাāĻŦি āϏ্āĻŦীāĻৃāϤি āĻĻেāϝ়āύি।
ASI āϏ্āĻĒāώ্āĻāĻাāĻŦে āĻাāύিāϝ়েāĻে āϝে āϤাāĻāĻŽāĻšāϞেāϰ āĻোāύāĻ āĻ
ংāĻļ āĻšিāύ্āĻĻু āĻŽāύ্āĻĻিāϰ āĻিāϞ āύা।
āĻ
āϤāĻāĻŦ, āĻāĻি āĻোāύāĻ āĻāĻāύি āĻŦিāϤāϰ্āĻ āύāϝ়, āĻŦāϰং āϧাāϰāĻŖাāĻāϤ āĻŦা āĻŽāϤাāĻĻāϰ্āĻļāĻāϤ āĻŦিāϤāϰ্āĻ।
---
ā§Ē. āϏংāϏ্āĻৃāϤি āĻ āĻāĻ্āϝ
āĻাāϰāϤ āĻŦāĻšু āϧāϰ্āĻŽ, āĻাāώা āĻ āϏংāϏ্āĻৃāϤিāϰ āĻĻেāĻļ।
āϤাāĻāĻŽāĻšāϞ āϏেāĻ āĻāĻ্āϝেāϰ āĻĒ্āϰāϤীāĻ, āϝেāĻাāύে āĻšিāύ্āĻĻু-āĻŽুāϏāϞāĻŽাāύ, āĻাāϰāϤীāϝ়-āĻŦিāĻĻেāĻļি āĻļিāϞ্āĻĒীāϰা āĻāĻāϏাāĻĨে āĻাāĻ āĻāϰেāĻিāϞেāύ।
āĻāĻি āĻļুāϧুāĻŽাāϤ্āϰ āĻŽুāĻāϞ āĻļিāϞ্āĻĒ āύāϝ়, āĻŦāϰং āĻাāϰāϤেāϰ āϏāĻŽ্āĻŽিāϞিāϤ āϏংāϏ্āĻৃāϤিāϰ āĻĒ্āϰāϤীāĻ।
---
ā§Ģ. āĻŦিāĻļ্āĻŦāĻোāĻĄ়া āĻŽāϰ্āϝাāĻĻা
āϤাāĻāĻŽāĻšāϞ āĻāĻ āĻŦিāĻļ্āĻŦেāϰ āĻ
āύ্āϝāϤāĻŽ āĻĻāϰ্āĻļāύীāϝ় āϏ্āĻĨাāύ।
āĻĒ্āϰāϤি āĻŦāĻāϰ āĻোāĻি āĻোāĻি āĻŽাāύুāώ āĻāĻ āĻĒ্āϰেāĻŽেāϰ āĻĒ্āϰāϤীāĻ āĻĻেāĻāϤে āĻāĻ্āϰা āϏāĻĢāϰ āĻāϰেāύ।
āĻāĻি āĻাāϰāϤেāϰ āĻাāϤীāϝ় āĻৌāϰāĻŦ āĻ āĻŦিāĻļ্āĻŦ āĻāϤিāĻš্āϝেāϰ āϏāĻŽ্āĻĒāĻĻ।
---
ā§Ŧ. āϏāϰāĻাāϰি āĻ āĻāĻāύāĻāϤ āĻĻৃāώ্āĻিāĻāĻ্āĻি
āϤাāĻāĻŽāĻšāϞ āϏāĻŽ্āĻĒূāϰ্āĻŖāĻাāĻŦে ASI-āĻāϰ āϤāϤ্āϤ্āĻŦাāĻŦāϧাāύে।
āĻāϰ āĻāĻĒāϰ āĻোāύāĻ āĻāĻĻাāϞāϤেāϰ āĻŦিāϰোāϧ āύেāĻ।
āĻাāϰāϤেāϰ āϏংāĻŦিāϧাāύ āĻ
āύুāϝাāϝ়ী āĻāĻি āĻাāϤীāϝ় āĻāϤিāĻš্āϝেāϰ āĻ
ংāĻļ।
āϏুāϤāϰাং, āĻāĻি āĻোāύāĻāĻাāĻŦেāĻ āĻŦিāϤāϰ্āĻিāϤ āύāϝ়।
---
āĻāĻĒāϏংāĻšাāϰ (āĻŦাংāϞা)
āϤাāĻāĻŽāĻšāϞ āĻāϤিāĻšাāϏ, āĻļিāϞ্āĻĒ, āĻ āĻĒ্āϰেāĻŽেāϰ āĻĒ্āϰāϤীāĻ।
āϝে āĻোāύāĻ āĻŽāϤাāĻĻāϰ্āĻļāĻāϤ āĻŦিāϤāϰ্āĻেāϰ āĻāϰ্āϧ্āĻŦে āĻāĻ ে āĻāĻি āĻাāϰāϤেāϰ āϏāĻŽ্āĻŽিāϞিāϤ āĻāϤিāĻš্āϝেāϰ āϰূāĻĒ।
āϤাāĻāĻŽāĻšāϞ āĻোāύāĻ āĻŦিāϤāϰ্āĻিāϤ āϏ্āĻĨাāύ āύāϝ় — āĻāĻি āĻাāϰāϤāĻŦাāϏীāϰ āĻāϰ্āĻŦ āĻ āĻŦিāĻļ্āĻŦেāϰ āϧāύ।
---
đŽđŗ ā¤šिंā¤Ļी ā¤ा⤠(Hindi Section)
ā¤Ē⤰िā¤ā¤¯
⤤ाā¤ā¤Žā¤šā¤˛ — ā¤ā¤ā¤°ा ā¤ी ā¤¯ā¤Žु⤍ा ⤍ā¤Ļी ā¤े ā¤ि⤍ा⤰े ⤏्ā¤Ĩि⤤, ā¤Ē्⤰ेā¤Ž ā¤ा ā¤ļाā¤ļ्ā¤ĩ⤤ ā¤Ē्⤰⤤ीā¤ ā¤šै।
ā¤Žुā¤ā¤˛ ā¤¸ā¤Ž्⤰ा⤠ā¤ļाā¤šā¤ā¤šाँ ⤍े ā¤
ā¤Ē⤍ी ā¤Ē⤤्⤍ी ā¤Žुā¤Žā¤¤ाā¤़ ā¤Žā¤šā¤˛ ā¤ी ⤝ाā¤Ļ ā¤Žें ā¤ā¤¸ā¤ा ⤍ि⤰्ā¤Žा⤪ ā¤ā¤°ा⤝ा।
⤞ेā¤ि⤍ ā¤ā¤ ā¤ु⤠⤞ो⤠ā¤Ēूā¤ā¤¤े ā¤šैं — ā¤्⤝ा ⤤ाā¤ā¤Žā¤šā¤˛ ā¤ĩिā¤ĩाā¤Ļि⤤ ⤏्ā¤Ĩा⤍ ā¤šै?
---
āĨ§. ⤤ाā¤ā¤Žā¤šā¤˛ ā¤ी ā¤ā¤§िā¤ा⤰ि⤠⤏्ā¤Ĩि⤤ि
ā¤ा⤰⤤ ⤏⤰ā¤ा⤰ ā¤े ā¤
⤍ु⤏ा⤰, ⤤ाā¤ā¤Žā¤šā¤˛ ā¤ĩिā¤ĩाā¤Ļि⤤ ⤏्ā¤Ĩा⤍ ā¤¨ā¤šीं ā¤šै।
ā¤¯ā¤š ā¤ा⤰⤤ी⤝ ā¤Ēु⤰ा⤤⤤्ā¤ĩ ⤏⤰्ā¤ĩेā¤्⤎⤪ (ASI) ā¤े ā¤
ं⤤⤰्ā¤ā¤¤ ā¤ā¤ ⤏ं⤰ā¤्⤎ि⤤ ⤏्ā¤Žाā¤°ā¤ ā¤šै।
ā¤¯ā¤š āĨ§āĨ¯āĨŽāĨР⤏े ⤝ू⤍े⤏्ā¤ो ā¤ĩिā¤ļ्ā¤ĩ ⤧⤰ोā¤šā¤° ⤏्ā¤Ĩ⤞ ā¤े ⤰ूā¤Ē ā¤Žें ā¤Ļ⤰्ā¤ ā¤šै।
---
āĨ¨. ā¤ā¤¤िā¤šा⤏ि⤠ā¤Ēृ⤎्⤠ā¤ूā¤Žि
⤤ाā¤ā¤Žā¤šā¤˛ ā¤ा ⤍ि⤰्ā¤Žा⤪ ā¤ा⤰्⤝ āĨ§āĨŦāĨŠāĨ§ ā¤Žें ā¤Ē्⤰ा⤰ंā¤ ā¤šु⤠ā¤ā¤° āĨ§āĨŦāĨĒāĨŽ ā¤Žें ā¤Ēू⤰ा ā¤šुā¤।
ā¤¯ā¤š ā¤¸ā¤Ž्⤰ा⤠ā¤ļाā¤šā¤ā¤šाँ ā¤Ļ्ā¤ĩा⤰ा ā¤ā¤¨ā¤ी ā¤Ē⤤्⤍ी ā¤Žुā¤Žā¤¤ाā¤़ ā¤Žā¤šā¤˛ ā¤ी ⤝ाā¤Ļ ā¤Žें ā¤Ŧ⤍ā¤ĩा⤝ा ā¤ā¤¯ा ā¤ā¤ ā¤Žā¤ā¤Ŧ⤰ा ā¤šै।
ā¤ā¤¸ā¤Žें ā¤ļाā¤Žि⤞ ā¤šैं —
ā¤Žुā¤्⤝ ⤏ंā¤ā¤Žā¤°ā¤Žā¤° ā¤ुंā¤Ŧā¤Ļ
ā¤ा⤰ ā¤Žी⤍ा⤰ें
ā¤ā¤ ā¤Žā¤¸्ā¤िā¤Ļ
ā¤ā¤ ā¤
⤤िā¤Ĩि ā¤ृā¤š
ā¤ā¤° ⤏ुंā¤Ļ⤰ ā¤Žुā¤़⤞ ā¤Ŧाā¤़
---
āĨŠ. ā¤ĩिā¤ĩाā¤Ļ ā¤ी ā¤ā¤Ą़
ā¤ु⤠⤞ोā¤ों ā¤ा ā¤Ļाā¤ĩा ā¤šै ā¤ि ⤤ाā¤ā¤Žā¤šā¤˛ ā¤Žू⤞⤤ः ā¤ā¤ ā¤šिंā¤Ļू ā¤Žंā¤Ļि⤰ (⤤ेā¤ो ā¤Žā¤šा⤞⤝) ā¤Ĩा।
⤞ेā¤ि⤍ —
ā¤ā¤¸ā¤ा ā¤ो⤠ā¤ĩैā¤्ā¤ा⤍ि⤠⤝ा ā¤Ēु⤰ा⤤ा⤤्⤤्ā¤ĩि⤠ā¤Ē्ā¤°ā¤Žा⤪ ā¤¨ā¤šीं ā¤šै।
⤏ुā¤Ē्⤰ीā¤Ž ā¤ो⤰्⤠⤍े ā¤ā¤¸ ā¤Ļाā¤ĩे ā¤ो ā¤
⤏्ā¤ĩीā¤ा⤰ ā¤ि⤝ा ā¤šै।
ASI ⤍े ⤏्ā¤Ē⤎्⤠ā¤ā¤šा ā¤ि ⤤ाā¤ā¤Žā¤šā¤˛ ā¤ļाā¤šā¤ā¤šाँ ā¤Ļ्ā¤ĩा⤰ा ⤍ि⤰्ā¤Žि⤤ ā¤ā¤ ā¤Žā¤ā¤Ŧ⤰ा ā¤šै।
ā¤ā¤¸ā¤˛िā¤, ā¤¯ā¤š ā¤ĩिā¤ĩाā¤Ļ ā¤ेā¤ĩ⤞ ā¤ĩिā¤ा⤰⤧ा⤰ा⤤्ā¤Žā¤ ā¤šै, ā¤ा⤍ू⤍ी ā¤¨ā¤šीं।
---
āĨĒ. ⤏ां⤏्ā¤ृ⤤िā¤ ā¤Žā¤šā¤¤्ā¤ĩ
ā¤ा⤰⤤ ā¤ी ā¤
⤏⤞ी ā¤Ēā¤šā¤ा⤍ ā¤ā¤¸ā¤ी ā¤ĩिā¤ĩि⤧⤤ा ā¤Žें ā¤šै।
⤤ाā¤ā¤Žā¤šā¤˛ ā¤ā¤¸ ā¤ĩिā¤ĩि⤧⤤ा ā¤ा ā¤Ē्⤰⤤ीā¤ ā¤šै — ā¤ā¤šाँ ā¤šि⤍्ā¤Ļू-ā¤Žु⤏्⤞िā¤Ž ā¤ā¤˛ाā¤ा⤰ों ⤍े ā¤Žि⤞ā¤ā¤° ā¤ाā¤Ž ā¤ि⤝ा।
ā¤¯ā¤š ā¤ा⤰⤤ ā¤ी ⤏ाā¤ा ⤏ं⤏्ā¤ृ⤤ि ā¤ā¤° ⤰ā¤ā¤¨ा⤤्ā¤Žā¤ā¤¤ा ā¤ा ⤏ā¤ीā¤ĩ ā¤ā¤Ļाā¤šā¤°ā¤Ŗ ā¤šै।
---
āĨĢ. ā¤ĩैā¤ļ्ā¤ĩिā¤ ā¤Žा⤍्⤝⤤ा
⤤ाā¤ā¤Žā¤šā¤˛ ā¤šā¤° ⤏ा⤞ ⤞ाā¤ों ā¤Ē⤰्⤝ā¤ā¤ों ā¤ो ā¤ā¤ā¤°्⤎ि⤤ ā¤ā¤°ā¤¤ा ā¤šै।
ā¤¯ā¤š ⤍ ā¤ेā¤ĩ⤞ ā¤ा⤰⤤ ā¤ी ā¤Ēā¤šā¤ा⤍ ā¤šै, ā¤Ŧ⤞्ā¤ि ā¤ĩिā¤ļ्ā¤ĩ ⤧⤰ोā¤šā¤° ā¤ā¤° ā¤Žा⤍ā¤ĩ⤤ा ā¤ा ā¤ौ⤰ā¤ĩ ā¤ी ā¤šै।
---
āĨŦ. ⤏⤰ā¤ा⤰ी ā¤Ļृ⤎्ā¤िā¤ो⤪
⤤ाā¤ā¤Žā¤šā¤˛ ASI ā¤ी ā¤Ļेā¤ā¤°ेā¤ ā¤Žें ā¤šै।
ā¤ो⤠⤍्⤝ा⤝ा⤞⤝ि⤠ā¤ĩिā¤ĩाā¤Ļ ā¤¨ā¤šीं ā¤šै।
⤏ंā¤ĩि⤧ा⤍ ā¤े ā¤
⤍ु⤏ा⤰ ā¤¯ā¤š ⤰ा⤎्ā¤्⤰ ā¤ी ⤧⤰ोā¤šā¤° ā¤šै।
ā¤ā¤¸ā¤˛िā¤, ⤤ाā¤ā¤Žā¤šā¤˛ ā¤ो ā¤ĩिā¤ĩाā¤Ļि⤤ ⤏्ā¤Ĩ⤞ ā¤ā¤šā¤¨ा ā¤ā¤˛ā¤¤ ā¤ā¤° ā¤ā¤§ाā¤°ā¤šी⤍ ā¤šै।
---
⤍ि⤎्ā¤ā¤°्⤎ (Hindi)
⤤ाā¤ā¤Žā¤šā¤˛ ā¤Ē्⤰ेā¤Ž, ⤏ौंā¤Ļ⤰्⤝ ā¤ā¤° ā¤ļां⤤ि ā¤ा ā¤Ē्⤰⤤ीā¤ ā¤šै।
ā¤¯ā¤š ā¤ि⤏ी ⤧⤰्ā¤Ž ⤝ा ⤰ाā¤ā¤¨ी⤤ि ā¤ा ā¤¨ā¤šीं, ā¤Ŧ⤞्ā¤ि ā¤Žा⤍ā¤ĩ ā¤ाā¤ĩ⤍ा ā¤ा ā¤िā¤š्⤍ ā¤šै।
⤤ाā¤ā¤Žā¤šā¤˛ ā¤ĩिā¤ĩाā¤Ļि⤤ ā¤¨ā¤šीं — ā¤Ŧ⤞्ā¤ि ā¤ा⤰⤤ ā¤ी ā¤ā¤ā¤¤ा ā¤ā¤° ā¤ौ⤰ā¤ĩ ā¤ा ā¤Ē्⤰⤤ीā¤ ā¤šै।
---
⚠️ Disclaimer
This blog is for educational and informational purposes only.
All historical and legal details are based on verified records, ASI data, and government publications.
No section of this article is intended to hurt religious or cultural sentiments.
The Taj Mahal remains a protected monument of India and a symbol of universal love and harmony.
Written with AI
Comments
Post a Comment