Meta DescriptionExplore “The Portrait Beyond the Frame” — a trilingual poem and philosophical reflection on illusion, memory, and loss, presented in English, Bengali, and Hindi.---đ Keywordsillusion vs dream, philosophical poem, trilingual poetry, Bengali Hindi English poem, frame and portrait symbolism, emotional art blog, philosophical analysis, poetry reflection, illusion and truth---đą Hashtags#ThePortraitBeyondTheFrame #IllusionOrDream #PoetryBlog #TrilingualPoetry #BengaliHindiEnglish #PhilosophicalPoem #ArtAndSoul #ModernPoetry #DreamsAndReality #DeepEmotions #LifeAndIllusion #FrameAndMemory
đ The Portrait Beyond the Frame
đ️ Poem in English
The Portrait Beyond the Frame
Is it illusion or dream?
Appears as cream, soft, unseen—
The portrait once hung in golden frame,
Now gone, yet whispers my name.
I kept it as my last capital,
Of love’s loss, so emotional.
But the frame remains, empty and still,
Holding the echo of a vanished will.
Did the image fade, or did I?
Did truth sleep while dreams stood by?
Between illusion and what’s real,
Flows the silent stream I feel.
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đ¸ āĻŦাংāϞা āĻāĻŦিāϤা
āĻĢ্āϰেāĻŽেāϰ āĻŦাāĻāϰেāϰ āĻĒ্āϰāϤিāĻ্āĻāĻŦি
āĻ āĻি āĻŽাāϝ়া āύা āϏ্āĻŦāĻĒ্āύেāϰ āĻাāϝ়া?
āĻĻেāĻি āϝেāύ āĻŽেāĻে āĻĨাāĻা āĻ্āϰিāĻŽেāϰ āĻŽাāϝ়া।
āϏোāύাāϰ āĻĢ্āϰেāĻŽে āĻিāϞ āϝে āĻĒ্āϰāϤিāĻ্āĻāĻŦি,
āĻāĻ āĻĢাঁāĻা, āϤāĻŦু āĻŦāϞে āϝাāϝ় āĻāĻŦি।
āĻļেāώ āĻĒুঁāĻি āĻিāϞ āϏেāĻ āĻāĻŦি,
āĻাāϞোāĻŦাāϏাāϰ āύিঃāĻļāĻŦ্āĻĻ āϰāĻŦি।
āĻĢ্āϰেāĻŽ āĻāĻে, āĻāĻŦি āύেāĻ,
āϤāĻŦু āĻŽāύে āĻাāϏে āϏেāĻ āĻ্āώāĻŖিāĻ āϞেāĻ।
āĻāĻŽি āĻŽিāĻļে āĻেāĻি āύা āĻāĻŦি āĻšাāϰিāϝ়েāĻে?
āϏāϤ্āϝ āĻুāĻŽিāϝ়েāĻে āύা āϏ্āĻŦāĻĒ্āύ āĻেāĻেāĻে?
āĻŽাāϝ়া āĻāϰ āĻŦাāϏ্āϤāĻŦেāϰ āĻŽাāĻāĻাāύে,
āĻāϞেāĻে āĻ
āύুāĻāĻŦেāϰ āϏ্āϰোāϤāĻাāύে।
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đŧ ā¤šिंā¤Ļी ā¤ā¤ĩि⤤ा
ā¤Ģ्⤰ेā¤Ž ā¤े ā¤Ēा⤰ ā¤ी ⤤⤏्ā¤ĩी⤰
ā¤्⤝ा ā¤¯ā¤š ā¤Žा⤝ा ā¤šै ⤝ा ⤏ā¤Ē⤍ा ā¤ोā¤,
ā¤Ļिā¤ā¤¤ा ā¤šै ā¤ै⤏े ā¤्⤰ीā¤Ž ā¤ी ⤰ोā¤ļ⤍ी ā¤šोā¤।
ā¤Ģ्⤰ेā¤Ž ā¤Žें ā¤Ĩी ā¤ो ⤤⤏्ā¤ĩी⤰ ā¤ā¤ी,
ā¤
ā¤Ŧ ā¤ा⤞ी, ā¤Ē⤰ ⤝ाā¤Ļ ā¤ĩā¤šी ⤏ā¤Ŧā¤ी।
ā¤ĩो ⤤⤏्ā¤ĩी⤰ ā¤Ĩी ā¤Žे⤰ा ā¤
ं⤤िā¤Ž ⤧⤍,
ā¤Ē्⤝ा⤰ ā¤ा ⤍िā¤ļा⤍, ā¤Žā¤¨ ā¤ा ⤍⤝⤍।
ā¤Ģ्⤰ेā¤Ž ⤤ो ā¤šै, ā¤Ē⤰ ⤤⤏्ā¤ĩी⤰ ā¤¨ā¤šीं,
ā¤Ŧ⤏ ā¤ूंā¤े ⤝ाā¤Ļें ā¤ā¤šीं ā¤¨ā¤šीं।
ā¤्⤝ा ā¤Žैं ā¤ो ā¤ā¤¯ा ⤝ा ā¤ĩो ā¤ā¤,
⤏ā¤Ē⤍ों ⤍े ⤏ā¤्ā¤ा⤠ā¤ो ā¤ĸँ⤠⤞ी?
ā¤Žा⤝ा ā¤ā¤° ā¤šā¤ीā¤ā¤¤ ā¤ी ā¤Ŧी⤠⤧ा⤰ा,
ā¤Ŧā¤šā¤¤ा ā¤šै ā¤Žā¤¨ ā¤ा ⤏ाā¤ā¤° ⤏ा⤰ा।
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đ§ Philosophical Analysis (Across Languages)
The poem “The Portrait Beyond the Frame” meditates on the boundaries between illusion and reality, presence and absence, memory and forgetting. The poet looks at an empty frame — once home to a beloved portrait — and wonders if the absence he feels is an illusion or a dream.
The frame stands for the outer world, the body, the rituals, the memories.
The portrait represents essence — the spirit, the soul, the truth of emotion.
When the portrait vanishes, the poet must face the void behind the visible.
It’s not just a story of loss, but a reflection on how beauty and emptiness coexist.
When the poet says “Appears as cream,” he means that illusion is soft, smooth, and tempting — yet fleeting. The cream melts, the illusion fades, but the longing remains.
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đŋ English Blog Section (Approx. 2400 words)
Introduction
Art and life share one silent truth — both need frames, yet what fills those frames often disappears.
“The Portrait Beyond the Frame” brings that truth alive through gentle philosophical imagery.
The poet gazes at an empty frame that once held a portrait, now vanished — and asks: “Is it illusion or dream?”
This line is not just poetic curiosity — it’s a doorway to self-inquiry. It captures how the mind oscillates between perception and imagination, how memories blur with feelings until we no longer know what is real.
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Illusion and Dream — Two Faces of Reality
Every human being lives within a field of perception shaped by memory.
What we see, feel, and remember are often colored by emotion. Illusion (Maya) and dream (Swapna) are twin reflections of this human tendency.
In the poem, illusion appears like cream — soft, beautiful, and white, but easily dissolving.
Dreams too are vivid yet temporary.
The poet uses this softness to show that even our strongest attachments — love, memory, beauty — are impermanent layers of light.
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The Missing Portrait — The Symbol of Impermanence
The portrait once held in a golden frame represents attachment — to a person, an idea, or an identity.
When that portrait disappears, what remains is the structure — a symbol of what used to contain meaning.
This absence forces the poet to ask:
> “Did the image fade, or did I?”
It’s a stunning question — because it reveals that perhaps the poet’s sense of self was bound to the portrait.
When love or beauty leaves, we feel we have lost ourselves. Yet, in truth, it’s not loss — it’s awakening.
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Frame as the Boundary of Life
The frame is the world’s limit — the body, the social order, the visible edge of consciousness.
The portrait is the living soul that gives meaning to that form.
When the portrait vanishes, the poet realizes that existence without awareness is hollow.
The frame stands, empty and still, just as life stands when love departs.
This duality becomes a meditation — that every form we adore is temporary, but the awareness behind it is eternal.
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Memory as a Living Ghost
The poet says the portrait “whispers my name.”
That whisper is memory — a bridge between what was and what remains.
Memory haunts, but also comforts. It is not entirely illusion; it’s a living shadow, reminding us that love transforms but never truly dies.
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Conclusion (English)
The poem ends not in sorrow but in gentle realization.
The poet understands that the frame and the portrait were always one — both parts of consciousness.
When the portrait leaves the frame, it becomes inner art — unseen, but alive within the soul.
Thus, “The Portrait Beyond the Frame” is not a lament — it’s a revelation that beauty exists beyond appearance.
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đž āĻŦাংāϞা āĻŦ্āϞāĻ āĻŦিāĻাāĻ (āĻĒ্āϰাāϝ় 2300 āĻļāĻŦ্āĻĻ)
āĻূāĻŽিāĻা:
“āĻĢ্āϰেāĻŽেāϰ āĻŦাāĻāϰেāϰ āĻĒ্āϰāϤিāĻ্āĻāĻŦি” āĻāĻŦিāϤাāĻি āĻāĻŽāύ āĻāĻ āĻŽুāĻšূāϰ্āϤেāϰ āĻĒ্āϰāϤিāĻ্āĻāĻŦি āϝেāĻাāύে āĻŦাāĻš্āϝিāĻ āĻŦাāϏ্āϤāĻŦāϤা āĻ āĻ
āĻ্āϝāύ্āϤāϰীāĻŖ āĻ
āύুāĻূāϤি āĻāĻে āĻ
āĻĒāϰেāϰ āĻŽāϧ্āϝে āĻŽিāĻļে āĻেāĻে।
āĻāĻŦি āϤাāĻিāϝ়ে āĻāĻেāύ āĻāĻ āĻĢাঁāĻা āĻĢ্āϰেāĻŽেāϰ āĻĻিāĻে — āϝেāĻাāύে āĻāĻāϏāĻŽāϝ় āĻিāϞ āĻĒ্āϰিāϝ়āĻāύেāϰ āĻāĻŦি। āĻāĻāύ āύেāĻ āĻিāĻু, āĻļুāϧু āĻĢ্āϰেāĻŽāĻি āĻāĻে। āϤāĻŦু āĻŽāύে āĻšāϝ় āĻিāĻু āĻāĻে — āĻāĻ āύāϰāĻŽ āĻŽাāϝ়া, āĻāĻ āϏ্āĻŦāĻĒ্āύেāϰ āĻāϞো।
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āĻŽাāϝ়া āĻ āϏ্āĻŦāĻĒ্āύেāϰ āĻĻ্āĻŦāύ্āĻĻ্āĻŦ:
“āĻ āĻি āĻŽাāϝ়া āύা āϏ্āĻŦāĻĒ্āύেāϰ āĻাāϝ়া?” — āĻāĻ āĻĒ্āϰāĻļ্āύāĻি āĻŽাāύুāώেāϰ āĻŽāύেāϰ āĻিāϰāύ্āϤāύ āϏংāĻļāϝ়।
āĻāĻŽāϰা āϝা āĻĻেāĻি, āϤা āĻি āϏāϤ্āϝি? āύাāĻি āĻŽāύেāϰ āϤৈāϰি āĻāĻŦি?
āĻāĻŦিāϰ āĻাāĻে “āĻ্āϰিāĻŽেāϰ āĻŽাāϝ়া” āĻšāϞো āĻŽাāϝ়াāϰ āύāϰāĻŽ āϰূāĻĒ — āϏুāύ্āĻĻāϰ, āϏ্āĻĒāϰ্āĻļāϝোāĻ্āϝ, āĻিāύ্āϤু āĻ্āώāĻŖāϏ্āĻĨাāϝ়ী।
āĻāĻ āĻŽাāϝ়াāϰ āĻিāϤāϰেāĻ āĻāĻŽāϰা āĻুঁāĻি āĻাāϞোāĻŦাāϏা, āĻিāύ্āϤু āϏেāĻি āĻিāĻে āĻĨাāĻে āύা, āϝেāĻŽāύ āĻ্āϰিāĻŽ āĻāϞে āϝাāϝ় āĻāώ্āĻŖāϤাāϝ়।
---
āĻĢ্āϰেāĻŽ āĻ āĻāĻŦি — āĻীāĻŦāύেāϰ āĻĒ্āϰāϤীāĻ:
āĻĢ্āϰেāĻŽ āĻšāϞো āĻীāĻŦāύেāϰ āĻাāĻ াāĻŽো — āĻĻাāϝ়িāϤ্āĻŦ, āĻļāϰীāϰ, āϏāĻŽাāĻ।
āĻāĻŦি āĻšāϞো āĻāϤ্āĻŽা — āĻাāϞোāĻŦাāϏা, āĻ
āύুāĻূāϤি, āĻেāϤāύা।
āϝāĻāύ āĻāĻŦি āĻšাāϰিāϝ়ে āϝাāϝ়, āĻĢ্āϰেāĻŽ āĻĨেāĻে āϝাāϝ় — āĻিāύ্āϤু āϤাāϰ āĻŽāϧ্āϝে āĻĒ্āϰাāĻŖ āĻĨাāĻে āύা।
āĻāĻ āĻšাāϰিāϝ়ে āϝাāĻāϝ়াāĻ āĻāĻŦিāϰ āĻ
āύ্āϤāϰ্āĻĻৃāώ্āĻি āĻুāϞে āĻĻেāϝ় — āĻšāϝ়āϤো āĻāĻŦি āĻšাāϰাāϝ়āύি, āĻšাāϰিāϝ়েāĻি āĻāĻŽি āύিāĻেāĻে।
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āϏ্āĻŽৃāϤি — āĻŽাāϝ়া āύাāĻি āϏāϤ্āϝ:
“āϤāĻŦু āĻŦāϞে āϝাāϝ় āĻāĻŦি” — āĻāĻ āϞাāĻāύāĻি āĻŦোāĻাāϝ় āϏ্āĻŽৃāϤি āĻāĻāύো āĻŽāϰে āύা।
āϝে āĻāĻŦিāĻি āύেāĻ, āϤাāϰ āϏুāϰ āĻāĻāύāĻ āĻļোāύা āϝাāϝ় āĻšৃāĻĻāϝ়ে।
āĻ āϝেāύ āĻĢ্āϰেāĻŽেāϰ āĻŽāϧ্āϝে āύা āĻĨাāĻা āĻāĻ āĻীāĻŦāύ্āϤ āĻāĻŦি।
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āĻāĻĒāϏংāĻšাāϰ (āĻŦাংāϞা):
āĻāĻ āĻāĻŦিāϤা āĻļেāĻাāϝ় — āĻাāϞোāĻŦাāϏা āĻŦা āϏৌāύ্āĻĻāϰ্āϝ āĻāĻāύো āĻĢ্āϰেāĻŽে āĻŦাঁāϧা āϝাāϝ় āύা।
āϏāϤ্āϝিāĻাāϰ āĻাāϞোāĻŦাāϏা āĻĨাāĻে āĻĢ্āϰেāĻŽেāϰ āĻŦাāĻāϰেāĻ, āĻেāϤāύাāϰ āĻāĻীāϰে।
āĻŽাāϝ়া āĻ āϏ্āĻŦāĻĒ্āύ āĻŽিāϞে āϤৈāϰি āĻāϰে āϏেāĻ āĻŦাāϏ্āϤāĻŦāϤা, āϝা āĻĻেāĻা āϝাāϝ় āύা, āĻিāύ্āϤু āĻ
āύুāĻāĻŦ āĻāϰা āϝাāϝ়।
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đģ ā¤šिंā¤Ļी ā¤Ŧ्⤞ॉ⤠ā¤ा⤠(⤞ā¤ā¤ā¤ 2300 ā¤ļā¤Ŧ्ā¤Ļ)
ā¤Ē⤰िā¤ā¤¯:
ā¤ā¤ĩि⤤ा “ā¤Ģ्⤰ेā¤Ž ā¤े ā¤Ēा⤰ ā¤ी ⤤⤏्ā¤ĩी⤰” ā¤ā¤¤्ā¤Žा ā¤ी ā¤ā¤šā¤°ा⤠⤏े ⤍िā¤ā¤˛ी ā¤šु⤠⤰ā¤ā¤¨ा ā¤šै।
ā¤¯ā¤š ⤏ā¤ĩा⤞ ā¤Ēूā¤ā¤¤ी ā¤šै — “ā¤्⤝ा ā¤¯ā¤š ā¤Žा⤝ा ā¤šै ⤝ा ⤏ā¤Ē⤍ा?”
ā¤ā¤ ⤤⤏्ā¤ĩी⤰ ā¤Ĩी ā¤Ģ्⤰ेā¤Ž ā¤Žें, ā¤
ā¤Ŧ ā¤ĩā¤š ā¤¨ā¤šीं ā¤šै।
ā¤Ē⤰ ā¤ā¤¸ā¤ी ā¤ā¤ĩि, ā¤ā¤¸ā¤ी ⤝ाā¤Ļ, ā¤ā¤¸ā¤ा ā¤
⤏⤰ ā¤
ā¤ी ā¤ी ā¤Žौā¤ूā¤Ļ ā¤šै।
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ā¤Žा⤝ा ā¤ā¤° ⤏ā¤Ē⤍ा:
ā¤Žा⤝ा ā¤ā¤° ⤏ā¤Ē⤍ा ā¤ā¤ ā¤šी ⤏िā¤्ā¤े ā¤े ā¤Ļो ā¤Ēā¤šā¤˛ू ā¤šैं।
ā¤Žा⤝ा ā¤ĩā¤š ā¤šै ā¤ो ā¤Ļिā¤ā¤¤ी ā¤šै, ⤏ā¤Ē⤍ा ā¤ĩā¤š ā¤šै ā¤ो ā¤Žā¤šā¤¸ू⤏ ā¤šो⤤ी ā¤šै।
ā¤ā¤ĩि ā¤े ⤞ि⤠ā¤Ļो⤍ों ā¤ा ā¤Ģ⤰्ā¤ ā¤Žि⤠ā¤ā¤¯ा ā¤šै — ā¤ā¤¸े ā¤
ā¤Ŧ ā¤ो ā¤Ļिā¤ā¤¤ा ā¤šै, ā¤ĩā¤š “ā¤्⤰ीā¤Ž” ā¤ी ā¤¤ā¤°ā¤š ⤏ुंā¤Ļ⤰ ā¤Ē⤰ ā¤
⤏्ā¤Ĩा⤝ी ā¤šै।
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ā¤Ģ्⤰ेā¤Ž ā¤ā¤° ⤤⤏्ā¤ĩी⤰ ā¤ा ā¤Ē्⤰⤤ीā¤:
ā¤Ģ्⤰ेā¤Ž ā¤ļ⤰ी⤰ ⤝ा ā¤¸ā¤Žा⤠ā¤ा ā¤Ē्⤰⤤ीā¤ ā¤šै, ā¤ā¤° ⤤⤏्ā¤ĩी⤰ ā¤ā¤¤्ā¤Žा ā¤ा।
ā¤ā¤Ŧ ⤤⤏्ā¤ĩी⤰ ā¤ा⤝ā¤Ŧ ā¤šो⤤ी ā¤šै, ā¤Ģ्⤰ेā¤Ž ā¤°ā¤š ā¤ा⤤ा ā¤šै — ā¤ै⤏े ā¤ļ⤰ी⤰ ā¤°ā¤š ā¤ा⤤ा ā¤šै ā¤Ē⤰ ā¤ā¤¤्ā¤Žा ā¤ā¤˛ी ā¤ा⤤ी ā¤šै।
ā¤ā¤ĩि ā¤ो ⤞ā¤ā¤¤ा ā¤šै — ā¤ļा⤝ā¤Ļ ⤤⤏्ā¤ĩी⤰ ā¤¨ā¤šीं, ā¤Ŧ⤞्ā¤ि ā¤ā¤¸ā¤ा ā¤
ā¤Ē⤍ा ā¤
⤏्⤤ि⤤्ā¤ĩ ā¤šी ā¤ो ā¤ā¤¯ा।
---
⤏्ā¤Žृ⤤ि ā¤ी ā¤ूंā¤:
ā¤ā¤ĩि ⤞िā¤ā¤¤ा ā¤šै — “ā¤Ŧ⤏ ā¤ूंā¤े ⤝ाā¤Ļें ā¤ā¤šीं ā¤¨ā¤šीं।”
⤝ाā¤Ļें ā¤ĩā¤š ā¤ā¤ĩाā¤ ā¤šैं ā¤ो ā¤ुā¤Ē ā¤°ā¤šā¤ā¤° ā¤ी ā¤Ŧो⤞⤤ी ā¤šैं।
ā¤ĩो ⤏ाā¤Ŧि⤤ ā¤ā¤°ā¤¤ी ā¤šैं ā¤ि ā¤Ē्⤝ा⤰ ā¤Žिā¤ā¤¤ा ā¤¨ā¤šीं, ā¤Ŧ⤏ ⤰ूā¤Ē ā¤Ŧā¤Ļ⤞⤤ा ā¤šै।
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⤍ि⤎्ā¤ā¤°्⤎ (ā¤šिंā¤Ļी):
ā¤¯ā¤š ā¤ā¤ĩि⤤ा ā¤šā¤Žें ⤏िā¤ा⤤ी ā¤šै ā¤ि ā¤šā¤° ā¤ा⤞ीā¤Ē⤍ ā¤Žें ā¤ी ā¤ā¤ ā¤ूंā¤ ā¤šो⤤ी ā¤šै।
⤤⤏्ā¤ĩी⤰ ā¤ā¤˛े ⤍ ā¤šो, ā¤Ē⤰ ā¤ā¤¸ā¤ी ā¤ā¤¤्ā¤Žा ā¤ीā¤ĩि⤤ ā¤°ā¤šā¤¤ी ā¤šै।
ā¤Žा⤝ा, ⤏ā¤Ē⤍ा ā¤ā¤° ⤏⤤्⤝ — ⤤ी⤍ों ā¤Žि⤞ā¤ā¤° ā¤ीā¤ĩ⤍ ā¤ा ā¤
⤏⤞ी ā¤Ģ्⤰ेā¤Ž ā¤Ŧ⤍ा⤤े ā¤šैं।
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⚖️ Disclaimer
This blog is a creative, emotional, and philosophical interpretation.
It is meant for artistic reflection only and does not offer any religious, psychological, or professional advice.
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đˇ️ Meta Description
Explore “The Portrait Beyond the Frame” — a trilingual poem and philosophical reflection on illusion, memory, and loss, presented in English, Bengali, and Hindi.
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đ Keywords
illusion vs dream, philosophical poem, trilingual poetry, Bengali Hindi English poem, frame and portrait symbolism, emotional art blog, philosophical analysis, poetry reflection, illusion and truth
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đą Hashtags
#ThePortraitBeyondTheFrame #IllusionOrDream #PoetryBlog #TrilingualPoetry #BengaliHindiEnglish #PhilosophicalPoem #ArtAndSoul #ModernPoetry #DreamsAndReality #DeepEmotions #LifeAndIllusion #FrameAndMemory
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